Themes In Fyodor Dostoevsky's Writings
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Themes In Fyodor Dostoevsky's Writings
The themes in the writings of Russian writer Fyodor Dostoevsky (frequently transliterated as "Dostoyevsky"), which consist of novels, novellas, short stories, essays, epistolary novels, poetry, spy fiction and suspense, include suicide, poverty, human manipulation, and morality. Dostoevsky was deeply Eastern Orthodox and religious themes are found throughout his works, especially in those written after his release from prison in 1854. His early works emphasised realism and naturalism, as well as social issues such as the differences between the poor and the rich. Elements of gothic fiction, romanticism, and satire can be found in his writings. Dostoyevsky was "an explorer of ideas", greatly affected by the sociopolitical events which occurred during his lifetime. After his release from prison his writing style moved away from what Apollon Grigoryev called the "sentimental naturalism" of his earlier works and became more concerned with the dramatization of psychological ...
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Existentialism
Existentialism ( ) is a form of philosophical inquiry that explores the problem of human existence and centers on human thinking, feeling, and acting. Existentialist thinkers frequently explore issues related to the meaning, purpose, and value of human existence, and the role of personal agency in transforming one's life. In the view of an existentialist, the individual's starting point is phenomenological, grounded in the immediate direct experience of life. Key concepts include " existential angst", a sense of dread, disorientation, confusion, or anxiety in the face of an apparently meaningless or absurd world, and also authenticity, courage, and human-heartedness. Existentialism is associated with several 19th- and 20th-century European philosophers who shared an emphasis on the human subject, despite often profound differences in thought. Among the earliest figures associated with existentialism are philosophers Søren Kierkegaard and Friedrich Nietzsche and novel ...
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Romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism, clandestine literature, paganism, idealization of nature, suspicion of science and industrialization, and glorification of the past with a strong preference for the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the social and political norms of the Age of Enlightenment, and the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, chess, social sciences, and the natural sciences. It had a significant and complex effect on politics, with romantic thinkers influencing conservatism, libe ...
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Ann Radcliffe
Ann Radcliffe (née Ward; 9 July 1764 – 7 February 1823) was an English novelist and a pioneer of Gothic fiction. Her technique of explaining apparently supernatural elements in her novels has been credited with gaining respectability for Gothic fiction in the 1790s.The British LibrarRetrieved 12 November 2016./ref> Radcliffe was the most popular writer of her day and almost universally admired; contemporary critics called her the mighty enchantress and the Shakespeare of romance-writers, and her popularity continued through the 19th century. Interest has revived in the early 21st century, with the publication of three biographies.Chawton House LibraryRuth Facer, "Ann Radcliffe (1764–1823)" retrieved 1 December 2012. Biography Early life Radcliffe was born Ann Ward in Holborn, London on 9 July 1764. She was the only child to William Ward (1737-1798) and Ann Oates (1726-1800), and her mother was 36 years old when she gave birth. Her father worked as a haberdasher in Lond ...
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Nikolai Berdyaev
Nikolai Alexandrovich Berdyaev (; russian: Никола́й Алекса́ндрович Бердя́ев;  – 24 March 1948) was a Russian Empire, Russian philosopher, theologian, and Christian existentialism, Christian existentialist who emphasized the existentialism, existential spiritual significance of Personalism, human freedom and the human person. Alternative historical spellings of his surname in English include "Berdiaev" and "Berdiaeff", and of his given name "Nicolas" and "Nicholas". Biography Nikolai Berdyaev was born at Obukhiv, Obukhovo, Kiev Governorate (present-day Obukhiv, Ukraine) in 1874, in an aristocracy, aristocratic military family. His father, Alexander Mikhailovich Berdyaev, came from a long line of Russian nobility. Almost all of Alexander Mikhailovich's ancestors served as high-ranking military officers, but he resigned from the army quite early and became active in the social life of the aristocracy. Nikolai's mother, Alina Sergeevna Berdyaeva, w ...
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Nikolay Strakhov
Nikolay Nikolayevich Strakhov, also transliterated as ''Nikolai Strahov'' (; October 16, 1828 – January 24, 1896), was a Russian philosopher, publicist, journalist and literary critic. He shared the ideals of Pochvennichestvo and was a longtime friend and correspondent of Leo Tolstoy. Strakhov was born in Belgorod, Kursk Governorate in a priest family. After leaving St Petersburg University (unable to afford the fees), in 1851 Strakhov graduated from Saint Petersburg's Main Pedagogical Institute, after which he taught for one year in Odessa, followed by nine years' teaching at a gymnasium in Saint Petersburg. In 1861, Strakhov became a prominent publicist and literary critic. Strakhov worked on the literary journals ''Time'' and ''Epoch'' together with Fyodor Dostoyevsky and Apollon Grigoryev. He became one of the very few close friends of Leo Tolstoy. In the 1870s Nikolay Strakhov wrote his most famous philosophical work ''World as a Whole'' and was among the first (if not th ...
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The Dream Of A Ridiculous Man
"The Dream of a Ridiculous Man" (russian: Сон смешного человека, ''Son smeshnovo cheloveka'') is a short story by Fyodor Dostoevsky. It chronicles the experiences of a man who decides that there is nothing of any value in the world. Slipping into nihilism with “terrible anguish”, he is determined to commit suicide. However, after a chance encounter with a young girl, he begins an inner journey that re-instills a love for his fellow man. The story first appeared in Dostoevsky's self-published monthly journal ''A Writer's Diary'' in 1877. According to literary theorist and Dostoevsky scholar Mikhail Bakhtin, ''The Dream of a Ridiculous Man'' is a modern manifestation of the ancient literary genre Menippean satire, and touches on almost all the themes characteristic of Dostoevsky's large-scale works. Plot summary The story opens with the narrator wandering the streets of St. Petersburg. He is contemplating the ridiculousness of his own life, and his recent re ...
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A Writer's Diary
''A Writer's Diary'' (russian: Дневник писателя; ''Dnevnik pisatelya'') is a collection of non-fiction and fictional writings by Fyodor Dostoevsky Fyodor Mikhailovich Dostoevsky (, ; rus, Фёдор Михайлович Достоевский, Fyódor Mikháylovich Dostoyévskiy, p=ˈfʲɵdər mʲɪˈxajləvʲɪdʑ dəstɐˈjefskʲɪj, a=ru-Dostoevsky.ogg, links=yes; 11 November 18219 .... Taken from pieces written for a periodical which he both founded and produced, it is normally published in two volumes: the first covering those articles published in the years 1873 and 1876, the second covering those published in the years 1877, 1880 and 1881. ''Diary'' articles The English titles of the following list of works are extracted from Kenneth Lantz's two-volume translations. References {{DEFAULTSORT:Writer's Diary, A 1876 books 1881 books Books by Fyodor Dostoyevsky Diaries ...
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Bobok
"Bobok" (russian: Бобок, ''Bobok'') is a short story by Fyodor Dostoevsky that first appeared in 1873 in his self-published ''Diary of a Writer''. The story consists largely of a dialogue between recently deceased occupants of graves in a cemetery, most of whom are fully conscious and retain all the features of their living personalities. The dialogue is overheard by a troubled writer who has lain down near the graves. The title "Bobok" refers to a nonsensical utterance repeatedly made by one of the cemetery's residents, an almost completely decomposed corpse who is otherwise silent. The writer also reports a kind of auditory hallucination of the word prior to his hearing of the dialogue. The sound suggests "little bean" in Russian, but in the context of the story is taken to be synonymous with gibberish. The philosopher and literary critic Mikhail Bakhtin regarded ''Bobok'' as one of the finest works in the literary tradition of Menippean satire, and argues that it encapsula ...
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Menippean Satire
The genre of Menippean satire is a form of satire, usually in prose, that is characterized by attacking mental attitudes rather than specific individuals or entities. It has been broadly described as a mixture of allegory, picaresque narrative, and satirical commentary.Paul Salzman, ''Narrative Contexts for Bacon's New Atlantis'', p. 39, in Bronwen Price (editor), ''Francis Bacon's New Atlantis'' (2002) Other features found in Menippean satire are different forms of parody and mythological burlesque, a critique of the myths inherited from traditional culture, a rhapsodic nature, a fragmented narrative, the combination of many different targets, and the rapid moving between styles and points of view. The term is used by classical grammarians and by philologists mostly to refer to satires in prose (cf. the verse Satires of Juvenal and his imitators). Social types attacked and ridiculed by Menippean satires include "pedants, bigots, cranks, parvenus, virtuosi, enthusiasts, rapacious a ...
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Polyphony (literature)
In literature, polyphony (russian: полифония) is a feature of narrative, which includes a diversity of simultaneous points of view and voices. Caryl Emerson describes it as "a decentered authorial stance that grants validity to all voices." The concept was introduced by Mikhail Bakhtin, using a metaphor based on the musical term polyphony. Bakhtin's primary example of polyphony was Fyodor Dostoevsky's prose. According to Bakhtin, the chief characteristic of Dostoevsky's novels is "''a plurality of independent and unmerged voices and consciousnesses, a genuine polyphony of fully valid voices''". His major characters are, "by the very nature of his creative design, ''not only objects of authorial discourse but also subjects of their own directly signifying discourse.''" Polyphony in literature is the consequence of a ''dialogic'' sense of truth in combination with the special authorial position that makes possible the realization of that sense on the page. The dialogic sense ...
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Mikhail Bakhtin
Mikhail Mikhailovich Bakhtin ( ; rus, Михаи́л Миха́йлович Бахти́н, , mʲɪxɐˈil mʲɪˈxajləvʲɪdʑ bɐxˈtʲin; – 7 March 1975) was a Russian philosopher, literary critic and scholar who worked on literary theory, ethics, and the philosophy of language. His writings, on a variety of subjects, inspired scholars working in a number of different traditions (Marxism, semiotics, structuralism, religious criticism) and in disciplines as diverse as literary criticism, history, philosophy, sociology, anthropology and psychology. Although Bakhtin was active in the debates on aesthetics and literature that took place in the Soviet Union in the 1920s, his distinctive position did not become well known until he was rediscovered by Russian scholars in the 1960s. Early life Bakhtin was born in Oryol, Russia, to an old family of the nobility. His father was the manager of a bank and worked in several cities. For this reason Bakhtin spent his early childhood ...
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Adventure Novel
Adventure fiction is a type of fiction that usually presents danger, or gives the reader a sense of excitement. Some adventure fiction also satisfies the literary definition of romance fiction. History In the Introduction to the ''Encyclopedia of Adventure Fiction'', Critic Don D'Ammassa defines the genre as follows: D'Ammassa argues that adventure stories make the element of danger the focus; hence he argues that Charles Dickens's novel ''A Tale of Two Cities'' is an adventure novel because the protagonists are in constant danger of being imprisoned or killed, whereas Dickens's ''Great Expectations'' is not because "Pip's encounter with the convict is an adventure, but that scene is only a device to advance the main plot, which is not truly an adventure." Adventure has been a common theme since the earliest days of written fiction. Indeed, the standard plot of Medieval romances was a series of adventures. Following a plot framework as old as Heliodorus, and so durable as t ...
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