The Yellow Diplomat
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The Yellow Diplomat
''The Yellow Diplomat'' (German: ''Der gelbe Diplomat'') is a 1920 German silent film directed by Fred Sauer and starring Käthe Haack, Nien Soen Ling and Nien Tso Ling.Bock & Bergfelder p.549 Cast * Käthe Haack * Nien Soen Ling * Nien Tso Ling * Grete Lundt * Fritz Schult * Hermann Vallentin as Gesandter * Frederic Zelnik Frederic Zelnik (born Friedrich Zelnik, 17 May 1885 – 29 November 1950) was an Austrian producer, director, and actor. He was one of the most important producers-directors of the German silent cinema. Zelnik achieved success through period oper ... as Chinese Diplomat References Bibliography * Bock, Hans-Michael & Bergfelder, Tim. ''The Concise CineGraph. Encyclopedia of German Cinema''. Berghahn Books, 2009. External links * 1920 films Films of the Weimar Republic Films directed by Fred Sauer German silent feature films German black-and-white films {{Germany-silent-film-stub ...
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Fred Sauer
Fred Sauer (14 December 1886 – 17 September 1952) was an Austrian actor, film director and screenwriter. Selected filmography Director * 1920: The Apache Chief ''(Der Apachenlord)'' * 1920: '' The Law of the Desert'' * 1920: '' Demon Blood'' * 1921: Monte Carlo * 1922: ''Youth'' * 1922: '' The Shadows of That Night'' * 1922: ''The Men of Frau Clarissa'' * 1923: '' Time Is Money'' * 1923: The Comedian's Child ''(Das Komödiantenkind)'' * 1924: Heart of Stone ''(Das kalte Herz)'' * 1925: ''Frisian Blood'' * 1925: '' The Company Worth Millions'' * 1925: The Ascent of Little Lilian ''(Aufstieg der kleinen Lilian)'' * 1926: German Hearts on the German Rhine ''(Deutsche Herzen am deutschen Rhein)'' * 1926: Professor Imhof ''(Wenn das Herz der Jugend spricht)'' * 1927: The Woman Who Couldn't Say No ''(Die Frau, die nicht "Nein" sagen kann)'' * 1927: The Awakening of Woman ''(Das Erwachen des Weibes)'' * 1928: Single Mother ''(Ledige Mütter)'' * 1928: In Werder the Trees ...
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Frederic Zelnik
Frederic Zelnik (born Friedrich Zelnik, 17 May 1885 – 29 November 1950) was an Austrian producer, director, and actor. He was one of the most important producers-directors of the German silent cinema. Zelnik achieved success through period operetta films in the 1920s and 1930s. Biography Friedrich Zelnik was born into a Jews, Jewish family in Czernowitz, today in Ukraine, at the time the capital of the Duchy of Bukovina in the Austrian part of the Austro-Hungarian Monarchy. After studying in Vienna, Friedrich Zelnik worked as an actor in theaters in Nürnberg, Theater Aachen, Aachen, Worms, Germany, Worms, Prague and finally Berlin - in the theaters Theater an der Königsgrätzer Straße, Berliner Theater, and Komödienhaus. In 1914 Friedrich Zelnik began acting in films, and after 1915 producing and directing movies while still appearing in roles as an actor in other director'films. In 1918 he married a young Polish ballet dancer turned film actress named Lya Mara and promoted ...
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Fanny Carlsen
Fanny Carlsen was a German screenwriter of the silent era. As she was Jewish she was likely forced to emigrate with the Nazi Party's coming to power in 1933, although her exact fate is unknown.Nelmes & Selbo Selected filmography * ''The Yellow Diplomat'' (1920) * '' The Law of the Desert'' (1920) * ''Kri-Kri, the Duchess of Tarabac'' (1920) * ''Fanny Elssler'' (1920) * ''Count Varenne's Lover'' (1921) * ''The Convict of Cayenne'' (1921) * ''Miss Beryll'' (1921) * ''Memoirs of a Film Actress'' (1921) * ''Trix, the Romance of a Millionairess'' (1921) * '' The Buried Self'' (1921) * ''The Mistress of the King'' (1922) * ''Insulted and Humiliated'' (1922) * '' The Marriage of Princess Demidoff'' (1922) * ''Tania, the Woman in Chains'' (1922) * ''Lyda Ssanin'' (1923) * ''The Men of Sybill'' (1923) * ''Resurrection'' (1923) * ''Irene of Gold'' (1923) * ''The Girl from Hell'' (1923) * '' Daisy'' (1923) * '' The Other Woman'' (1924) * '' The Mistress of Monbijou'' (1924) * '' The Sailor Pe ...
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Käthe Haack
Käthe Haack (born Käte Lisbeth Minna Sophie Isolde Haack; 11 August 1897 – 5 May 1986) was a German stage and film actress. She appeared in more than 200 films and 30 television productions between 1915 and 1985. Life and career Käte Lisbeth Minna Sophie Isolde Haack was born in Berlin on 11 August 1897. After finishing school education, Haack had her first engagement as an actress in Göttingen. Since 1915, she regularly appeared in Berlin theatres like Theater am Schiffbauerdamm, Volksbühne and Deutsches Theater. Between 1934 and 1945, she worked at the Konzerthaus Berlin under direction of Gustaf Gründgens. She also appeared in the original production of '' The Captain of Köpenick''. Haack remained in demand as a stage actress for the rest of her life, for example as Mrs. Higgins in ''My Fair Lady'' during the 1960s. Haack started her film career as early as 1915 with the Max Mack's silent film ''Der Katzensteg''. She was initially cast as Lola-Lola in the film '' ...
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Willy Goldberger
Willy Goldberger (1898-in the 1960s) was a German-Spanish cinematographer. On some Spanish films he is credited as Guillermo Goldberger. Selected filmography * ''The Heiress of the Count of Monte Cristo'' (1919) * ''The Yellow Diplomat'' (1920) * '' The Law of the Desert'' (1920) * ''Fanny Elssler'' (1920) * ''The Princess of the Nile'' (1920) * ''The Convict of Cayenne'' (1921) * '' The Buried Self'' (1921) * ''The House in Dragon Street'' (1921) * ''Trix, the Romance of a Millionairess'' (1921) * ''Miss Beryll'' (1921) * ''Memoirs of a Film Actress'' (1921) * '' The Golden Plague'' (1921) * ''About the Son'' (1921) * ''Hazard'' (1921) * ''The Lodging House for Gentleman'' (1922) * ''Tania, the Woman in Chains'' (1922) * '' Raskolnikow'' (1923) * ''The Man at Midnight'' (1924) * ''The Power of Darkness'' (1924) * ''Curfew'' (1925) * ''People in Need'' (1925) * ''Ash Wednesday'' (1925) * ''The Dice Game of Life'' (1925) * ''Professor Imhof '' (1926) * ''The Good Reputation'' (1926 ...
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Intertitles
In films, an intertitle, also known as a title card, is a piece of filmed, printed text edited into the midst of (i.e., ''inter-'') the photographed action at various points. Intertitles used to convey character dialogue are referred to as "dialogue intertitles", and those used to provide related descriptive/narrative material are referred to as "expository intertitles". In modern usage, the terms refer to similar text and logo material inserted at or near the start or end of films and television shows. Silent film era In this era intertitles were mostly called "subtitles" and often had Art Deco motifs. They were a mainstay of silent films once the films became of sufficient length and detail to necessitate dialogue or narration to make sense of the enacted or documented events. ''The British Film Catalogue'' credits the 1898 film ''Our New General Servant'' by Robert W. Paul as the first British film to use intertitles. Film scholar Kamilla Elliott identifies another early use of ...
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