The Wolf And The Lamb
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The Wolf And The Lamb
The Wolf and the Lamb is a well-known fable of Aesop and is numbered 155 in the Perry Index. There are several variant stories of tyrannical injustice in which a victim is falsely accused and killed despite a reasonable defence. The fable and its variants A wolf comes upon a lamb while both are drinking from a stream and, in order to justify taking its life, accuses it of various misdemeanours, all of which the lamb proves to be impossible. Losing patience, the wolf replies that the offences must have been committed by some other member of the lamb's family and that it does not propose to delay its meal by enquiring any further. There are versions of the fable in both the Greek of Babrius and the Latin of Phaedrus, and it was retold in Latin throughout the Middle Ages. The morals drawn there are that the tyrant can always find an excuse for his tyranny and that the unjust will not listen to the reasoning of the innocent. In his 1692 retelling of the fable, Roger L'Estrange use ...
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Oudry Wolf & Lamb
Oudry may refer to: People * Jean-Baptiste Oudry (1686–1755), French Rococo painter, engraver, and tapestry designer * Marie-Marguerite Oudry (1688–1780), French engraver and painter Places

* Oudry, Saône-et-Loire, commune in the Saône-et-Loire department in the region of Bourgogne in eastern France {{dab ...
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Marin Marais
Marin Marais (; 31 May 1656, in Paris – 15 August 1728, in Paris) was a French composer and viol player. He studied composition with Jean-Baptiste Lully, often conducting his operas, and with master of the bass viol Monsieur de Sainte-Colombe for six months. In 1676 he was hired as a musician to the royal court of Versailles and was moderately successful there, being appointed in 1679 as ''ordinaire de la chambre du roy pour la viole,'' a title he kept until 1725. He was the father of the composer Roland Marais (c. 1685 – c. 1750). Career Marin Marais was a master of the viol, and the leading French composer of music for the instrument. He wrote five books of '' Pièces de viole'' (1686–1725) for the instrument, generally suites with basso continuo. These were quite popular in the court, and for these he was remembered in later years as he who "founded and firmly established the empire of the viol" ( Hubert Le Blanc, 1740). His other works include a book of ''Pièces en ...
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Béatrice Massin
Béatrice Massin is a leading specialist in Baroque dance. Her choreographic writing confronts Baroque style with contemporary dance. She's the director of the company ''Fêtes galantes''. The daughter of musicologists Jean and Brigitte Massin, Béatrice Massin began her career with contemporary dance. In particular, she was a performer of shows by American . She met in 1983 and joined the ''Ris and Danceries'' troupe of which she was successively interpreter, assistant, collaborator and choreographer. Then began a long process of appropriation of the baroque language. In 1993, she founded the company ''Fêtes galantes''. Since then, Béatrice Massin has deepened this approach in her creations. (''Songes'', ''Que ma joie demeure'',). She received commissions (''Le roi danse'', film by Gérard Corbiau) and developed an educational centre within the ''Atelier baroque''. Choreographies * 2012: ''Terpsichore'' (Rebel, Haendel) with the ensemble Les Talens Lyriques, under the d ...
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Martin Luther
Martin Luther (; ; 10 November 1483 – 18 February 1546) was a German priest, theologian, author, hymnwriter, and professor, and Order of Saint Augustine, Augustinian friar. He is the seminal figure of the Reformation, Protestant Reformation and the namesake of Lutheranism. Luther was ordained to the Priesthood in the Catholic Church, priesthood in 1507. He came to reject several teachings and practices of the Catholic Church, Roman Catholic Church; in particular, he disputed the view on indulgences. Luther proposed an academic discussion of the practice and efficacy of indulgences in his ''Ninety-five Theses'' of 1517. His refusal to renounce all of his writings at the demand of Pope Leo X in 1520 and the Charles V, Holy Roman Emperor, Holy Roman Emperor Charles V at the Diet of Worms in 1521 resulted in his Excommunication (Catholic Church)#History, excommunication by the pope and condemnation as an Outlaw#In other countries, outlaw by the Holy Roman Emper ...
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Claude Ballif
Claude Ballif (22 May 1924 – 24 July 2004) was a French composer, writer, and pedagogue. He worked at a number of institutions throughout more than 40 years of teaching, one of which he had attended as a student. Among his pupils were Raynald Arseneault, Nicolas Bacri, Gérard Buquet, Joseph-François Kremer, Philippe Manoury, Serge Provost, Mehmet Okonsar, Simon Bertrand, Alexandre Desplat, and Claude Abromont. He was described as a French modernist and as "the product of the exciting and turbulent post World War II years of the Western avant-garde" alongside composers Pierre Boulez and Karlheinz Stockhausen. Biography Ballif was born in Paris on 22 May 1924, the fifth of ten children. He grew up in a bourgeois family but did not recognize the privilege of his childhood as a rarity until much later. His mother Odette was from the Festugière family, forgemasters and owners of the Château de Poissons in Haute-Marne. Her brother was André-Jean Festugière and her first co ...
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Isabelle Aboulker
Isabelle Aboulker (born 23 October 1938) is a French composer, particularly known for her operas and other vocal works. In 1999, she gained a prize from the Académie des Beaux-Arts and in 2000 the music prize of the Société des Auteurs et Compositeurs Dramatiques for her numerous lyric pieces. Life and work Isabelle Aboulker was born in the Parisian suburb of Boulogne-Billancourt. Her father was the Algerian-born film director and writer Marcel Aboulker and her maternal grandfather was the composer Henry Février. While following a course in composition and keyboard studies at the Conservatoire National Supérieur de Musique in Paris, she started composing for the theatre, the cinema and television. She then worked for the Conservatoire as their chief accompanist and voice teacher and authored several educational works. In 1980, she turned to composing operas and subsequently many other vocal works. Because of her work with children, Isabelle Aboulker made a particular specia ...
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A Cappella
''A cappella'' (, also , ; ) music is a performance by a singer or a singing group without instrumental accompaniment, or a piece intended to be performed in this way. The term ''a cappella'' was originally intended to differentiate between Renaissance polyphony and Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony, coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists, led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for ''alla breve''. Early history A cappella could be as old as humanity itself. Research suggests that singing and vocables may have been what early humans used to communicate before the invention of language. The earliest piece of sheet music is thought to have originated from times as early as 2000 B.C. while the earliest that has survived in its entirety is from the first century A.D.: a piece from Greece called the ...
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André Caplet
André Caplet (23 November 1878 – 22 April 1925) was a French composer and conductor of classical music. He was a friend of Claude Debussy and completed the orchestration of several of Debussy's compositions as well as arrangements of several of them for different instruments. Early life André Caplet was born in Le Havre on 23 November 1878, the youngest of seven children born to a Norman family of modest means. He began studying piano and violin when a child and by the age of 13 performed in the orchestra of the Grand Théâtre there. He entered the Paris Conservatory in 1896 and won several prizes. While a student he supported himself first by playing in dance orchestras in the evening and then by conducting, where had immediate success. After a stint as assistant conductor of the Orchestre Colonne, in 1899 he took over the musical direction at the Théâtre de l'Odéon. Some of his student compositions were published as early as 1897. The Société des compositeurs de m ...
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