|
Thelonious Monk Plays The Music Of Duke Ellington
''Thelonious Monk Plays Duke Ellington'' is an album by jazz pianist Thelonious Monk that was released by Riverside in 1955. It was also released under the title ''Thelonious Monk Plays the Music of Duke Ellington''. The album contains Monk's versions of songs by Duke Ellington. The album was reissued by Riverside on March 27, 2007, in the United States and on April 16, 2007, in the United Kingdom. Background Although Monk occasionally performed covers, he primarily played his own compositions. He had recorded several albums of originals during 1953-54 for his previous label, Prestige. But there was a perception, particularly among music critics, that Monk's music was "too difficult" for the mainstream public, and his Prestige albums sold poorly. After Riverside bought out Monk's contract in 1954 for slightly over $100, Riverside convinced Monk to record an entire album of Ellington tunes, an idea of record producer Orrin Keepnews. Monk's only 1955 session including his origin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", "Blue Monk", " Straight, No Chaser", "Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the cover of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brilliant Corners
''Brilliant Corners'' is a studio album by American jazz musician Thelonious Monk. It was his third album for Riverside Records, and the first, for this label, to include his own compositions. The complex title track required over a dozen takes in the studio. Recording The album was recorded in three sessions in late 1956 with two different quintets. "Ba-lue Bolivar Ba-lues-Are" and "Pannonica", on which Monk played the celeste, were recorded on October 9 with saxophonists Ernie Henry and Sonny Rollins, bassist Oscar Pettiford, and drummer Max Roach. The former composition was titled as a phonetic rendering of Monk's exaggerated pronunciation of "Blue Bolivar Blues", which referred to the Bolivar Hotel where Pannonica de Koenigswarter resided; Monk had met her during his first trip to Europe in 1954. On October 15, Monk attempted to record the title track with the same band during a four-hour session. The complexity of the title track became a challenge for Monk's sidemen, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Clarke
Kenneth Clarke Spearman (January 9, 1914January 26, 1985), nicknamed Klook, was an American jazz drummer and bandleader. A major innovator of the bebop style of drumming, he pioneered the use of the ride cymbal to keep time rather than the hi-hat, along with the use of the bass drum for irregular accents (" dropping bombs"). Born in Pittsburgh, Pennsylvania, he was orphaned at the age of about five and began playing the drums when he was eight or nine on the urging of a teacher at his orphanage. Turning professional in 1931 at the age of seventeen, he moved to New York City in 1935 when he began to establish his drumming style and reputation. As the house drummer at Minton's Playhouse in the early 1940s, he participated in the after-hours jams that led to the birth of bebop. After military service in the US and Europe between 1943 and 1946, he returned to New York, but from 1948 to 1951 he was mostly based in Paris. He stayed in New York between 1951 and 1956, performing with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Pettiford
Oscar Pettiford (September 30, 1922 – September 8, 1960) was an American jazz double bassist, cellist and composer. He was one of the earliest musicians to work in the bebop idiom. Biography Pettiford was born in Okmulgee, Oklahoma, United States. His mother was Choctaw, and his father Harry "Doc" Pettiford was half Cherokee and half African American. He grew up playing in the family band in which he sang and danced before switching to piano at the age of 12, then to double bass when he was 14. He is quoted as saying he did not like the way people were playing the bass, so he developed his own way of playing it. Despite being admired by the likes of Milt Hinton at the age of 14, he gave up in 1941 as he did not believe he could make a living. Five months later, he once again met Hinton, who persuaded him to return to music. In 1942, he joined the Charlie Barnet band and in 1943 gained wider public attention after recording with Coleman Hawkins on his " The Man I Love". Pett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravan (1937 Song)
"Caravan" is an American jazz standard that was composed by Juan Tizol and Duke Ellington and first performed by Ellington in 1936. Irving Mills wrote lyrics, but they are rarely sung. The sad sound of "Caravan" interested exotica musicians; Martin Denny, Arthur Lyman, and Gordon Jenkins all covered it. Woody Allen used the song in two of his films, '' Alice'' and ''Sweet and Lowdown''. Steven Soderbergh used the Lyman version in his 2001 film ''Ocean's Eleven''. The song appears often in the 2014 film ''Whiplash'' as an important plot element. The Mills Brothers recorded an a cappella version in which they imitated instruments with their voices. Johnny Mathis recorded the song in 1956. More than 350 versions have been recorded. Original recording The first version of the song was recorded in Hollywood in 1936 and performed as an instrumental by Barney Bigard and His Jazzopators. Two takes were recorded, of which the first (Variety VA-515-1) was published. The band members were: * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
(In My) Solitude
"(In My) Solitude" is a 1934 composition by Duke Ellington, with lyrics by Eddie DeLange and Irving Mills. It has been recorded numerous times and is considered a jazz standard. Ellington reported that he composed it in a recording studio in 20 minutes, as his orchestra had arrived with three pieces to record and required another. It is in D major and has an AABA form (although "the IV chord in measure 3 is replaced by a II7 the second time"). According to Ellington, the title was suggested by trumpeter Arthur Whetsel. An AllMusic writer describes the composition as "at once optimistic in its tone but somber in its pace, conflicted with the emotions of bitter loneliness and fond remembrance". The mood is set "in the very first phrase of the melody, with its ascent to the leading tone of the scale falling just short of the tonic, and in the seemingly unremarkable chord progressions that nevertheless manage to transform harmonic resolution into wistful resignation". The first recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Let A Song Go Out Of My Heart
"I Let a Song Go Out of My Heart" is a 1938 composition by Duke Ellington, with lyrics added by Irving Mills, Henry Nemo and John Redmond. The song became a number one hit for Ellington in 1938. Other hit versions the same year were by Benny Goodman (with Martha Tilton singing), Connee Boswell, Hot Lips Page, and Mildred Bailey. It was performed as part of The Cotton Club Parade of 1938. Other recordings *Tony Bennett - for the album '' Tony Makes It Happen'' (1967). *June Christy - included in the album ''Mood Indigo: Capitol Sings Duke Ellington'' (1994). *Rosemary Clooney - for the album ''Blue Rose'' (1956) *Bing Crosby recorded the song in 1957 for use on his radio show and it was subsequently included in the album ''With All My Heart'' (2012). *Ella Fitzgerald - in the album ''Ella Fitzgerald Sings the Duke Ellington Song Book'' (1957) *Gogi Grant - for her album ''Suddenly There's Gogi Grant'' (1956). *Lena Horne - for her album '' Lena...Lovely and Alive'' (1962) *Irene Kra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mood Indigo
"Mood Indigo" is a jazz song with music by Duke Ellington and Barney Bigard and lyrics by Irving Mills. Composition Although Irving Mills—Jack Mills's brother and publishing partner—took credit for the lyrics, Mitchell Parish claimed in a 1987 interview that he had written the lyrics. The tune was composed for a radio broadcast in October 1930 and was originally titled "Dreamy Blues". It was "the first tune I ever wrote specially for microphone transmission", Ellington recalled. "The next day wads of mail came in raving about the new tune, so Irving Mills put a lyric to it." Renamed "Mood Indigo", it became a jazz standard." The main theme was provided by Bigard, who learned it in New Orleans, Louisiana from his clarinet teacher Lorenzo Tio, who called it a "Mexican Blues". Ellington's arrangement was first recorded by his band for Brunswick on October 17, 1930. It was recorded twice more in 1930. These recordings included Arthur Whetsel (trumpet), Tricky Sam Nanton (tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black And Tan Fantasy
"Black and Tan Fantasy" is a 1927 jazz composition by Duke Ellington and Bubber Miley. The song was recorded several times in 1927 for the Okeh, Victor and Brunswick record labels. The song was also featured in the 1929 short film ''Black and Tan''. The Victor recording is an inductee of the Grammy Hall of Fame The Grammy Hall of Fame is a hall of fame to honor musical recordings of lasting qualitative or historical significance. Inductees are selected annually by a special member committee of eminent and knowledgeable professionals from all branches of .... Recordings (1927–1942) * April 7, 1927 E-22299 issued on Brunswick 3526, Brunswick 6682, Brunswick 80002, Melotone M-12093, Polk P-9006, Vocalion 15556 * October 6, 1927 BVE-40155-2 probably unissued * October 26, 1927 BVE-40155-4 Victor 21137, Victor 24861, Victor 68-0837 (as "Black & Tan Fantasie") * November 3, 1927 W 81776-A Columbia (LP) C3L-27 * November 3, 1927 W 81776-B OKeh 40955 * November 3, 1927 W 81776-C OK ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Got It Bad And That Ain't Good
"I Got It Bad (and That Ain't Good)" is a pop and jazz standard with music by Duke Ellington and lyrics by Paul Francis Webster published in 1941. It was introduced in the musical revue ''Jump for Joy'' by Ivie Anderson, who also provided the vocals for Duke Ellington and His Orchestra on the single Victor 27531. Recordings to reach the Billboard charts in 1941/42 were by Duke Ellington (#13) and by Benny Goodman (vocal by Peggy Lee) (#25). Recorded versions by notable artists *Al Aarons * John "Johnny" Adriano Acea *Cannonball Adderley *Jamey Aebersold * Harry Allen * Carl Anderson *Ernestine Anderson *Ivie Anderson * Susie Arioli *Louis Armstrong *Benny Bailey *Guy Barker *Bruce Barth *Count Basie *BBC Big Band *Tobias Beecher *Madeline Bell *Joe Benjamin *Tony Bennett *Big Miller *Paul Bley *Carolyn Breuer *Marvin Gaye * Charles Brown * Sandy Brown *Beryl Bryden *Kenny Burrell *Charlie Byrd *Donald Byrd *Ann Hampton Callaway *Harry Carney *Benny Carter *Cher - ''Bittersweet Whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sophisticated Lady
"Sophisticated Lady" is a jazz standard, composed as an instrumental in 1932 by Duke Ellington. Background Additional credit is given to publisher Irving Mills whose words were added to the song by Mitchell Parish. The words met with approval from Ellington, who described them as "wonderful—but not entirely fitted to my original conception". That original conception was inspired by three of Ellington's grade school teachers. "They taught all winter and toured Europe in the summer. To me that spelled sophistication." Lawrence Brown, the trombone player in Ellington's band at the time, claimed that he was responsible for the main hook in the A section of the tune. Ellington paid him $15 for his contribution, but he was never officially credited. Duke Ellington and His Orchestra introduced "Sophisticated Lady" in 1933 with an instrumental recording of the song that featured solos by Toby Hardwick on alto sax, Barney Bigard on clarinet, Lawrence Brown on trombone and Ellingto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It Don't Mean A Thing (If It Ain't Got That Swing)
"It Don't Mean a Thing (If It Ain't Got That Swing)" is a 1931 composition by Duke Ellington with lyrics by Irving Mills. It is now accepted as a jazz standard, and jazz historian Gunther Schuller characterized it as "now legendary" and "a prophetic piece and a prophetic title". In 2008, Ellington's 1932 recording of the song was inducted into the Grammy Hall of Fame. Background The music was composed and arranged by Ellington in August 1931 during intermissions at the Lincoln Tavern in Chicago; the lyrics were contributed by Irving Mills. According to Ellington, the song's title was the credo of trumpeter Bubber Miley, who was dying of tuberculosis at the time; Miley died the year the song was released. The song was first recorded by Ellington and his orchestra for Brunswick Records on February 2, 1932. Ivie Anderson sang the vocal and trombonist Joe Nanton and alto saxophonist Johnny Hodges played the solos. The song became famous, Ellington wrote, "as the expression of a senti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Thelonious Monk")
.jpg "Click for more on -> Oscar Pettiford")