|
Thelonious Monk Blue Note Sessions
Jazz pianist Thelonious Monk's first sessions as a bandleader were recorded between 1947 and 1952, and released on Blue Note records as a series of 78 RPM singles. These singles were then compiled in later years—with additional performances from the sessions—into long-playing album formats. As Monk's reputation and fame grew, the sessions were recompiled again and again into more complete configurations. This article details various releases of these sessions. The Sessions The Blue Note recordings were made over the course of six sessions. "Versions" refers only to the number of eventually-released performances; other takes may have been recorded. All compositions by Thelonious Monk unless otherwise noted. Session 1: October 15, 1947 # " Humph" # " Evonce" (Idrees Sulieman, Ike Quebec) versions# "Suburban Eyes" (Ike Quebec) versions# "Thelonious" ''recorded at WOR Studios, New York City'' Session 2: October 24, 1947 # " Nice Work If You Can Get It" (George Gershwin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Note
In jazz and blues, a blue note is a note that—for expressive purposes—is sung or played at a slightly different pitch from standard. Typically the alteration is between a quartertone and a semitone, but this varies depending on the musical context. Origins and meaning The blue notes are usually said to be the lowered third, lowered fifth, and lowered seventh scale degrees. The lowered fifth is also known as the raised fourth.Ferguson, Jim (1999). ''All Blues Soloing for Jazz Guitar: Scales, Licks, Concepts & Choruses'', p. 20. . Though the blues scale has "an inherent minor tonality, it is commonly 'forced' over major-key chord changes, resulting in a distinctively dissonant conflict of tonalities". A similar conflict occurs between the notes of the minor scale and the minor blues scale, as heard in songs such as "Why Don't You Do Right?", " Happy" and " Sweet About Me". In the case of the lowered third over the root (or the lowered seventh over the dominant), the resul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In Walked Bud
"In Walked Bud" is a 1947 jazz composition by Thelonious Monk. It was composed by Monk in honor of his friend, fellow pianist Bud Powell, and based in part on the Irving Berlin standard " Blue Skies". Monk recorded many renditions of "In Walked Bud" throughout his career, and it has been covered numerous times by other artists. Composition and inspiration "In Walked Bud" was based on the chord progression of " Blue Skies", an early pop standard composed in 1927 by Irving Berlin. Monk composed "In Walked Bud" as a tribute to friend and fellow jazz pianist Bud Powell. Many biographies of Powell have cited "In Walked Bud" as Monk's gratitude for Powell's actions in his defense during a police raid of the Savoy Ballroom in 1945. According to Monk biographer Thomas Fitterling, the police raided the venue and singled out Monk, who refused to show his identification and was arrested with force. Powell, a fan of Monk's, then attempted to prevent the police from the door and yelled, "S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Straight, No Chaser (composition)
This is a list of compositions by jazz musician Thelonious Monk. 0-9 52nd Street Theme A contrafact based loosely on rhythm changes in C, and was copyrighted by Monk under the title "Nameless" in April 1944. The tune was also called "Bip Bop" by Monk, and he claims that the tune's latter title was the origin of the genre-defining name bebop. It quickly became popular as an opening and closing tune on the clubs on 52nd Street on Manhattan where Dizzy Gillespie and Charlie Parker played. It was first recorded by Dizzy Gillespie's sextet on February 22, 1946, under the title "52nd Street Theme". Leonard Feather claims he gave the latter title. A Ask Me Now A tonally ambiguous ballad in D first recorded on July 23, 1951, for the '' Genius of Modern Music'' sessions. It also appears on ''5 by Monk by 5'', and ''Solo Monk''. Jon Hendricks wrote lyrics to the tune and called it ”How I Wish”; it was first recorded by Carmen McRae on ''Carmen Sings Monk''. Mark Murphy sings a versio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadik Hakim
Sadik Hakim (born Forrest Argonne Thornton; July 15, 1919 – June 20, 1983) was an American jazz pianist and composer. Early life Forrest Argonne Thornton was born on July 15, 1919 in Duluth, Minnesota. The name Argonne came from the World War I battle. He was taught music by his grandfather and played locally before moving to Chicago. Later life and career In Chicago in 1944, Hakim was heard by the tenor saxophonist Ben Webster, who took him to New York to be the pianist in his band. He appeared on some Charlie Parker recordings for Savoy Records in the following year. He toured with another saxophonist, Lester Young from 1946 to 1948, including for recordings. He changed his name to Sadik Hakim, a Muslim formulation, in 1947. "In the 1950s Hakim played in Canada with Louis Metcalf, toured with James Moody (1951–4), and was a member of Buddy Tate's orchestra (1956–60)." Hakim's debut recording as a leader was in 1962, on an album for Charlie Parker Records that was sha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four In One (composition)
This is a list of compositions by jazz musician Thelonious Monk. 0-9 52nd Street Theme A contrafact based loosely on rhythm changes in C, and was copyrighted by Monk under the title "Nameless" in April 1944. The tune was also called "Bip Bop" by Monk, and he claims that the tune's latter title was the origin of the genre-defining name bebop. It quickly became popular as an opening and closing tune on the clubs on 52nd Street on Manhattan where Dizzy Gillespie and Charlie Parker played. It was first recorded by Dizzy Gillespie's sextet on February 22, 1946, under the title "52nd Street Theme". Leonard Feather claims he gave the latter title. A Ask Me Now A tonally ambiguous ballad in D first recorded on July 23, 1951, for the ''Genius of Modern Music'' sessions. It also appears on ''5 by Monk by 5'', and ''Solo Monk''. Jon Hendricks wrote lyrics to the tune and called it ”How I Wish”; it was first recorded by Carmen McRae on ''Carmen Sings Monk''. Mark Murphy sings a version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apex Studios
Apex Studios was a recording studio in Manhattan, New York City. It had a high reputation for recording jazz. It was located in the Beaux Arts Steinway building. The owner was Bob Scheuing. When Al Schmitt started in 1950, the two engineers were Fred Herbert Otto and Tom Dowd. Apex did almost all of the work for National, Atlantic, and Prestige record labels. Miles Davis's album '' Miles Davis and Horns'' was partly recorded here in 1951. Duke Ellington did a session with his son, Mercer. It was one of the first major sessions engineered by Al Schmitt. The studio also recorded radio shows for Voice of America in many languages. Artists that recorded at the studio included Charlie Parker, The Clovers, Clyde McPhatter, the Modern Jazz Quartet, Peppermint Harris, Lightnin' Hopkins. The studio went bankrupt and closed in the early 1950s. Notable Recordings * The Clovers, "Don't You Know I Love You "Don't You Know I Love You" is the 1951, debut single by The Clovers. The single ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Weston
Paul Weston (born Paul Wetstein; March 12, 1912 – September 20, 1996) was an American pianist, arranger, composer, and conductor who worked in music and television from the 1930s to the 1970s, pioneering mood music and becoming known as "the Father of Mood Music". His compositions include popular music songs such as "I Should Care", " Day by Day", and "Shrimp Boats". He also wrote classical pieces, including "Crescent City Suite" and religious music, authoring several hymns and masses. Born in Springfield, Massachusetts, Weston had a keen interest in music from an early age and learned to play the piano. He was educated at Springfield High School, then attended Dartmouth College and Columbia University. At Dartmouth he formed his own band and toured with the college band. He joined Columbia's dance band, The Blue Lions, but was temporarily unable to perform following a rail accident, and did some arrangements while he recovered. He sold his first arrangements to Joe Haymes i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Axel Stordahl
Axel Stordahl (August 8, 1913 – August 30, 1963) was an American arranger who was active from the late 1930s through the 1950s. He is perhaps best known for his work with Frank Sinatra in the 1940s at Columbia Records. With his sophisticated orchestrations, Stordahl is credited with helping to bring pop arranging into the modern age. Early years Stordahl was born in Staten Island, New York, United States, to Norwegian immigrant parents. He began his career as a trumpeter in jazz bands that played around Long Island and the Catskills during the late 1920s and early 1930s. He also began arranging around this time, and in 1933 he joined Bert Bloch's orchestra in both capacities. Over the next couple of years, Stordahl sang on the side in a vocal trio dubbed the Three Esquires. Big bands In 1936, he joined Tommy Dorsey's new orchestra and soon became the band's main arranger. The same year appeared their first big hit, "I'm Getting Sentimental Over You". The tune quickly beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sammy Cahn
Samuel Cohen (June 18, 1913 – January 15, 1993), known professionally as Sammy Cahn, was an American lyricist, songwriter, and musician. He is best known for his romantic lyrics to films and Broadway songs, as well as stand-alone songs premiered by recording companies in the Greater Los Angeles Area. He and his collaborators had a series of hit recordings with Frank Sinatra during the singer's tenure at Capitol Records, but also enjoyed hits with Dean Martin, Doris Day and many others. He played the piano and violin, and won an Oscar four times for his songs, including the popular hit " Three Coins in the Fountain". Among his most enduring songs is "Let It Snow! Let It Snow! Let It Snow!", cowritten with Jule Styne in 1945. Life and career Cahn was born Samuel Cohen in the Lower East Side of New York City, the only son (he had four sisters) of Abraham and Elka Reiss Cohen, who were Jewish immigrants from Galicia, then ruled by Austria-Hungary. His sisters, Sadye, Pearl, Flor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Should Care
"I Should Care" is a popular song with music by Axel Stordahl and Paul Weston and lyrics by Sammy Cahn, published in 1944. Cahn said that the title came to him by the time they played the first 4 bars. It first appeared in the MGM film '' Thrill of a Romance''. The original recording by Ralph Flanagan and His Orchestra, with vocalists: Harry Prime and The Singing Winds was made at Manhattan Center, New York City, on July 18, 1952. It was released by RCA Victor Records as catalog number 20-4885 (in USA) and by EMI on the His Master's Voice labels as catalog number B 10389. The song has become a popular standard, and a jazz standard, with recordings by many artists. Notable recordings * Frank Sinatra – 1945 recording with orchestra directed by Axel Stordahl ( 78 single B-side of "When Your Lover Has Gone") * Peggy Lee – 1945 transcription recording with Dave Barbour and His Orchestra *Harry James – 1946 recording live at Meadowbrook Gardens, CA (''One Night Stand With Harry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Hammerstein II
Oscar Greeley Clendenning Hammerstein II (; July 12, 1895 – August 23, 1960) was an American lyricist, librettist, theatrical producer, and (usually uncredited) director in the musical theater for almost 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs. He is best known for his collaborations with composer Richard Rodgers, as the duo Rodgers and Hammerstein, whose musicals include ''Oklahoma!'', '' Carousel'', '' South Pacific'', ''The King and I'', and ''The Sound of Music''. Described by Stephen Sondheim as an "experimental playwright", Hammerstein helped bring the American musical to new maturity by popularizing musicals that focused on stories and character rather than the lighthearted entertainment that the musical had been known for beforehand. He also collaborated with Jerome Kern (with whom he wrote ''Show Boat''), Vincent Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
