Third (Soft Machine Album)
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Third (Soft Machine Album)
''Third'' is the third studio album by the rock band Soft Machine, originally released in 1970 as a double LP, with each side of the original vinyl consisting of a single suite without individual track titles. ''Third'' marks the most major of Soft Machine's several shifts in musical genre over their career, completing their transition from psychedelic music to jazz, and is a significant milestone of the Canterbury scene. It was their first album with saxophonist Elton Dean. Lyn Dobson appears on saxophone and flute on "Facelift", recorded while he was a full member of the band (then a quintet), although he is credited as an additional performer. Jimmy Hastings (brother of Pye Hastings from Caravan) makes substantial contributions on flute and clarinet on "Slightly All the Time", free-jazz violinist Rab Spall (then a bandmate of Wyatt's in the part-time ensemble Amazing Band) is heard on the coda to "Moon in June", and Nick Evans (a member of the band during its short-lived sep ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Canterbury Scene
The Canterbury scene (or Canterbury sound) was a musical scene centred on the town of Canterbury, Kent, England during the late 1960s and early 1970s. Associated with progressive rock, the term describes a loosely-defined, improvisational style that blended elements of jazz, rock, and psychedelia. These musicians played together in numerous bands, with ever-changing and overlapping personnel, creating some similarities in their musical output. Many prominent British avant-garde or fusion musicians began their career in Canterbury bands, including Hugh Hopper, Steve Hillage, Dave Stewart (the keyboardist), Robert Wyatt, Kevin Ayers, Daevid Allen, and Mike Ratledge. Definition and history The Canterbury scene is largely defined by a set of musicians and bands with intertwined members. These are not tied by very strong musical similarities, but a certain whimsicality, touches of psychedelia, rather abstruse lyrics, and a use of improvisation derived from jazz are common element ...
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Drone (music)
In music, a drone is a harmonic or monophonic effect or accompaniment where a note or chord is continuously sounded throughout most or all of a piece. A drone may also be any part of a musical instrument used to produce this effect; an archaic term for this is ''burden'' (''bourdon'' or ''burdon'') such as a "drone ipeof a bagpipe", the pedal point in an organ, or the lowest course of a lute. Α ''burden'' is also part of a song that is repeated at the end of each stanza, such as the chorus or refrain.Brabner, John H F., ed. (1884). The national encyclopædia', Vol. V, p.99. Libr. ed. William McKenzie. . Musical effect "Of all harmonic devices, it droneis not only the simplest, but probably also the most fertile." A drone effect can be achieved through a sustained sound or through repetition of a note. It most often establishes a tonality upon which the rest of the piece is built. A drone can be instrumental, vocal or both. Drone (both instrumental and vocal) can be place ...
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Stream Of Consciousness (narrative Mode)
In literary criticism, stream of consciousness is a narrative mode or method that attempts "to depict the multitudinous thoughts and feelings which pass through the mind" of a narrator. The term was coined by Daniel Oliver in 1840 in ''First Lines of Physiology: Designed for the Use of Students of Medicine,'' when he wrote, Better known, perhaps, is the 1855 usage by Alexander Bain in the first edition of ''The Senses and the Intellect'', when he wrote, "The concurrence of Sensations in one common stream of consciousness–on the same cerebral highway–enables those of different senses to be associated as readily as the sensations of the same sense". But it is commonly credited to William James who used it in 1890 in his ''The Principles of Psychology''. In 1918, the novelist May Sinclair (1863–1946) first applied the term stream of consciousness, in a literary context, when discussing Dorothy Richardson's novels. '' Pointed Roofs'' (1915), the first work in Richardson's ...
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For Girls Who Grow Plump In The Night
''For Girls Who Grow Plump in the Night'' is the fifth studio album released by the Canterbury scene band Caravan. Richard Sinclair and Steve Miller left the band prior to the recording of this album. They were replaced by John G. Perry and the returning Dave Sinclair. Viola player Geoff Richardson was added to the band. Track listing All songs composed by Pye Hastings, except where noted. ;Side one ;Side two ''The following bonus tracks were included on the 2001 remastered edition of the CD''. Personnel ;Caravan * Pye Hastings – electric and acoustic guitars, lead vocals * Geoff Richardson – violin * David Sinclair – Hammond organ, piano, electric piano, Davoli synthesizer, ARP synthesizer on (1 b) * John G. Perry – bass, vocals, percussion * Richard Coughlan – drums, percussion, timpani ;Additional personnel * Rupert Hine – ARP synthesizer (1a,b & 6) * Frank Ricotti – congas ( 1 b, 2, 4, 7) * Jimmy Hastings – flute (1) * Pete King – flute, alto ...
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Canterbury Scene
The Canterbury scene (or Canterbury sound) was a musical scene centred on the town of Canterbury, Kent, England during the late 1960s and early 1970s. Associated with progressive rock, the term describes a loosely-defined, improvisational style that blended elements of jazz, rock, and psychedelia. These musicians played together in numerous bands, with ever-changing and overlapping personnel, creating some similarities in their musical output. Many prominent British avant-garde or fusion musicians began their career in Canterbury bands, including Hugh Hopper, Steve Hillage, Dave Stewart (the keyboardist), Robert Wyatt, Kevin Ayers, Daevid Allen, and Mike Ratledge. Definition and history The Canterbury scene is largely defined by a set of musicians and bands with intertwined members. These are not tied by very strong musical similarities, but a certain whimsicality, touches of psychedelia, rather abstruse lyrics, and a use of improvisation derived from jazz are common element ...
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Mothers (music Venue)
Mothers (formerly the Carlton Ballroom) was a club in the Erdington district of Birmingham, England, during the late 1960s and early 1970s. It opened above an old furniture store in Erdington High Street on 9 August 1968.''Brum Rocked On!'' by Laurie Hornsby, The club, run by John 'Spud' Taylor and promoter Phil Myatt, closed its doors on 3 January 1971. Between those dates more than 400 acts performed there, many of whom went on to great success. Well-known live recordings made in Mothers include those released by Pink Floyd on ''Ummagumma'', recorded on 27 April 1969, and parts of "Facelift" by Soft Machine, released on '' Third'', recorded on 11 January 1970. The Who performed their rock opera ''Tommy'' there. Traffic's debut took place at the club, and fledgling heavy metal bands like Deep Purple, Judas Priest (whose vocalist Rob Halford mentions Mothers in a song on his 2000 solo album ''Resurrection'') and Black Sabbath played some of their earliest gigs there. Some ...
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Fairfield Halls
Fairfield Halls is an arts, entertainment and conference centre in Croydon, London, England, which opened in 1962 and contains a theatre and gallery, and a large concert hall regularly used for BBC television, radio and orchestral recordings. Fairfield Halls closed for a £30 million redevelopment in 2016, and reopened in 2019. As part of the building's re-opening Talawa Theatre Company relocated to the building, taking up a 200-seat theatre space and offices. Although the venue has been a major venue for professional music, plays, musicals, stand-up comedy and classical music, a significant proportion of Fairfield's programme has been for community events. It was frequently used by local schools as the venue for their annual choral concerts, as well as being regularly used by local music, opera, amateur dramatic and religious organisations. The Concert Hall features a cinema with Croydon's largest cinema screen. In 2021, Fairfield Halls was used as a mass vaccination centre as ...
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Tape Hiss
Tape or Tapes may refer to: Material A long, narrow, thin strip of material (see also Ribbon (other): Adhesive tapes * Adhesive tape, any of many varieties of backing materials coated with an adhesive *Athletic tape, pressure-sensitive tape that holds muscles or bones in certain positions * Box-sealing tape, a pressure-sensitive tape used for closing or sealing corrugated fiberboard boxes * Copper tape (or slug tape), adhesive-backed copper tape used to keep slugs and snails out of certain areas * Double-sided tape, any pressure-sensitive tape that is coated with adhesive on both sides * Duct tape, cloth- or scrim-backed pressure-sensitive tape often coated with polyethylene * Elastic therapeutic tape * Electrical tape, a type of pressure-sensitive tape used to insulate electrical wires and other materials that conduct electricity * Filament tape, a pressure-sensitive tape used for several packaging functions * Gaffer tape, a strong, tough, cotton cloth pressure-sensiti ...
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Nick Evans (trombonist)
Nick Evans (born 9 January 1947 in Newport, Monmouthshire, South Wales) is a Welsh former jazz and progressive rock trombonist. Career Evans worked in the Graham Collier Sextet (1968–69), Keith Tippett Group (1968–70), Soft Machine (1969), Brotherhood of Breath (1970–74), Centipede (1970–71), Just Us (1972–73), Ambush (1972), Ninesense (1975–80), Intercontinental Express (1976), Ark (1976, 1978), Nicra (1977), Dudu Pukwana's Diamond Express (1977), Spirits Rejoice (1978–79), and Dreamtime (1983). Early years He started playing the trombone at age 11 and by 1966 he had joined the New Welsh Jazz Orchestra. In that period he first joined the Graham Collier Sextet. In 1968 at the Barry school he worked with Keith Tippett and became a founding member of his sextet. He later worked with South African band Brotherhood of Breath and also Soft Machine. He was a peripheral figure in the Canterbury Scene. Evans also appeared on the album ''Lizard'' by the progressive r ...
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Caravan (band)
Caravan are an English rock band from the Canterbury area, founded by former Wilde Flowers members David Sinclair, Richard Sinclair, Pye Hastings, and Richard Coughlan in 1968. The band have never achieved the great commercial success that was widely predicted for them at the beginning of their career, but are nevertheless considered a key part of the Canterbury scene of progressive rock acts, blending psychedelic rock, jazz, and classical influences to create a distinctive sound. The band were originally based in Whitstable, Kent, near Canterbury, but moved to London when briefly signed to Verve Records. After being dropped by Verve, the band signed to Decca Records, where they released their most critically acclaimed album, '' In the Land of Grey and Pink'', in 1971. Dave Sinclair left after the album's release and the group split up the following year. Hastings and Coughlan added new members, notably viola player Geoffrey Richardson, continuing on before splitting in 19 ...
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Pye Hastings
Julian Frederick Gordon 'Pye' Hastings (born 21 January 1947 in Tomnavoulin, Banffshire, Scotland) is a British musician. Born in Scotland and raised in Canterbury, Kent, he is the guitarist and vocalist of the Canterbury scene band Caravan and brother of Jimmy Hastings. In 2017 he successfully funded through a PledgeMusic PledgeMusic was an online direct-to-fan music platform, launched in August 2009. It was started to facilitate musicians looking to pre-sell, market, and distribute projects; such as recordings and concerts. It bore similarities to other artist p ... campaign his first solo album called ''From the Half House''. Filmography * 2015: '' Romantic Warriors III: Canterbury Tales'' (DVD) References Canterbury scene Living people 1947 births Caravan (band) members British male guitarists British rock guitarists British male singers Musicians from Kent Mirage (British band) members The Wilde Flowers members {{UK-musician-stub ...
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