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Thiago Soares
Thiago Soares (born 18 May 1981) is a Brazilian ballet dancer and choreographer. He is a former principal dancer with The Royal Ballet in London, and guest principal in other theatres around the world. Early life Born in 1981 in Rio de Janeiro, Soares was introduced to dance in a street dance hip hop group of Vila Isabel in Rio de Janeiro eventually at 13 got a scholarship to trained to become a professional dancer at the Centre for Dance Rio where was graduated in 1998. Career Soares joined the Rio de Janeiro Municipal Theatre Ballet in 1998; where his repertoire included the Prince in ''The Nutcracker'', Siegfried in Natalia Makarova's '' Swan Lake'', Solor in Makarova's ''La Bayadère'', Romeo in Vladimir Vasiliev's '' Romeo and Juliet'', and Basilio in ''Don Quixote''. In 2002, he briefly trained with the Kirov Ballet and danced Siegfried and Basilio and Prince desire with the Russian State Ballet. Soares joined the Royal Ballet in 2002 as a First Artist and was promo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rio De Janeiro
Rio de Janeiro ( , , ; literally 'River of January'), or simply Rio, is the capital of the state of the same name, Brazil's third-most populous state, and the second-most populous city in Brazil, after São Paulo. Listed by the GaWC as a beta global city, Rio de Janeiro is the sixth-most populous city in the Americas. Part of the city has been designated as a World Heritage Site, named "Rio de Janeiro: Carioca Landscapes between the Mountain and the Sea", on 1 July 2012 as a Cultural Landscape. Founded in 1565 by the Portuguese, the city was initially the seat of the Captaincy of Rio de Janeiro, a domain of the Portuguese Empire. In 1763, it became the capital of the State of Brazil, a state of the Portuguese Empire. In 1808, when the Portuguese Royal Court moved to Brazil, Rio de Janeiro became the seat of the court of Queen Maria I of Portugal. She subsequently, under the leadership of her son the prince regent João VI of Portugal, raised Brazil to the dignity of a k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Wright (dancer)
Sir Peter Wright CBE (born 25 November 1926) is a British ballet teacher, choreographer, director and former professional dancer. He worked as a choreographer and as the artistic director of Birmingham Royal Ballet, a classical ballet company based in Birmingham, England. On retiring from the company in 1995, he was bestowed the honorary title of Director Laureate of the company. Early life As a child, Wright was educated at Leighton Park School and then went on to Bedales. At the age of 16, his mother took him to a performance of ''Les Sylphides'' by the International Ballet, and it was this experience that led him to pursue dance as a career. His father was an accountant and, being a Quaker, was also very religious. He did not approve of his only son wanting to pursue a career in dance, which led to Wright leaving both home and school at the age of 17. Career After leaving home, Wright auditioned for Ninette de Valois, to join what is now the Royal Ballet School, but was rej ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manon (ballet)
''L'histoire de Manon'', generally referred to as ''Manon'', is a ballet choreographed by Kenneth MacMillan to music by Jules Massenet and based on the 1731 novel ''Manon Lescaut'' by Abbé Prévost. The ballet was first performed by The Royal Ballet in London in 1974 with Antoinette Sibley and Anthony Dowell in the leading roles. It continues to be performed and recognised internationally. Background Kenneth MacMillan had been thinking about choreographing a ballet about the story of Manon Lescaut for some time. Three years into his artistic directorship of The Royal Ballet, he wanted to create a large-scale operatic ballet that would provide exciting roles both for the company's principal dancers and the ''corps de ballet''.Parry, p. 428 On the last night of the company's summer season in 1973, MacMillan left a copy of Prévost's novel in Antoinette Sibley's dressing room, with a note informing her that it would "come in handy for March 7, '74". As the copy of ''Manon Lescaut' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenneth MacMillan
Sir Kenneth MacMillan (11 December 192929 October 1992) was a British ballet dancer and choreographer who was artistic director of the Royal Ballet in London between 1970 and 1977, and its principal choreographer from 1977 until his death. Earlier he had served as director of ballet for the Deutsche Oper in Berlin. He was also associate director of the American Ballet Theatre from 1984 to 1989, and artistic associate of the Houston Ballet from 1989 to 1992. From a family with no background of ballet or music, MacMillan was determined from an early age to become a dancer. The director of Sadler's Wells Ballet, Ninette de Valois, accepted him as a student and then a member of her company. In the late 1940s, MacMillan built a successful career as a dancer, but, plagued by stage fright, he abandoned it while still in his twenties. After this he worked entirely as a choreographer; he created ten full-length ballets and more than fifty one-act pieces. In addition to his work for bal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Wheeldon
Christopher Peter Wheeldon OBE (born 22 March 1973) is an English international choreographer of contemporary ballet. Life and career Born in Yeovil, Somerset, to an engineer and a physical therapist, Wheeldon began training to be a ballet dancer at the age of 8. He attended the Royal Ballet School between the ages of 11 and 18. In 1991, Wheeldon joined the Royal Ballet, London; and in that same year, he won the gold medal at the Prix de Lausanne competition. In 1993, at the age of 19, Wheeldon moved to New York City to join the New York City Ballet. Wheeldon was named Soloist in 1998.Brown, Mark. "Ballet world abuzz at British choreographer's huge gamble," ''Manchester Guardian'', 5 January 2007. Wheeldon began choreographing for the New York City Ballet in 199 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jewels (ballet)
''Jewels'' is a three-act ballet created for the New York City Ballet by co-founder and founding choreographer George Balanchine. It premièred on Thursday, 13 April 1967 at the New York State Theater, with sets designed by Peter Harvey and lighting by Ronald Bates. ''Jewels'' has been called the first full-length abstract ballet. It has three related movements: ''Emeralds'', ''Rubies'', and ''Diamonds'' (usually separated by intermissions). It can also be seen as three separate ballets, linked by their jewel-colored costumes. Balanchine commented: "The ballet had nothing to do with jewels. The dancers are just dressed like jewels." Each of the three acts features the music of a different composer: ''Emeralds'' is set to the music of Gabriel Fauré, ''Rubies'' to the music of Igor Stravinsky and ''Diamonds'' to music by Pyotr Ilyich Tchaikovsky. Costumes The costumes were created by Balanchine's long-time collaborator Barbara Karinska, who created a distinct look for each differen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony In C (ballet)
''Symphony in C'', originally titled ''Le Palais de Cristal'', is a ballet choreographed by George Balanchine, to Georges Bizet's Symphony in C. The ballet was originally created for the Paris Opera Ballet, and premiered on July 28, 1947 at Théâtre National de l'Opéra. Production Georges Bizet (1838 – 1875) wrote Symphony in C when he was 17-year-old student, and the score was not found until 1933. Composer Igor Stravinsky informed choreographer George Balanchine about this discovery. In 1947, as a guest ballet master at the Paris Opera Ballet, Balanchine choreographed the ballet, then titled ''Le Palais de Cristal'', to "showcase for the talent of the whole company." Balanchine paid homage to Léo Staats, a French choreographer he admired. According to NYCB, Balanchine created the ballet within two weeks. The following year, he restaged the ballet for Ballet Society, under the title ''Symphony in C'', and this version was featured in New York City Ballet's first program. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four Temperaments
The four temperament theory is a proto-psychological theory which suggests that there are four fundamental personality types: sanguine, choleric, melancholic, and phlegmatic. Most formulations include the possibility of mixtures among the types where an individual's personality types overlap and they share two or more temperaments. Greek physician Hippocrates (c. 460 – c. 370 BC) described the four temperaments as part of the ancient medical concept of humourism, that four bodily fluids affect human personality traits and behaviours. Modern medical science does not define a fixed relationship between internal secretions and personality, although some psychological personality type systems use categories similar to the Greek temperaments. History Temperament theory has its roots in the ancient theory of humourism. It may have originated in Mesopotamia, but it was Greek physician Hippocrates (460–370 BC) (and later Galen) who developed it into a medical theory. He believed th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Balanchine
George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze; ka, გიორგი მელიტონის ძე ბალანჩივაძე; January 22, 1904 (O. S. January 9) – April 30, 1983) was an ethnic Georgian American ballet choreographer who was one of the most influential 20th-century choreographers. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years.Joseph Horowitz (2008)''Artists in Exile: How Refugees from 20th-century War and Revolution Transformed the American Performing Arts.''HarperCollins. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music. Born in St. Petersburg, Balanchine took the standards and technique from his time at the Imperial Ballet School and fused it with other schools of movement that he had adopted during his tenure on Broadway and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Fokine
Michael Fokine, ''Mikhail Mikhaylovich Fokin'', group=lower-alpha ( – 22 August 1942) was a groundbreaking Imperial Russian choreographer and dancer. Career Early years Fokine was born in Saint Petersburg to a prosperous merchant and at the age of 9 was accepted into the Saint Petersburg Imperial Ballet School. That same year, he made his performing debut in '' The Talisman'' under the direction of Marius Petipa. In 1898, on his 18th birthday, he debuted on the stage of the Imperial Mariinsky Theatre in ''Paquita'', with the Imperial Russian Ballet. In addition to being a talented dancer, Fokine was also passionate about painting and displayed talent in this area as well. He also played musical instruments, including mandolin (played on stage in ensemble led by Ginislao Paris), domra, and balalaika (played in Vasily Andreyev's Great Russian Orchestra). Transition to choreographer He became frustrated with the life of a dancer and began considering other paths, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Morris (choreographer)
Mark William Morris (born August 29, 1956) is an American dancer, choreographer and director whose work is acclaimed for its craftsmanship, ingenuity, humor, and at times eclectic musical accompaniments. Morris is popular among dance aficionados, the music world, as well as mainstream audiences. Early years Morris grew up in Seattle, Washington, in a family that appreciated music and dance and nurtured his budding talents; his father Joe taught him to read music and his mother Maxine introduced him to flamenco and ballet. Joe was a high school teacher while Maxine cared for the children at home. Morris had two older sisters, Marianne and Maureen. Everyone in his family were performers, playing instruments, singing in chorus, and dancing. In grade school Morris's neighborhood population changed, with many Black and Asian families moving in, and many white families moving out, with exceptions such as the Morrises. This led to flourishing art from many different cultures, including a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glen Tetley
Glen Tetley (February 3, 1926 – January 26, 2007) was an American ballet and modern dancer as well as a choreographer who mixed ballet and modern dance to create a new way of looking at dance, and is best known for his piece ''Pierrot Lunaire''. Biography Glenford Andrew Tetley, Jr. was born on February 3, 1926 in Cleveland, Ohio. While in medical school, Tetley found a passion for dance. After graduating from Franklin and Marshall College in 1946, Tetley moved to New York City to study dance. He began his career as a dancer, dancing in Hanya Holm's Broadway production of ''Kiss Me, Kate'' in 1948 and ''Juno'' in 1959, as well as with the New York City Opera Ballet, John Butler's American Dance Theatre, and the Joffrey Ballet where he was an original member. Later he danced with American Ballet Theatre and Jerome Robbins's Ballets: USA. Tetley's choreographic style rises from his experiences with modern dance teachers like Holm and Martha Graham as well as his time with b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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