The Pioneer (painting)
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The Pioneer (painting)
''The Pioneer'' is a 1904 painting by Australian artist Frederick McCubbin. The painting is a triptych; the three panels tell a story of a free selector and his family making a life in the Australian bush. It is widely considered one of the masterpieces of Australian art. The painting is part of the National Gallery of Victoria's Australian art collection and exhibited in the Ian Potter Centre in Federation Square in Melbourne. Composition The three panels of the triptych tell a story of a free selector, a farmer who has chosen some land to clear and farm, and his family. The story is ambiguous, like many of McCubbin's other works and McCubbin chose not to respond when controversy broke out over the "correct" meaning. The left panel shows the selector and his wife settling on their selection; in the foreground, the woman is deep in thought. In the centre panel, the baby in the woman's arms indicates that some time has elapsed. A cottage, the family home, can be seen in a clea ...
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Frederick McCubbin
Frederick McCubbin (25 February 1855 – 20 December 1917) was an Australian artist, art teacher and prominent member of the Heidelberg School art movement, also known as Australian impressionism. Born and raised in Melbourne, Victoria, McCubbin studied at the National Gallery of Victoria Art School under a number of artists, notably Eugene von Guerard and later George Folingsby. One of his former classmates, Tom Roberts, returned from art training in Europe in 1885, and that summer they established the Box Hill artists' camp, where they were joined by Arthur Streeton and Charles Conder. These artists formed the nucleus of what became known as the Heidelberg School, a ''plein air'' art movement named after Heidelberg, the site of another one of their camps. During this time, he taught at the National Gallery school, and later served as president of both the Victorian Artists' Society and the Australian Art Association. Concerned with capturing the national life of Australia, ...
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Palette Knife
A palette knife is a blunt tool used for mixing or applying paint, with a flexible steel blade. It is primarily used for applying paint to the canvas, mixing paint colors, adding texture to the painted surface, paste, etc., or for marbling, decorative endpapers, etc. The "palette" in the name is a reference to an artist's palette which is used for mixing oil paint and acrylic paints. Art knives come primarily in two types: * palette knife resembling a putty knife with a rounded tip, suited for mixing paints on the palette; * painting knife with a pointed tip, lowered or "cranked" like a trowel, suited to painting on canvas. While palette knives are manufactured without sharpened cutting edges, with prolonged use they may become "sharpened" by the action of abrasive pigments such as earth colors. Palette knives are also used in cooking, where their flexibility allows them to easily slide underneath pastries or other items. See frosting spatula. See also * Palette (paintin ...
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Paintings In The Collection Of The National Gallery Of Victoria
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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1904 Paintings
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
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Paintings By Frederick McCubbin
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Alfred Felton
Alfred Felton (8 November 1831 – 8 January 1904) was an Australian entrepreneur, art collector and philanthropist. Biography Alfred Felton was born at Maldon, Essex Essex () is a county in the East of England. One of the home counties, it borders Suffolk and Cambridgeshire to the north, the North Sea to the east, Hertfordshire to the west, Kent across the estuary of the River Thames to the south, and Grea ..., England, the fifth child of six sons and three daughters of William Felton, a currier, and his wife Hannah.Poynter, John. 2003. ''Mr Felton's Bequests''. Melbourne: The Miegunyah Press. Felton travelled to Victoria (Australia), Victoria on the ship ''California'' in 1853 intending to search for gold. In 1857, he was in business in Collins Street, Melbourne, as a commission agent and dealer in merchandise, and in 1859 was an importer and general dealer. In 1861 he was in business in Swanston Street, Melbourne, Swanston Street as a wholesale druggist. In 1867 Felton ...
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Australian Pound
The pound ( Sign: £, £A for distinction) was the currency of Australia from 1910 until 14 February 1966, when it was replaced by the Australian dollar. As with other £sd currencies, it was subdivided into 20 shillings (denoted by the symbol s or /–), each of 12 pence (denoted by the symbol d). History The establishment of a separate Australian currency was contemplated by section 51(xii) of the Constitution of Australia, which gave Federal Parliament the right to legislate with respect to "currency, coinage, and legal tender". Establishment Coinage The Deakin Government's ''Coinage Act 1909'' distinguished between "British coin" and "Australian coin", giving both status as legal tender of equal value. The Act gave the Treasurer the power to issue silver, bronze and nickel coins, with the dimensions, size, denominations, weight and fineness to be determined by proclamation of the Governor-General. The first coins were issued in 1910, produced by the Royal Mint in ...
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Walter Withers
Walter Herbert Withers (22 October 1854 – 13 October 1914) was an English-born Australian landscape artist and a member of the Heidelberg School of Australian impressionists. Biography Withers was born at Handsworth, Staffordshire, the son of Edwin Withers. He showed an early desire to paint, but objection was made to this by his father. It is not known what occupation he followed in England, his father objected to his becoming a professional painter. In 1882 he arrived in Australia with the intention of working on a farm. After working for about 18 months on a farm, Withers removed to Melbourne and obtained a position as draughtsman in a firm of printers. During the period of his black and white work, Withers executed, in chalk, portraits for reproduction, that of the Count von Bismark being an especially fine example of his work in this direction. In his spare time Withers sought to cultivate his art, and eventually had work accepted for exhibition in the Old Academy, M ...
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Melbourne Athenaeum
The Athenaeum or Melbourne Athenaeum is an art and cultural hub in the central business district of Melbourne, Victoria, Australia. Founded in 1839, it is the city's oldest cultural institution. Its building on Collins Street in the East End Theatre District sits opposite the Regent Theatre, and currently consists of a main theatre, a smaller studio theatre, a restaurant and a subscription library. It has also served as a mechanics' institute, an art exhibition space, and a cinema. The building was added to the National Trust's Register of Historic Buildings in 1981 and is listed on the Victorian Heritage Register. History Early history The first President was Captain William Lonsdale, the first Patron was the Superintendent of Port Phillip, Charles La Trobe and the first books were donated by Vice-President Henry Fyshe Gisborne. Originally called the Melbourne Mechanics' Institute, it was renamed in 1846 to the Melbourne Mechanics' Institution and School of Arts. The bu ...
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Smithsonian (magazine)
''Smithsonian'' is the official journal published by the Smithsonian Institution in Washington, D.C. The first issue was published in 1970. History The history of ''Smithsonian'' began when Edward K. Thompson, the retired editor of ''Life'' magazine, was asked by the then-Secretary of the Smithsonian, S. Dillon Ripley, to produce a magazine "about things in which the Smithsonian nstitutionis interested, might be interested or ought to be interested." Thompson would later recall that his philosophy for the new magazine was that it "would stir curiosity in already receptive minds. It would deal with history as it is relevant to the present. It would present art, since true art is never dated, in the richest possible reproduction. It would peer into the future via coverage of social progress and of science and technology. Technical matters would be digested and made intelligible by skilled writers who would stimulate readers to reach upward while not turning them off with jargon. ...
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Picture Frame
A picture frame is a protective and decorative edging for a picture, such as a painting or photograph. It makes displaying the work safer and easier and both sets the picture apart from its surroundings and aesthetically integrates it with them. Construction A picture frame is a container that borders the perimeter of a picture, and is used for the protection, display, and visual appreciation of objects and imagery such as photographs, canvas paintings, drawings and prints, posters, mirrors, shadow box memorabilia, and textiles. Traditionally picture frames have been made of wood, and it remains very popular because wood frames can provide strength, be shaped in a broad range of profiles, and allow a variety of surface treatments. Other materials include metals, e.g. silver, bronze, aluminum, and stiff plastics such as polystyrene. A frame surface may be of any color or texture. Both genuine gilding and imitation gold remain popular, although many other surfaces are to be found ...
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