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Theatrical Realism
Realism in the theatre was a general movement that began in 19th-century theatre, around the 1870s, and remained present through much of the 20th century. It developed a set of dramatic and theatrical conventions with the aim of bringing a greater fidelity of real life to texts and performances. These conventions occur in the text, (set, costume, sound, and lighting) design, performance style, and narrative structure. They include recreating on stage a facsimile of real life except missing a fourth wall (on proscenium arch stages). Characters speak in naturalistic, authentic dialogue without verse or poetic stylings, and acting is meant to emulate human behaviour in real life. Narratives typically are psychologically driven, and include day-to-day, ordinary scenarios. Narrative action moves forward in time, and supernatural presences (gods, ghosts, fantastic phenomena) do not occur. Sound and music are diegetic Diegesis (; from the Greek from , "to narrate") is a style of fic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nazimova A Doll's House
Alla Nazimova (Russian: Алла Назимова; born Marem-Ides Leventon, Russian: Марем-Идес Левентон; June 3 Old_Style_and_New_Style_dates">O.S._May_22.html" ;"title="Old_Style_and_New_Style_dates.html" ;"title="nowiki/> O.S._May_22">Old_Style_and_New_Style_dates.html"_;"title="nowiki/>Old_Style_and_New_Style_dates">O.S._May_22_1879_–_July_13,_1945)_was_a_Russian-American_actress,_director,_producer_and_screenwriter. On_ O.S._May_22">Old_Style_and_New_Style_dates.html"_;"title="nowiki/>Old_Style_and_New_Style_dates">O.S._May_22_1879_–_July_13,_1945)_was_a_Russian-American_actress,_director,_producer_and_screenwriter. On_Broadway_theatre">Broadway,_she_was_noted_for_her_work_in_the_classic_plays_of_ O.S._May_22">Old_Style_and_New_Style_dates.html"_;"title="nowiki/>Old_Style_and_New_Style_dates">O.S._May_22_1879_–_July_13,_1945)_was_a_Russian-American_actress,_director,_producer_and_screenwriter. On_Broadway_theatre">Broadway,_she_was_noted_for_her_w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Nemirovich-Danchenko
Vladimir Ivanovich Nemirovich-Danchenko (russian: Владимир Иванович Немирович-Данченко; , Ozurgeti – 25 April 1943, Moscow), was a Soviet and Russian theatre director, writer, pedagogue, playwright, producer and theatre administrator, who founded the Moscow Art Theatre with his colleague, Konstantin Stanislavski, in 1898.Немирович-Данченко Владимир Иванович Biography Vladimir Ivanovich Nemirovich-Danchenko was born into a Russian noble f ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanislavski's System
Stanislavski's system is a systematic approach to training actors that the Russian theatre practitioner Konstantin Stanislavski developed in the first half of the twentieth century. His system cultivates what he calls the "art of experiencing" (with which he contrasts the " art of representation").Benedetti (1999a, 201), Carnicke (2000, 17), and Stanislavski (1938, 16—36 " art of representation" corresponds to Mikhail Shchepkin's "actor of reason" and his "art of experiencing" corresponds to Shchepkin's "actor of feeling"; see Benedetti (1999a, 202). It mobilises the actor's conscious thought and will in order to activate other, less-controllable psychological processes—such as emotional experience and subconscious behaviour—sympathetically and indirectly. In rehearsal, the actor searches for inner motives to justify action and the definition of what the character seeks to achieve at any given moment (a "task"). Later, Stanislavski further elaborated the system with a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Zola
Émile Édouard Charles Antoine Zola (, also , ; 2 April 184029 September 1902) was a French novelist, journalist, playwright, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France and in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus, which is encapsulated in his renowned newspaper opinion headlined '' J'Accuse…!'' Zola was nominated for the first and second Nobel Prize in Literature in 1901 and 1902. Early life Zola was born in Paris in 1840 to François Zola (originally Francesco Zolla) and Émilie Aubert. His father was an Italian engineer with some Greek ancestry, who was born in Venice in 1795, and engineered the Zola Dam in Aix-en-Provence; his mother was French. The family moved to Aix-en-Provence in the southeast when Émile was three years old. Four years later, in 1847, his father ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verismo
In opera, ''verismo'' (, from , meaning "true") was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini. ''Verismo'' as an operatic genre had its origins in an Italian literary movement of the same name. This was in turn related to the international literary movement of naturalism as practised by Émile Zola and others. Like naturalism, the ''verismo'' literary movement sought to portray the world with greater realism. In so doing, Italian ''verismo'' authors such as Giovanni Verga wrote about subject matter, such as the lives of the poor, that had not generally been seen as a fit subject for literature. History A short story by Verga called ' (), then developed into a play by the same author, became the source for what is usually considered to be the first ''verismo'' opera: ''Cavalleria rusticana'' by Mascagni, which premiered on 17 May 1890 at the Teat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henrik Ibsen
Henrik Johan Ibsen (; ; 20 March 1828 – 23 May 1906) was a Norwegian playwright and theatre director. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential playwrights of his time. His major works include ''Brand'', ''Peer Gynt'', ''An Enemy of the People'', ''Emperor and Galilean'', ''A Doll's House'', ''Hedda Gabler'', ''Ghosts'', '' The Wild Duck'', ''When We Dead Awaken'', ''Rosmersholm'', and ''The Master Builder''. Ibsen is the most frequently performed dramatist in the world after Shakespeare, and ''A Doll's House'' was the world's most performed play in 2006. Ibsen's early poetic and cinematic play ''Peer Gynt'' has strong surreal elements. After ''Peer Gynt'' Ibsen abandoned verse and wrote in realistic prose. Several of his later dramas were considered scandalous to many of his era, when European theatre was expected to model strict morals of family life and propriety. Ibsen's later w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Actor Training
An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for hypocrite) also means, less often, "to answer" the tragic chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' (acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of actingpertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the medieval world, and in England at the time of Wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikhail Bulgakov
Mikhail Afanasyevich Bulgakov ( rus, links=no, Михаил Афанасьевич Булгаков, p=mʲɪxɐˈil ɐfɐˈnasʲjɪvʲɪtɕ bʊlˈɡakəf; – 10 March 1940) was a Soviet writer, medical doctor, and playwright active in the first half of the 20th century. He is best known for his novel '' The Master and Margarita'', published posthumously, which has been called one of the masterpieces of the 20th century. He is also known for his novel '' The White Guard''; his plays '' Ivan Vasilievich'', '' Flight'' (also called ''The Run''), and ''The Days of the Turbins''; and other works of the 1920s and 1930s. He wrote mostly about the horrors of the Russian Civil War and about the fate of Russian intellectuals and officers of the Tsarist Army caught up in revolution and Civil War.Bulgakov's bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Cherry Orchard
''The Cherry Orchard'' (russian: Вишнёвый сад, translit=Vishnyovyi sad) is the last play by Russian playwright Anton Chekhov. Written in 1903, it was first published by '' Znaniye'' (Book Two, 1904), and came out as a separate edition later that year in Saint Petersburg, via A.F. Marks Publishers.Commentaries to Вишневый сад The Complete Chekhov in 30 Volumes. Vol. 13. // Чехов А. П. Вишневый сад: Комедия в 4-х действиях // Чехов А. П. Полное собрание сочинений и писем: В 30 т. Сочинения: В 18 т. / АН СССР. Ин-т мировой лит. им. А. М. Горького. — М.: Наука, 1974—1982. Т. 13. Пьесы. 1895—1904. — М.: Наука, 1978. — С. 195—254. It opened ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uncle Vanya
''Uncle Vanya'' ( rus, Дя́дя Ва́ня, r=Dyádya Ványa, p=ˈdʲædʲə ˈvanʲə) is a play by the Russian playwright Anton Chekhov. It was first published in 1898, and was first produced in 1899 by the Moscow Art Theatre under the direction of Konstantin Stanislavski. The play portrays the visit of an elderly professor and his glamorous, much younger second wife, Yelena, to the rural estate that supports their urban lifestyle. Two friends—Vanya, brother of the professor's late first wife, who has long managed the estate, and Astrov, the local doctor—both fall under Yelena's spell, while bemoaning the ''ennui'' of their provincial existence. Sonya, the professor's daughter by his first wife, who has worked with Vanya to keep the estate going, suffers from her unrequited feelings for Astrov. Matters are brought to a crisis when the professor announces his intention to sell the estate, Vanya and Sonya's home, with a view to investing the proceeds to achieve a higher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lower Depths
''The Lower Depths'' (russian: На дне, translit=Na dne, literally: ''At the bottom'') is a play by Russian dramatist Maxim Gorky written in 1902 and produced by the Moscow Arts Theatre on December 18, 1902 under the direction of Konstantin Stanislavski. It became his first major success, and a hallmark of Russian social realism. The play depicts a group of impoverished Russians living in a shelter near the Volga. When it first appeared, ''The Lower Depths'' was criticized for its pessimism and ambiguous ethical message. The presentation of the lower classes was viewed as overly dark and unredemptive, and Gorky was clearly more interested in creating memorable characters than in advancing a formal plot. However, in this respect, the play is generally regarded as a masterwork. The theme of harsh truth versus the comforting lie pervades the play from start to finish, as most of the characters choose to deceive themselves over the bleak reality of their condition. Characters * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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