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Thelonious Monk At The Blackhawk
''Thelonious Monk at the Blackhawk'' is an album by jazz pianist Thelonious Monk.Allmusic entry for ''Thelonious Monk at the Blackhawk''/ref> It was originally issued on the Riverside label as RLP 12-323 (mono)/1171 (stereo) and Original Jazz Classics OJCCD 305–2 in 1987. Origins of the album Riverside Records had originally planned for the album to be co-led by drummer Shelly Manne. Manne's career was at a high point in 1960, and his quintet released four albums recorded live at the Blackhawk that year. (A fifth album from the recording sessions, which took place in 1959, was released in 1991.) Three tracks of Monk's group with Manne playing drums were recorded at the Blackhawk with Manne on April 28, 1960. These tracks remained unissued until the release of Thelonious Monk: The Complete Riverside Recordings in 1986. The tracks recorded with Manne were "'Round Midnight", "Just You, Just Me" and "San Francisco Holiday" (a.k.a. "Worry Later"). Contrary to some published accoun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", "Blue Monk", " Straight, No Chaser", "Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the cover of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shelly Manne
Sheldon "Shelly" Manne (June 11, 1920 – September 26, 1984) was an American jazz drummer. Most frequently associated with West Coast jazz, he was known for his versatility and also played in a number of other styles, including Dixieland, swing, bebop, avant-garde jazz, and later fusion. He also contributed to the musical background of hundreds of Hollywood films and television programs. Family and origins Manne's father Max Manne and uncles were drummers. In his youth he admired many of the leading swing drummers of the day, especially Jo Jones and Dave Tough. Billy Gladstone, a colleague of Manne's father and the most admired percussionist on the New York theatrical scene, offered the teenage Shelly tips and encouragement. From that time, Manne rapidly developed his style in the clubs of 52nd Street in New York in the late 1930s and 1940s. His first professional job with a known big band was with the Bobby Byrne Orchestra in 1940. In those years, as he became known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Gordon (musician)
Joseph Henry Gordon (May 15, 1928, in Boston, Massachusetts – November 4, 1963, in Santa Monica, California) was an American jazz trumpeter. His first professional gigs were in Boston in 1947; he played with Georgie Auld, Charlie Mariano, Lionel Hampton, Charlie Parker (1952–55 intermittently), Art Blakey (1954), and Don Redman. In 1956 he toured the Middle East with Dizzy Gillespie's big band; he was a soloist on " A Night in Tunisia". Following this he played with Horace Silver. After moving to Los Angeles, he recorded with Barney Kessel, Benny Carter, Harold Land, Shelly Manne (1958–60) and Dexter Gordon. He recorded as a bandleader for two sessions, and appeared on one recording with Thelonious Monk. He has an uncredited role playing in Paul Horn's jazz band in the film Night Tide. He died in a house fire on November 4, 1963.Scott Yanow, ''Jazz on Record: The First Sixty Years'', Backbeat Books, 2003, 2003. p 583 Discography As leader *1955: '' Introducin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Clarke
Kenneth Clarke Spearman (January 9, 1914January 26, 1985), nicknamed Klook, was an American jazz drummer and bandleader. A major innovator of the bebop style of drumming, he pioneered the use of the ride cymbal to keep time rather than the hi-hat, along with the use of the bass drum for irregular accents (" dropping bombs"). Born in Pittsburgh, Pennsylvania, he was orphaned at the age of about five and began playing the drums when he was eight or nine on the urging of a teacher at his orphanage. Turning professional in 1931 at the age of seventeen, he moved to New York City in 1935 when he began to establish his drumming style and reputation. As the house drummer at Minton's Playhouse in the early 1940s, he participated in the after-hours jams that led to the birth of bebop. After military service in the US and Europe between 1943 and 1946, he returned to New York, but from 1948 to 1951 he was mostly based in Paris. He stayed in New York between 1951 and 1956, performing with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epistrophy (composition)
This is a list of compositions by jazz musician Thelonious Monk. 0-9 52nd Street Theme A contrafact based loosely on rhythm changes in C, and was copyrighted by Monk under the title "Nameless" in April 1944. The tune was also called "Bip Bop" by Monk, and he claims that the tune's latter title was the origin of the genre-defining name bebop. It quickly became popular as an opening and closing tune on the clubs on 52nd Street on Manhattan where Dizzy Gillespie and Charlie Parker played. It was first recorded by Dizzy Gillespie's sextet on February 22, 1946, under the title "52nd Street Theme". Leonard Feather claims he gave the latter title. A Ask Me Now A tonally ambiguous ballad in D first recorded on July 23, 1951, for the '' Genius of Modern Music'' sessions. It also appears on ''5 by Monk by 5'', and ''Solo Monk''. Jon Hendricks wrote lyrics to the tune and called it ”How I Wish”; it was first recorded by Carmen McRae on ''Carmen Sings Monk''. Mark Murphy sings a versio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernie Hanighen
Bernard D. Hanighen (April 27, 1908 in Omaha, Nebraska – October 19, 1976 in New York City, New York) Attended Hackley School (Tarrytown, New York) - Class of 1926, also attended Harvard University - Class of 1930. He was an American songwriter and record producer best known for " When a Woman Loves a Man" and writing lyrics to the jazz composition " 'Round Midnight" which was composed by jazz musician Thelonious Monk. Hanighen also worked with Clarence Williams and Johnny Mercer. Songwriting career Hanighen composed lyrics for the 1946 Broadway musical ''Lute Song'', which starred Mary Martin and Yul Brynner, and which featured music by Raymond Scott. Bernie Hanighen and Cootie Williams collaborated to transform Thelonious Monk's bop masterpiece "'Round Midnight", creating what became a standard in the vocal canon thanks to performances by Mel Tormé, Ella Fitzgerald, Sarah Vaughan, Carmen McRae, Nancy Wilson, Chris Connor, and Julie London. Producing Billie Holiday From ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cootie Williams
Charles Melvin "Cootie" Williams (July 10, 1911 – September 15, 1985) was an American jazz, jump blues, and rhythm and blues trumpeter. Biography Born in Mobile, Alabama, Williams began his professional career at the age of 14 with the Young Family band, which included saxophonist Lester Young. According to Williams he acquired his nickname as a boy when his father took him to a band concert. When it was over his father asked him what he'd heard and he replied, "Cootie, cootie, cootie." In 1928, he made his first recordings with pianist James P. Johnson in New York, where he also worked briefly in the bands of Chick Webb and Fletcher Henderson. Williams rose to prominence as a member of Duke Ellington's orchestra when the band was playing at the Cotton Club, with which he first performed from 1929 to 1940. He also recorded his own sessions during this time, both freelance and with other Ellington sidemen. Williams was renowned for his "jungle"-style trumpet playing (in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
'Round Midnight (song)
"Round Midnight" (sometimes titled "Round About Midnight") is a 1943 composition by American jazz pianist Thelonious Monk that quickly became a jazz standard and has been recorded by a wide variety of artists. A version recorded by Monk's quintet was added to the Grammy Hall of Fame in 1993. It is one of the most recorded jazz standards composed by a jazz musician. Composition and Monk's first recording It is thought that Monk composed the song sometime in 1940 or 1941. However, Monk's longtime manager Harry Colomby claims the pianist may have written an early version around 1936 (at the age of 19). The song was copyrighted September 24, 1943 in C minor under the title "I Need You So", with lyrics by a friend of Monk's named Thelma Murray. The first recording was made by Cootie Williams on August 22, 1944, after the pianist Bud Powell persuaded Williams to record the tune. Monk first recorded the song on November 21, 1947. It later appeared on the Blue Note album '' Genius of Mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ned Washington
Ned Washington (born Edward Michael Washington, August 15, 1901 – December 20, 1976) was an American lyricist born in Scranton, Pennsylvania. Life and career Washington was nominated for eleven Academy Awards from 1940 to 1962. He won the Best Original Song award twice: in 1940 for " When You Wish Upon a Star" in ''Pinocchio'' and in 1952 for " High Noon (Do Not Forsake Me, Oh My Darlin')" in '' High Noon''. Washington had his roots in vaudeville as a master of ceremonies. Having started his songwriting career with ''Earl Carroll's Vanities'' on Broadway in the late 1920s, he joined the ASCAP in 1930. In 1934, he was signed by MGM and relocated to Hollywood, eventually writing full scores for feature films. During the 1940s, he worked for a number of studios, including Paramount, Warner Brothers, Disney, and Republic. During these tenures, he collaborated with many of the great composers of the era, including Hoagy Carmichael, Victor Young, Max Steiner, and Dimitri Tiomkin. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Bassman
George Bassman (February 7, 1914 – June 26, 1997) was an American composer and arranger. Biography Born in New York City to a Ukrainian- and Lithuanian-Jewish émigré couple, Bassman was later raised in Boston and began studying music at the Boston Conservatory while still a boy. He studied orchestration and composition formally, but in his teens he left home against his father's wishes to play piano in an itinerant jazz group, and subsequently worked as an arranger for Fletcher Henderson in New York. Through that gig, he became part of the burgeoning swing/big band scene and was soon writing songs as well. Bassman peaked in that career when he and Ned Washington wrote "I'm Getting Sentimental Over You" for the bandleader Tommy Dorsey. Bassman also worked in radio as an arranger for Andre Kostelanetz, and made the move to Hollywood in the mid 1930s. Among his earliest film jobs was orchestrating the Gershwin songs in the Fred Astaire movie '' A Damsel in Distress'' at RKO ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm Getting Sentimental Over You
"I'm Getting Sentimental Over You" is a song recorded by Tommy Dorsey and His Orchestra. The words were written by Ned Washington and the music was written by George Bassman. It was first performed in 1932. The original copyright is dated 1933 and issued to Lawrence Music Publishers, Inc. The copyright was assigned to Mills Music, Inc. in 1934. Noni Bernardi, a saxophonist with the Dorsey orchestra arranged this song. Dorsey was the featured trombone soloist when his orchestra played it. It was first recorded in September 1935. A second recording on October 18, 1935 is the exact arrangement that Tommy would henceforth feature. Cliff Weston was the vocalist and trumpet player. It was released as a single in 1936. After Tommy Dorsey's death in 1956 Frank Sinatra sang it in the Dorsey Orchestra and also featured it in an album, ''I Remember Tommy''. This song was featured in an episode of ''The Twilight Zone'' called "Static", and in the films ''Carnal Knowledge'', ''Bart G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ornette Coleman
Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) was an American jazz saxophonist, violinist, trumpeter, and composer known as a principal founder of the free jazz genre, a term derived from his 1960 album '' Free Jazz: A Collective Improvisation''. His pioneering performances often abandoned the chordal and harmony-based structure found in bebop, instead emphasizing a jarring and avant-garde approach to improvisation. AllMusic called him "one of the most important (and controversial) innovators of the jazz avant-garde". Born in Fort Worth, Texas, Coleman began his musical career playing in local R&B and bebop groups, and eventually formed his own group in Los Angeles featuring members such as Ed Blackwell, Don Cherry, Charlie Haden, and Billy Higgins. In 1959, he released the controversial album ''The Shape of Jazz to Come'' and began a long residency at the Five Spot jazz club in New York City. His 1960 album ''Free Jazz'' would profoundly influence the di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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