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The Wild Rover
"The Wild Rover" (Roud 1173) is a very popular and well-travelled folk song. Many territories have laid claim to have the original version. History In 2015 the English Folk Song and Dance periodical "Folk Music Journal" vol 10 No 5 had an article by Brian Peters. He claims that the origin of the song was a seventeenth century English Broadside written by Thomas Lanfiere. This evolved into several distinct versions. They have been found in England, Scotland, Ireland and North America. Shortly afterwards it became popular in Australia. The song tells the story of a young man who has been away from his hometown for many years. When he returns to his former alehouse, the landlady refuses him credit, until he presents the gold which he has gained while he has been away. He sings of how his days of roving are over and he intends to return to his home and settle down. Other overview or significant versions According to Professor T. M. Devine in his book ''The Scottish Nation 1700 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roud Folk Song Index
The Roud Folk Song Index is a database of around 250,000 references to nearly 25,000 songs collected from oral tradition in the English language from all over the world. It is compiled by Steve Roud (born 1949), a former librarian in the London Borough of Croydon. Roud's Index is a combination of the Broadside Index (printed sources before 1900) and a "field-recording index" compiled by Roud. It subsumes all the previous printed sources known to Francis James Child (the Child Ballads) and includes recordings from 1900 to 1975. Until early 2006, the index was available by a CD subscription; now it can be found online on the Vaughan Williams Memorial Library website, maintained by the English Folk Dance and Song Society (EFDSS). A partial list is also available at List of folk songs by Roud number. Purpose of index The primary function of the Roud Folk Song Index is as a research aid correlating versions of traditional English-language folk song lyrics independently documented ove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Larner
Samuel James Larner (18 October 1878 – 11 September 1965) was an English fisherman and traditional singer from Winterton-on-Sea, a fishing village in Norfolk, England. His life was the basis for Ewan MacColl's song ''The Shoals of Herring'', and his songs continue to be recorded by revival singers.Roy Palmer, ‘Larner, Samuel James (1878–1965)’, ''Oxford Dictionary of National Biography'', Oxford University Press, 2004; online edn, Sept 201accessed 4 May 2017/ref> Early life Sam Larner was born in 1878 to George Ezra Larner (1846-1925) and Jane Amelia Jones Larner () (1847-1926). He started singing from an early age, learning the songs his grandfather and others sang in the pubs at Winterton, and earning pennies by singing them to coach parties that visited the village. Fishing was an almost inevitable occupation for one of nine children of a fisherman father growing up in a village with a population of 800 people, 300 of whom were fishermen. Larner is quoted as saying "Wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Folk Songs
The term American folk music encompasses numerous music genres, variously known as ''traditional music'', ''traditional folk music'', ''contemporary folk music'', ''vernacular music,'' or ''roots music''. Many traditional songs have been sung within the same family or folk group for generations, and sometimes trace back to such origins as the British Isles, Mainland Europe, or Africa. Musician Mike Seeger once famously commented that the definition of American folk music is "...all the music that fits between the cracks." American folk music is a broad category of music including bluegrass, gospel, old time music, jug bands, Appalachian folk, blues, Cajun and Native American music. The music is considered American either because it is native to the United States or because it developed there, out of foreign origins, to such a degree that it struck musicologists as something distinctly new. It is considered "roots music" because it served as the basis of music later develope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dubliners Songs
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drinking Songs
A drinking song is a song sung while drinking alcohol. Most drinking songs are folk songs or commercium songs, and may be varied from person to person and region to region, in both the lyrics and in the music. In Germany, drinking songs are called ''Trinklieder''. In Sweden, where they are called ''dryckesvisor'', there are drinking songs associated with Christmas, Midsummer, and other celebrations. An example of such a song is "Helan går". In Spain, Asturias, patria querida (the anthem of Asturias) is usually depicted as a drinking song. In France, historical types of drinking songs are Chanson pour boire and Air à boire. History The first record of a drinking song dates to the 11th century, and derives from the Carmina Burana, a 13th-century historical collection of poems, educational songs, love sonnets and "entertainment" or drinking songs. In popular culture Musical artist Homebrew Stew (Rich Stewart) wrote a magazine article in the November 2002 issue of Modern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Ballads
A tradition is a belief or behavior (folk custom) passed down within a group or society with symbolic meaning or special significance with origins in the past. A component of cultural expressions and folklore, common examples include holidays or impractical but socially meaningful clothes (like lawyers' wigs or military officers' spurs), but the idea has also been applied to social norms such as greetings. Traditions can persist and evolve for thousands of years—the word ''tradition'' itself derives from the Latin ''tradere'' literally meaning to transmit, to hand over, to give for safekeeping. While it is commonly assumed that traditions have an ancient history, many traditions have been invented on purpose, whether that be political or cultural, over short periods of time. Various academic disciplines also use the word in a variety of ways. The phrase "according to tradition", or "by tradition", usually means that whatever information follows is known only by oral tradition, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irish Folk Songs
Irish traditional music (also known as Irish trad, Irish folk music, and other variants) is a genre of folk music that developed in Ireland. In ''A History of Irish Music'' (1905), W. H. Grattan Flood wrote that, in Gaelic Ireland, there were at least ten instruments in general use. These were the ''cruit'' (a small harp) and '' clairseach'' (a bigger harp with typically 30 strings), the ''timpan'' (a small string instrument played with a bow or plectrum), the ''feadan'' (a fife), the ''buinne'' (an oboe or flute), the ''guthbuinne'' (a bassoon-type horn), the ''bennbuabhal'' and ''corn'' ( hornpipes), the ''cuislenna'' ( bagpipes – see Great Irish warpipes), the ''stoc'' and ''sturgan'' (clarions or trumpets), and the ''cnamha'' (bones).''A History of Irish Music: Chapter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scottish Folk Songs
Scotland is internationally known for its traditional music, which remained vibrant throughout the 20th century and into the 21st, when many traditional forms worldwide lost popularity to pop music. In spite of emigration and a well-developed connection to music imported from the rest of Europe and the United States, the music of Scotland has kept many of its traditional aspects; indeed, it has itself influenced many forms of music. Many outsiders associate Scottish folk music almost entirely with the Great Highland Bagpipe, which has long played an important part in Scottish music. Although this particular form of bagpipe developed exclusively in Scotland, it is not the only Scottish bagpipe. The earliest mention of bagpipes in Scotland dates to the 15th century although they are believed to have been introduced to Britain by the Roman armies. The ''pìob mhór'', or Great Highland Bagpipe, was originally associated with both hereditary piping families and professional pipers t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Roses For Me
''Red Roses for Me'' is the debut studio album by the London-based band the Pogues, released on 15 October 1984. It was produced by Stan Brennan, who had managed the Nipple Erectors/The Nips and Rocks Off Records shop in London. Overview ''Red Roses for Me'' is filled with traditional Irish music performed with punk influences. ''The Mancunion'' saw the "creativity of post-punk" as being "evident throughout the record", while Muso's Guide described much of ''Red Roses for Me'' as "a whirlwind of revved-up folk punk". The band's approach of mixing traditional songs and ballads with frontman Shane MacGowan's "gutter hymns" about drinking, fighting and sex was innovative at the time. The album reached number 89 in the UK album charts. The front of the album shows the band with the exception of drummer Andrew Ranken (pictured in inset) sitting in front of a picture of US president John F. Kennedy. Accordion player James Fearnley has a bottle sticking out of his coat, while bass pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pogues
The Pogues were an English or Anglo-Irish Celtic punk band fronted by Shane MacGowan and others, founded in Kings Cross, London in 1982, as "Pogue Mahone" – the anglicisation of the Irish Gaelic ''póg mo thóin'', meaning "kiss my arse". The band reached international prominence in the 1980s and early 1990s, recording several hit albums and singles. MacGowan left the band in 1991 owing to drinking problems, but the band continued – first with Joe Strummer and then with Spider Stacy on vocals – before breaking up in 1996. The Pogues re-formed in late 2001, and played regularly across the UK and Ireland and on the US East Coast, until dissolving again in 2014. The group did not record any new material during this second incarnation. Their politically tinged music was informed by MacGowan and Stacy's Punk rock, punk backgrounds,[ allmusic (((The Pogues > Biography)))] yet used traditional Irish instruments such as the tin whistle, banjo, cittern, mandolin and accordion. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recorded Live In Ireland
''Recorded Live in Ireland'' is a 1965 album of Irish folk songs performed by The Clancy Brothers and Tommy Makem. It was the first live album to be recorded in stereo in Ireland. It was their sixth LP for Columbia Records and, unusually for the group, included two newly composed songs in the folk style. Music critic Joe Goldberg wrote the liner notes. Music on the album The album contained the first recording of "Lament for Brendan Behan," a recently composed tribute to the late Irish author, Brendan Behan, whom the Clancys had personally known. Tommy Makem wrote "The Curlew's Song" for the album. Two more songs, " Butcher Boy" and "Beggar Man" (a.k.a. "The Little Beggarman"), Makem learned from his mother, Sarah, a source singer for folk song collectors. The sound fades briefly at the end of "Beggar Man" when Makem danced a jig onstage as the audience cheered. The group learned " Wild Rover" from Luke Kelly of The Dubliners, with whom they were friends. They sang the numb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy Makem
Thomas Makem (4 November 1932 – 1 August 2007) was an internationally celebrated Irish folk musician, artist, poet and storyteller. He was best known as a member of the Clancy Brothers and Tommy Makem. He played the long-necked 5-string banjo, tin whistle, low whistle, guitar, bodhrán and bagpipes, and sang in a distinctive baritone. He was sometimes known as "The Bard of Armagh" (taken from a traditional song of the same name) and "The Godfather of Irish Music". Biography Makem was born and raised in Keady, County Armagh (the "Hub of the Universe" as Makem always said), in Northern Ireland. His mother, Sarah Makem, was an important source of traditional Irish music, who was visited and recorded by, among others, Diane Guggenheim Hamilton, Jean Ritchie, Peter Kennedy and Sean O'Boyle. His father, Peter Makem, was a fiddler who also played the bass drum in a local pipe band named "Oliver Plunkett", after a Roman Catholic martyr of the reign of Charles II of England. His bro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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