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Theatre Royal, Dublin
Over the centuries, there have been five theatres in Dublin called the Theatre Royal. In the history of the theatre in Great Britain and Ireland, the designation "Theatre Royal", or "Royal Theatre", once meant that a theatre had been granted a royal patent, without which "serious drama" theatrical performances were not permitted by law. Many such theatres had other names. The first Theatre Royal The first Theatre Royal was opened by John Ogilby in 1662 in Smock Alley. Ogilby, who was the first Irish Master of the Revels, had previously run the New Theatre in Werburgh Street. This was the first custom-built theatre in the city. It opened in 1637 but was closed by the Puritans in 1641. The Restoration of the monarchy in Ireland in 1661 enabled Ogilby to resume his position as Master of the Revels and open his new venture. This Theatre Royal was essentially under the control of the administration in Dublin Castle and staged mainly pro- Stuart works and Shakespearean classics. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smock Alley Theatre Dublin , a shirt worn in Ghana
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Smock may refer to one of the following: * Smock-frock, a coatlike outer garment, often worn to protect the clothes * Smocking, an embroidery technique in which the fabric is gathered, then embroidered with decorative stitches to hold the gathers in place * Chemise, a woman's undergarment * A smock mill, a windmill with a wooden tower, resembling the garment in appearance * A Ghanaian smock A Ghanaian smock is a plaid shirt that is similar to the dashiki, worn by both women and men in Ghana. It is the most popular traditional attire in Ghana. The smock is called Bingmaa in Dagbani language, Bun-nwↃ or Bana by Mamprusis, fugu i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Death Of Pompey
''The Death of Pompey'' (''La Mort de Pompée'') is a tragedy by the French playwright Pierre Corneille on the death of Pompey the Great. It was first performed in 1642, with Julius Caesar played by Molière. Like many of Corneille's plays, it is noted for the high tones of its heroine, Cornelia, who admits that her enemy is noble and generous but warns him when he releases her that she will continue to seek his death.Louis Auchincloss, ''False Dawn'' p 4 In 1724 Colley Cibber wrote an English-language play ''Caesar in Egypt'' inspired by Corneille's original. It was staged at the Theatre Royal, Drury Lane with Barton Booth as Julius Caesar and Anne Oldfield Anne Oldfield (168323 October 1730) was an English actress and one of the highest paid actresses of her time. Early life and discovery She was born in London in 1683. Her father was a soldier, James Oldfield. Her mother was either Anne or Eliz ... as Cleopatra. References 1642 plays Plays by Pierre Corneille ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Astley's Amphitheatre (Dublin)
Astley's Amphitheatre was a theatre on Peter Street, Dublin, which operated from 1789 to 1812. Established by Philip Astley, it was Ireland's first circus and, in later years, was known as the Royal Hibernian Theatre. History Philip Astley used his fame and military connections with Capel Molyneux to obtain a patent in 1788, and a theatre was later established on 26 November 1789 to the rear of the Molyneux home on Peter Street facing onto Bride Street. In the 1790s the venue was known as Astley's Dublin Amphitheatre, after Astley's Amphitheatre of London, and featured the Jacobin Revolutionary Theatre and the Early Circus. In 1794 Astley rented the theatre to William Parker and Benjamin Handy with the permission of the Lord Mayor of Dublin. In 1805, Joseph Grimaldi performed here. At the time, the theatre was badly in need of repair. As audiences were small, and the show's box-office takings suffered, Grimaldi donated his salary to help pay for the renovation of the theatre. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Daly
Richard Daly (1758–1813) was an Irish actor and theatrical manager who, between 1786 and 1797, held the Royal patent for staging dramatic productions in Dublin and became such a dominant figure in Irish theatre that he was referred to as "King Daly". Birth and family background Richard Daly was born in County Westmeath in 1758, the third son of Joseph and Frances () Daly of Castle Daly, Kilcleagh, near Athlone. His family were descendants of Bryan O’Dailaigh who, at the time of his death in 1619, possessed the castle and demesne of Kilcleagh. Ownership of that property (later called Castle Daly) was confirmed to the family at the Restoration, and they converted to Protestantism during the Williamite confiscations. By the 19th century their estate exceeded 3,000 acres. Trinity College and the Middle Temple Daly entered Trinity College, Dublin, at the age of fifteen and was a turbulent student. The playwright John O'Keeffe remembered him as "so given to riot and commotion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James William Dodd
James William Dodd (1740?–1796) was an English actor, one of David Garrick's picked company. Early life Born in London about 1740, he is said to have been the son of a hairdresser. He was educated at the grammar school in Holborn. A success in a school performance of the '' Andria'' of Terence decided him to become an actor. Aged 16, Dodd is said to have appeared at Sheffield as Roderigo in '' Othello''. He was met by Tate Wilkinson in Norwich in 1763. He then played in comedy and tragedy, and was popular, according to Wilkinson. An engagement in Bath, Somerset followed, and proved a stepping-stone to London. At Drury Lane John Hoadly saw Dodd in ''The Jealous Wife'' and recommended him to David Garrick, who decided with James Lacy to engage him for Drury Lane Theatre. Dodd's first appearance at Drury Lane took place 3 October 1765 as Faddle in Edward Moore's comedy, ''The Foundling''. For 31 years, Dodd remained there. During this long period he played mainly beaux and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Bulkley
Mary Bulkley, née Wilford (1747/8 – 1792), known professionally as Mrs Bulkley, Miss Bulkley, and later Mrs Barresford, was an English eighteenth-century dancer and comedy stage actress. She performed at various theatres, especially Covent Garden Theatre, the Theatre Royal, Dublin, the Theatre Royal, Edinburgh, the Theatre Royal Haymarket and Shrewsbury Theatre. She performed in all or most of the Shakespearean comedies, and in several tragedies, besides many contemporary comedy plays. She played the part of Hamlet at least twice. She was considered a beauty when young, and her talent was praised. She married George Bulkley and later Captain Ebenezer Barresford, and openly took several lovers. Her early career was successful, but later she was hissed on stage due to her extra-marital affairs, and she died in poverty. Background Mary Bulkley was born as Mary Wilford. Her father was Edward Wilford (d. 1789), an official and treasurer at the Covent Garden Theatre. Because her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spranger Barry
Spranger Barry (23 November 1719 – 10 January 1777) was an Irish actor. Life He was born in Skinner's Row, Dublin, the son of a silversmith, to whose business he was brought up. He took over the business but was not successful. His first appearance on the stage was at the Theatre Royal, Smock Alley, Dublin, on 5 February 1744, and his engagement at once increased its prosperity. His first London appearance was made in 1746 as Othello at the Theatre Royal, Drury Lane. Here his talents were speedily recognized, and in ''Hamlet'' and ''Macbeth'' he alternated with David Garrick, arousing the latter's jealousy by his success as Romeo. This resulted in his leaving Drury Lane for the Covent Garden Theatre in 1750, accompanied by Mrs Cibber, his Juliet. Both houses now at once put on ''Romeo and Juliet'' for a series of rival performances, and Barry's Romeo was preferred by the critics to Garrick's. In 1758 Barry opened the Crow Street Theatre in Dublin, and later a new The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crow Street Theatre
Crow Street Theatre was a theatre in Dublin, Ireland, originally opened in 1758 by the actor Spranger Barry. From 1788 until 1818 it was a patent theatre. History Spranger Barry and Henry Woodward The actor Spranger Barry (1719–1777), born in Dublin and appearing in London from 1746, induced the London-born actor Henry Woodward (1714–1777), who had saved £6,000, to participate in his project to build a theatre in Dublin. Charles Macklin participated at an early stage, but soon withdrew. Barry and Woodward moved to Dublin, and the Crow Street Theatre opened in October 1758. It struggled as a rival to the Smock Alley Theatre. Maria Nossiter (1735–1759), who had lived with Barry in London, was assigned an eighth share of the profits. In 1760 Barry and Woodward opened a theatre in Cork, the Theatre Royal. By 1762 Woodward had lost half his savings; the partnership was dissolved, and he returned to London. Barry continued for a few more years, then also returned to London. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaiety School Of Acting
The Gaiety School of Acting (GSA) is a drama school located on Essex Street West in Temple Bar, Dublin, Ireland. It was founded by theatre director Joe Dowling in 1986. Organisation and location The Gaiety School of Acting was founded in 1986 and is operated as a "self funded not-for-profit organisation". The school aims to train actors for theatre, film and television. The school is based in Temple Bar, Dublin, with "Young Gaiety" classes also taking place in satellite locations in Bray and Malahide. Courses The school runs a two-year full-time Professional Actor Training course, part-time and youth courses in locations across Dublin, as well as a Masters of Arts in Theatre Practice in association with University College Dublin. One year part-time courses include a Performance Year and Advanced Performance Year in Acting, and a Performance Theatre Company course. Shorter ten-week courses are also offered. The school also hosts courses for international students, communi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlotte Melmoth
Mrs Charlotte Melmoth (c. 1749 – 1823) was an 18th-century English actress, the estranged spouse of British actor/writer Samuel Jackson Pratt ("Courtney Melmoth"), and known as "The Grande Dame of Tragedy on the Early American Stage". After a moderately successful stage career in Great Britain and Ireland, she emigrated to the United States of America in 1793 and became one of the best-known actresses of the late 18th/early 19th century. Early life Little is known of Charlotte Melmoth's early years; she may have been an English farmer's daughter.The Virtual Dime Museum profile of Charlotte Melmoth Her birth name is uncertain.''The Oxford Companion to the Theatre'' (Fourth Edition) She first came to the attention of the Briti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peg Woffington
Margaret Woffington (18 October 1720 – 28 March 1760), known professionally as Peg Woffington, was an Irish actress and socialite of the Georgian era. Peg and Peggy were a common pet name for those called Margaret until the late 20th century. Early life Woffington was born of humble origins in Dublin, Ireland. Her father is thought to have been a bricklayer, and after his death, the family became impoverished. Her mother was obliged to take in washing while Peg sold watercress door to door. Madame Violante, a famous tightrope walker took her on as her apprentice.Richards, Sandra. ''The Rise of the English Actress''. New York: St. Martin's Press, 1993. Her sister Mary was also an actress but she did not enjoy the same success. Acting career Around 1730, Madame Violante featured the young Woffington in her Lilliputian Theatre Company's production of John Gay’s '' The Beggar’s Opera''. Her performance as Mackheath served as a springboard for continued fame in Dublin. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Garrick
David Garrick (19 February 1717 – 20 January 1779) was an English actor, playwright, theatre manager and producer who influenced nearly all aspects of European theatrical practice throughout the 18th century, and was a pupil and friend of Samuel Johnson. He appeared in a number of amateur theatricals, and with his appearance in the title role of Shakespeare's '' Richard III'', audiences and managers began to take notice. Impressed by his portrayals of Richard III and a number of other roles, Charles Fleetwood engaged Garrick for a season at the Theatre Royal, Drury Lane in the West End. He remained with the Drury Lane company for the next five years and purchased a share of the theatre with James Lacy. This purchase inaugurated 29 years of Garrick's management of the Drury Lane, during which time it rose to prominence as one of the leading theatres in Europe. At his death, three years after his retirement from Drury Lane and the stage, he was given a lavish public funeral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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