Third Stone From The Sun
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Third Stone From The Sun
"Third Stone from the Sun" (or "3rd Stone from the Sun") is a mostly instrumental composition by American musician Jimi Hendrix. It incorporates several musical approaches, including jazz and psychedelic rock, with brief spoken passages. The title reflects Hendrix's interest in science fiction and is a reference to Earth in its position as the third planet away from the sun in the solar system. Hendrix developed elements of the piece prior to forming his group, the Jimi Hendrix Experience. The Experience recorded versions as early as December 1966, and, in 1967, it was included on their debut album '' Are You Experienced''. Several artists have recorded renditions and others have adapted the guitar melody line for other songs. Background In the summer of 1966, Hendrix relocated to New York City's Greenwich Village. There he explored a rock sound outside of the musical confines of the Harlem rhythm and blues scene. While performing with his group Jimmy James and the Blue F ...
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Are You Experienced
''Are You Experienced'' is the debut studio album by the Jimi Hendrix Experience. Released in 1967, the LP was an immediate critical and commercial success, and it is widely regarded as one of the greatest albums of all time. The album features Jimi Hendrix's innovative approach to songwriting and electric guitar playing which soon established a new direction in psychedelic and hard rock music. After struggling to earn a living on the R&B circuit as a backing guitarist, Hendrix signed a management and production contract in 1966 with former Animals member Chas Chandler and ex-Animals manager Michael Jeffery. Chandler brought Hendrix to London and recruited members for the Jimi Hendrix Experience, a band designed to showcase the guitarist's talents. In late October, after having been rejected by Decca Records, the Experience signed with Track, a new label formed by the Who's managers Kit Lambert and Chris Stamp. ''Are You Experienced'' and its preceding singles were record ...
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The Jimi Hendrix Experience
James Marshall "Jimi" Hendrix (born Johnny Allen Hendrix; November 27, 1942September 18, 1970) was an American guitarist, singer and songwriter. Although his mainstream career spanned only four years, he is widely regarded as one of the most influential electric guitarists in the history of popular music, and one of the most celebrated musicians of the 20th century. The Rock and Roll Hall of Fame describes him as "arguably the greatest instrumentalist in the history of rock music." Born in Seattle, Washington, Hendrix began playing guitar at the age of 15. In 1961, he enlisted in the US Army, but was discharged the following year. Soon afterward, he moved to Clarksville, Tennessee, Clarksville then Nashville, Tennessee, and began playing gigs on the chitlin' circuit, earning a place in the Isley Brothers' backing band and later with Little Richard, with whom he continued to work through mid-1965. He then played with Curtis Knight, Curtis Knight and the Squires before moving t ...
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Arpeggio
A broken chord is a chord broken into a sequence of notes. A broken chord may repeat some of the notes from the chord and span one or more octaves. An arpeggio () is a type of broken chord, in which the notes that compose a chord are played or sung in a rising or descending order. An arpeggio may also span more than one octave. Being an Italian noun, its plural is ''arpeggi''. The word ''arpeggio'' comes from the Italian word ''arpeggiare'', which means ''to play on a harp''. Even though the notes of an arpeggio are not played or sung all together at the same time, listeners hear the sequence of notes as forming a chord. When an arpeggio also contains passing tones that are not part of the chord, different music theorists may analyze the same musical excerpt differently. Arpeggios enable composers writing for monophonic instruments that play one note at a time (e.g., flute, saxophone, trumpet), to voice chords and chord progressions in musical pieces. Arpeggios and brok ...
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Ninth Chord
In music theory, a ninth chord is a chord that encompasses the interval of a ninth when arranged in close position with the root in the bass. Heinrich Schenker and also Nikolai Rimsky-Korsakov allowed the substitution of the dominant seventh, leading-tone, and leading tone half-diminished seventh chords, rejected the concept of a ninth chord on the basis that only that on the fifth scale degree (V9) was admitted and that inversion was not allowed of the ninth chord. Dominant ninth There is a difference between a major ninth chord and a dominant ninth chord. A dominant ninth is the combination of a dominant chord (with a minor seventh) and a major ninth. A major ninth chord (e.g., Cmaj9), as an extended chord, adds the major seventh along with the ninth to the major triad. Thus, a Cmaj9 consists of C, E, G, B and D. When the symbol "9" is not preceded by the word "major" or "maj" (e.g., C9), the chord is a dominant ninth. That is, the implied seventh chord is a domina ...
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Louis Jordan
Louis Thomas Jordan (July 8, 1908 – February 4, 1975) was an American saxophonist, multi-instrumentalist, songwriter and bandleader who was popular from the late 1930s to the early 1950s. Known as " the King of the Jukebox", he earned his highest profile towards the end of the swing era. He was inducted into the Rock and Roll Hall of Fame as an "early influence" in 1987. Specializing in the alto sax, Jordan played all forms of the saxophone, as well as piano and clarinet. He also was a talented singer with great comedic flair, and fronted his own band for more than twenty years. He duetted with some of the biggest solo singing stars of his time, including Bing Crosby, Ella Fitzgerald and Louis Armstrong. Jordan was also an actor and a film personality—he appeared in dozens of "soundies" (promotional film clips) He also made numerous cameos in mainstream features and short films, and starred in two musical feature films: Swing Parade of 1946, probably targeting white viewers ...
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Jump Blues
Jump blues is an up-tempo style of blues, usually played by small groups and featuring horn instruments. It was popular in the 1940s and was a precursor of rhythm and blues and rock and roll. Appreciation of jump blues was renewed in the 1990s as part of the swing revival. Origins Jump blues evolved from the music of big bands such as those of Lionel Hampton and Lucky Millinder in the early 1940s which produced musicians such as Louis Jordan, Jack McVea, Earl Bostic, and Arnett Cobb. Jordan was the most popular of the jump blues stars; other artists who played the genre include Roy Brown, Amos Milburn, and Joe Liggins, as well as sax soloists Jack McVea, Big Jay McNeely, and Bull Moose Jackson. Hits included singles such as Jordan's "Saturday Night Fish Fry", Roy Brown's "Good Rockin' Tonight" and Big Jay McNeely's "Deacon's Hop". One important stylistic prototype in the development of R&B was jump blues, pioneered by Louis Jordan, with ... His Tympany Five ... three horns and ...
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Harry Shapiro (author)
Harry Shapiro is a British author and journalist A journalist is an individual that collects/gathers information in form of text, audio, or pictures, processes them into a news-worthy form, and disseminates it to the public. The act or process mainly done by the journalist is called journalism .... He has parallel careers working in the UK drugs charity sector and as a music biographer. Biography He joined the Institute for the Study of Drug Dependence in 1979 which became DrugScope in 2000 and closed in 2015. Shapiro had various roles within these organisations – in policy, information and communications ending as Director of Communications for DrugScope. During that period, he wrote over 80 articles for ''Druglink'' magazin.html" ;"title="">[1/nowiki>">">[1/nowiki>as well as in-house publications, reports and peer-reviewed papers. He is a guest lecturer, conference speaker and media spokesperson. He is currently Director of  DrugWise, a small online drug information serv ...
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Sun Ra
Le Sony'r Ra (born Herman Poole Blount, May 22, 1914 – May 30, 1993), better known as Sun Ra, was an American jazz composer, bandleader, piano and synthesizer player, and poet known for his experimental music, "cosmic" philosophy, prolific output, and theatrical performances. For much of his career, Ra led "The Arkestra", an ensemble with an ever-changing name and flexible line-up. Born and raised in Alabama, Blount became involved in the Chicago jazz scene during the late 1940s. He soon abandoned his birth name, taking the name Le Sony'r Ra, shortened to Sun Ra (after Ra, the Egyptian god of the Sun). Claiming to be an alien from Saturn on a mission to preach peace, he developed a mythical persona and an idiosyncratic credo that made him a pioneer of Afrofuturism. Throughout his life he denied ties to his prior identity saying, "Any name that I use other than Ra is a pseudonym." His widely eclectic and avant-garde music echoed the entire history of jazz, from ragtime and ea ...
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Charles Shaar Murray
Charles Shaar Murray (born Charles Maximillian Murray; 27 June 1951) is an English music journalist and broadcaster. He has worked on the '' New Musical Express'' and many other magazines and newspapers, and has been interviewed for a number of television documentaries and reports on music. Biography Murray grew up in Reading, Berkshire, England, where he attended Reading Grammar School and learnt to play the harmonica and guitar. His first experience in journalism came in 1970, when he was one of a number of schoolchildren who responded to an invitation to edit the April issue of the satirical magazine '' Oz''. He thus contributed to the notorious Schoolkids OZ issue and was involved in the consequent obscenity trial. He then wrote for '' IT (International Times)'', before moving to the ''New Musical Express'' in 1972 for which he wrote until around 1986. He subsequently worked for a number of publications including ''Q magazine'', ''Mojo'', ''MacUser'', ''New Statesman'', ' ...
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Up From The Skies
"Up from the Skies" is a song written by Jimi Hendrix. Recorded by the Jimi Hendrix Experience in 1967, it was released on their second album '' Axis: Bold as Love''. The lyrics reflect Hendrix's interest in science fiction and relate an extraterrestrial visitor's curiosity about life on Earth. Musically, it incorporates elements of jazz, particularly in drummer Mitch Mitchell's use of brushes. In 1968, the Experience's American record company, Reprise Records, released the song as a single, which reached number 82 on the ''Billboard'' Hot 100 chart. Background and style "Up From the Skies" was recorded on October 29, 1967, the last day of recording for ''Axis: Bold as Love'', at Olympic Sound Studios in London. AllMusic reviewer Matthew Greenwald described the song as "a breezy, jazz-based stroll, and it's quite different from anything on his debut album". Biographer Harry Shapiro commented on the "easy triplet jazz feel", bringing attention to the "delicate wah-wah and Mitch ...
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