Thief In The Night (album)
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Thief In The Night (album)
''Thief in the Night'' is the nineteenth studio album by American keyboardist and record producer George Duke. It was released in 1985 through Elektra Records, making it his first release on the label. Recording sessions for the album took place at Le Gonks West in West Hollywood, California. Duke played various keyboard instruments on the album, including Synclavier II, Memorymoog, Fender Rhodes, Sequential Circuits Prophet-5, clavinet, Yamaha P F15 and Minimoog. The album features contributions from Lynn Davis, Paul Jackson Jr, Paulinho da Costa, Robert Brookins and Deniece Williams among others. The album peaked at number 183 on the ''Billboard'' 200 and number 52 on Top R&B/Hip-Hop Albums chart. Its lead single, a title track "Thief in the Night", reached number 37 on the Hot R&B/Hip-Hop Songs, number 21 on the Dance Club Songs, and number 89 in the UK Singles Chart. Its second single "I Surrender" and a promotional single "Love Mission" did not chart. Track listing ...
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George Duke
George M. Duke (January 12, 1946 – August 5, 2013) was an American keyboardist, composer, singer-songwriter and record producer. He worked with numerous artists as arranger, music director, writer and co-writer, record producer and as a professor of music. He first made a name for himself with the album '' The Jean-Luc Ponty Experience with the George Duke Trio''. He was known primarily for 32 solo albums, of which '' A Brazilian Love Affair'' from 1979 was his most popular, as well as for his collaborations with other musicians, particularly Frank Zappa. Biography George M. Duke was born in San Rafael, California, United States, to Thadd Duke and Beatrice Burrell and raised in Marin City. At four years old, he became interested in the piano. His mother took him to see Duke Ellington in concert and told him about this experience. "I don't remember it too well, but my mother told me I went crazy. I ran around saying 'Get me a piano, get me a piano!'" He began his formal pia ...
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Paul Jackson Jr
Paul Milton Jackson Jr. (born December 30, 1959) is an American fusion/urban jazz composer, arranger, producer and guitarist. He was born and raised in Los Angeles. Jackson knew by the age of fifteen that he wanted to become a professional musician. He attended the University of Southern California, majoring in music. In addition to being a recording artist in his own right, Jackson is also a highly accomplished L.A. session player, with a career spanning multiple decades. He has supported artists ranging from Michael Jackson (no relation)Vogel, Joachim (1995). ''Masters of Rhythm Guitar'', p. 93. AMA Verlag. (on the albums ''Thriller'', '' Bad'', '' Dangerous'', ''HIStory'' and '' Blood on the Dance Floor: HIStory in the Mix'') to the Temptations, Whitney Houston, Alexander O'Neal, Five Star (on the album '' Silk and Steel''), Howard Hewett, Thomas Anders, Patti LaBelle and Luis Miguel, to rockers such as Chicago and Elton John, to jazz-oriented players such as George Duke ...
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Tony Haynes (American Musician)
Tony Haynes is an American lyricist, songwriter, poet, music publisher, producer and author. Over the last four decades he has written lyrics to melodies composed by the biggest names in R&B and pop music. He has also authored children's books and produced children's music based on some of the most successful animated characters. Lyricist and songwriter He began his professional career in 1981 writing songs with Al McKay and David Bryant. McKay had recently left Earth, Wind & Fire. He signed Haynes to a co-publishing deal with Steelchest Music and introduced him to David Bryant. Together they wrote "Send A Little Love" for The Spinners, "Sayonara" for A Taste of Honey and "Lovers" and "You Owe It All To Love" for Finis Henderson. With Erich Bulling, Haynes also wrote songs for Japanese recording artists Naoko Kawai and Hiromi Iwasaki. In 1982, he began writing with Maurice White, Wanda Vaughn, Wayne Vaughn, Skip Scarborough, Philip Bailey and Robert Brookins. These collaborati ...
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Stevie Wonder
Stevland Hardaway Morris ( Judkins; May 13, 1950), known professionally as Stevie Wonder, is an American singer-songwriter, who is credited as a pioneer and influence by musicians across a range of genres that include rhythm and blues, Pop music, pop, Soul music, soul, Gospel music, gospel, funk, and jazz. A virtual one-man band, Wonder's use of synthesizers and other electronic musical instruments during the 1970s reshaped the conventions of Contemporary R&B, R&B. He also helped drive such genres into the album era, crafting his LP record, LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions. Visual impairment, Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder. Wonder's single "Fingertips" was a No. 1 hit on the Billboard Hot 100, ''Billboard'' Hot 100 in 1963, at the age of 13, making him the List o ...
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James Ingram
James Edward Ingram (February 16, 1952 – January 29, 2019) was an American singer, songwriter and record producer. He was a two-time Grammy Award-winner and a two-time Academy Awards, Academy Award nominee for Academy Award for Best Original Song, Best Original Song. After beginning his career in 1973, Ingram charted eight Top 40 hits on the U.S. Billboard Hot 100, ''Billboard'' Hot 100 chart from the early 1980s in music, 1980s until the early 1990s in music, 1990s, as well as thirteen top 40 hits on the Hot R&B/Hip-Hop Songs, Hot R&B/Hip-Hop Songs chart. In addition, he charted 20 hits on the Adult Contemporary (chart), Adult Contemporary chart (including two number-ones). He had two number-one singles on the Hot 100: the first, a duet with fellow R&B artist Patti Austin, 1982's "Baby, Come to Me (Patti Austin and James Ingram song), Baby, Come to Me" topped the U.S. pop chart in List of Hot 100 number-one singles of 1983 (U.S.), 1983; "I Don't Have the Heart", which became h ...
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David Batteau
David Hurst Batteau (born June 25, 1949) is an American singer-songwriter. Batteau is the son of Blanca Batteau and Dr. Dwight Wayne Batteau, of Harvard University and Tufts University. He is the brother of singer-songwriter Robin Batteau. History Batteau is widely credited for writing songs for various entertainers, including Seals and Crofts, Trisha Yearwood, Michael Sembello and Shawn Colvin. He also co-wrote several songs with Madeleine Peyroux and Larry Klein for Peyroux's 2009 album, '' Bare Bones''. He has also focused on solo work, and has released one solo album, ''Happy in Hollywood'' (1976) on A&M Records. Batteau had previously worked with his brother Robin as Batteaux, releasing one album on Columbia Records in 1971. This album contains the song "Tell Her She's Lovely" which was covered by El Chicano in 1973. In the mid-1980s, Batteau formed the Pop/New Wave band Nomo, which released one album, ''The Great Unknown'', in 1985, scoring a minor hit with "Red Lips ...
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UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ...
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Dance Club Songs
Dance Club Songs is a chart published weekly by '' Billboard'' magazine in the United States. It is a national look over of club disc jockeys to determine the most popular songs being played in nightclubs across the country. It was launched as the Disco Action Top 30 chart on August 28, 1976, and became the first chart by ''Billboard'' to document the popularity of dance music. The first number-one song on the chart for the issue dated August 28, 1976, was "You Should Be Dancing" by the Bee Gees, spending five weeks atop the chart and the group's only number-one song on the chart. In January 2017, ''Billboard'' proclaimed Madonna as the most successful artist in the history of the chart, ranking her first in their list of the 100 top all-time dance artists. Madonna holds the record for the most number-one songs with 50. Katy Perry holds the record for having eighteen consecutive number-one songs. Perry's third studio album, '' Teenage Dream'' (2010), became the first album in ...
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Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were consolid ...
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Lead Single
A lead single (also known as a debut single) is the first single to be released from a studio album by an artist or a band, usually before the album itself is released and also occasionally on the same day of the album's release date. Release strategies Artists often choose songs that are more up-tempo, yet representative of the album's sound, as lead singles. Such songs are often catchier and attract the attention of listeners. The subsequent single might then be slower in tempo, in order to demonstrate the range of the album. Female vocalists like Mariah Carey and Christina Aguilera often maintain a formula of an up-tempo first lead single with a slow ballad follow-up. For example, two singles were released by Miley Cyrus before her album ''Bangerz'' - an up-tempo track called, "We Can't Stop" was released as the first single, and a slow-ballad song, "Wrecking Ball" as the second. This was a successful practice of 1980s heavy metal bands. Girls Aloud chose to use " The Show ...
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Top R&B/Hip-Hop Albums
Top R&B/Hip-Hop Albums is a music chart published weekly by '' Billboard'' magazine that ranks R&B and hip hop albums based on sales in the United States and is compiled by Nielsen SoundScan. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965 in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade. From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores compared to the high percentage of mass merchants that account fo ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ...
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