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Thelma Votipka
Thelma Votipka (December 20, 1906 – October 24, 1972) was an American soprano who sang 1,422 performances with the Metropolitan Opera, more than any other woman in the company's history (her nearest rival, Mathilde Bauermeister, sang 1,062). Votipka was born in Cleveland, Ohio, and educated at Oberlin College. She specialized in comprimario roles. She also studied in New York City with Anna E. Schoen-Rene, a student of Pauline Viardot-Garcia and Manuel Garcia. She was a member of Vladimir Rosing's American Opera Company in the late 1920s and made her debut as the Countess in ''The Marriage of Figaro'' on December 14, 1927, in Washington D.C. She made her Metropolitan debut on December 16, 1935, as Flora in Verdi's ''La traviata'', a role she sang 101 times with the company. Other frequent roles with the Met included Giovanna in Verdi's ''Rigoletto'' (139 performances), Marthe in Gounod's ''Faust'' (128), Alisa in Donizetti's ''Lucia di Lammermoor'' (116), Frasquita in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Georges Bizet
Georges Bizet (; 25 October 18383 June 1875) was a French composer of the Romantic music, Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, ''Carmen'', which has become one of the most popular and frequently performed works in the entire opera repertoire. During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eleanor Steber
Eleanor Steber (July 17, 1914October 3, 1990) was an American operatic soprano. Steber is noted as one of the first major opera stars to have achieved the highest success with training and a career based in the United States. Biography Eleanor Steber was born in Wheeling, West Virginia on July 17, 1914. She was the daughter of William Charles Steber, Sr. (1888–1966) and Ida Amelia (née Nolte) Steber (1885–1985). She had two younger siblings – William Charles Steber, Jr. (1917–2002) and Lucile Steber Leslie (1918–1999). She made her debut at the Metropolitan Opera in 1940 and was one of its leading artists through 1961. She was known for her large, flexible silvery voice, particularly in the high-lying soprano roles of Richard Strauss. She was equally well known for her lyrical portrayals of Mozart's heroines, many in collaboration with conductors Kurt Adler, Bruno Walter. Beyond Mozart and Strauss her repertoire was quite varied. She was noted for success in the m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rose Pauly (singer)
Rose Pauly (sometimes Pauly-Dresden, born Rose Pollak; 15 March 1894 – 14 December 1975) was a Hungarian soprano. Life and career A native of Eperjeske, Pauly studied in Vienna with Rosa Papier-Paumgartner, and during the 1917–18 season made her debut in Hamburg in a minor role in ''Martha''. She next went to Gera and Karlsruhe before singing the title role in the German premiere of ''Káťa Kabanová'' in Cologne in 1922. 1923 saw her appear at the Vienna Staatsoper, where she would go on to sing Sieglinde, the Empress, and Rachel, and where in 1931 she created the role of Agave in ''Die Bakchantinnen'' by Egon Wellesz. From 1927-31 she was on the roster of the Kroll Oper, and she won acclaim for her performances at the Berlin Staatsoper in the roles of Marie in ''Wozzeck'' and the title roles in ''Jenůfa'' and '' Elektra''. In 1933 she appeared in Salzburg as the Dyer's Wife; the following year she returned in '' Elektra'' in the title role, which she would debut at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zinka Milanov
Zinka Milanov (; May 17, 1906 – May 30, 1989) was a Croatian operatic dramatic soprano who had a major career centered on the Metropolitan Opera in New York City. After finishing her education in Zagreb, Milanov made her debut in 1927 in Ljubljana as Leonora in Giuseppe Verdi's Il Trovatore. From 1928 to 1936, she was the leading soprano of the Croatian National Theatre. In 1937, Milanov performed at the Metropolitan Opera for the first time, where she continued to sing until 1966. She also performed as a concert singer and was a noted vocal coach and teacher. Milanov is the sister of the composer and pianist Božidar Kunc. Biography Born in Zagreb, Croatia as Zinka Kunc (), she studied with the Wagnerian soprano Milka Ternina and her assistant Marija Kostrenčić. She also studied in Milan with Carpi and in Berlin with Stückgolt. On October 29, 1927, she made her operatic debut as Leonora in Giuseppe Verdi's ''Il Trovatore'' in Ljubljana, Slovenia, at age 21. Her debut in he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marjorie Lawrence
Marjorie Florence Lawrence CBE (17 February 190713 January 1979) was an Australian soprano, particularly noted as an interpreter of Richard Wagner's operas. She was the first Metropolitan Opera soprano to perform the immolation scene in ''Götterdämmerung'' by riding her horse into the flames as Wagner had intended. She was afflicted by polio from 1941. Lawrence later served on the faculty of the School of Music at Southern Illinois University Carbondale. Her life story was told in the 1955 film ''Interrupted Melody'', in which she was portrayed by Eleanor Parker, who was nominated for the Academy Award for Best Actress for her performance as Lawrence. Early life Lawrence was born at Deans Marsh, south west of Melbourne. She was the fifth of six children of William Lawrence, the local butcher, and Elizabeth (née Smith) Lawrence, church organist. Her mother died when Lawrence was two and she was raised by her father's mother. Lawrence attended local schools, joined the choi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dallas, Texas
Dallas () is the third largest city in Texas and the largest city in the Dallas–Fort Worth metroplex, the fourth-largest metropolitan area in the United States at 7.5 million people. It is the largest city in and seat of Dallas County with portions extending into Collin, Denton, Kaufman and Rockwall counties. With a 2020 census population of 1,304,379, it is the ninth most-populous city in the U.S. and the third-largest in Texas after Houston and San Antonio. Located in the North Texas region, the city of Dallas is the main core of the largest metropolitan area in the Southern United States and the largest inland metropolitan area in the U.S. that lacks any navigable link to the sea. The cities of Dallas and nearby Fort Worth were initially developed due to the construction of major railroad lines through the area allowing access to cotton, cattle and later oil in North and East Texas. The construction of the Interstate Highway System reinforced Dallas's prominen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavalleria Rusticana
''Cavalleria rusticana'' (; Italian for "rustic chivalry") is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play by Giovanni Verga. Considered one of the classic ''verismo'' operas, it premiered on 17 May 1890 at the Teatro Costanzi in Rome. Since 1893, it has often been performed in a so-called ''Cav/Pag'' double-bill with ''Pagliacci'' by Ruggero Leoncavallo. Composition history In July 1888 the Milanese music publisher Edoardo Sonzogno announced a competition open to all young Italian composers who had not yet had an opera performed on stage. They were invited to submit a one-act opera which would be judged by a jury of five prominent Italian critics and composers. The best three would be staged in Rome at Sonzogno's expense. Mascagni heard about the competition only two months before the closing date and asked his friend Giovanni Targioni-Tozze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Mascagni
Pietro Mascagni (7 December 1863 – 2 August 1945) was an Italian composer primarily known for his operas. His 1890 masterpiece ''Cavalleria rusticana'' caused one of the greatest sensations in opera history and single-handedly ushered in the ''Verismo'' movement in Italian dramatic music. While it was often held that Mascagni, like Ruggero Leoncavallo, was a "one-opera man" who could never repeat his first success, ''L'amico Fritz'' and ''Iris'' have remained in the repertoire in Europe (especially Italy) since their premieres. Mascagni wrote fifteen operas, an operetta, several orchestral and vocal works, and also songs and piano music. He enjoyed immense success during his lifetime, both as a composer and conductor of his own and other people's music and created a variety of styles in his operas. Biography Early life and education Mascagni was born on 7 December 1863 in Livorno, Tuscany, the second son of Domenico and Emilia Mascagni. His father owned and operated a baker ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Walküre
(; ''The Valkyrie''), WWV 86B, is the second of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 14 August 1876. As the ''Ring'' cycle was conceived by Wagner in reverse order of performance, ''Die Walküre'' was the third of the four texts to be written, although Wagner composed the music in performance sequence. The text was completed by July 1852, and the music by March 1856. Wagner largely followed the principles related to the form of musical drama, which he had set out in his 1851 essay ''Opera and Drama'' under which the music would interpret the text emotionally, reflecting the feelings and moods behind the work, using a system of recurring leitmotifs to represent people, ideas, and situations rather than the conv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aida
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebratory ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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