|
The West As America
''The West as America, Reinterpreting Images of the Frontier, 1820–1920'' was an art exhibition organized by the Smithsonian American Art Museum (then known as the National Museum of American Art, or NMAA) in Washington, D.C. in 1991, featuring a large collection of paintings, photographs, and other visual art created during the period from 1820 to 1920 which depicted images and iconography of the American frontier. The goal of the curators of ''The West as America'' was to reveal how artists during this period visually revised the conquest of the West in an effort to correspond with a prevailing national ideology that favored Western expansion. By mixing New West historiographical interpretation with Old West art, the curators sought not only to show how these frontier images have defined American ideas of the national past but also to dispel the traditional beliefs behind the images. Many who visited the exhibition missed the curators' point and instead became incensed with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Exhibition
An art exhibition is traditionally the space in which art objects (in the most general sense) meet an audience. The exhibit is universally understood to be for some temporary period unless, as is rarely true, it is stated to be a "permanent exhibition". In American English, they may be called "exhibit", "exposition" (the French word) or "show". In UK English, they are always called "exhibitions" or "shows", and an individual item in the show is an "exhibit". Such expositions may present pictures, drawings, video, sound, installation, performance, interactive art, new media art or sculptures by individual artists, groups of artists or collections of a specific form of art. The art works may be presented in museums, art halls, art clubs or private art galleries, or at some place the principal business of which is not the display or sale of art, such as a coffeehouse. An important distinction is noted between those exhibits where some or all of the works are for sale, normally i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multiculturalism
The term multiculturalism has a range of meanings within the contexts of sociology, political philosophy, and colloquial use. In sociology and in everyday usage, it is a synonym for " ethnic pluralism", with the two terms often used interchangeably, and for cultural pluralism in which various ethnic groups collaborate and enter into a dialogue with one another without having to sacrifice their particular identities. It can describe a mixed ethnic community area where multiple cultural traditions exist (such as New York City or London) or a single country within which they do (such as Switzerland, Belgium or Russia). Groups associated with an indigenous, aboriginal or autochthonous ethnic group and settler-descended ethnic groups are often the focus. In reference to sociology, multiculturalism is the end-state of either a natural or artificial process (for example: legally-controlled immigration) and occurs on either a large national scale or on a smaller scale within a natio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Art-Union
The American Art-Union (1839–1851) was a subscription-based organization whose goal was to enlighten and educate an American public to a national art, while providing a support system for the viewing and sales of art “executed by artists in the United States or by American artists abroad." Art unions had been popular since the early 19th century in Europe; they first appeared in Switzerland, gaining great popularity in both Germany and the United Kingdom in the 1830s. It was the British version — Art Union of London (AUL) — that was used as a model for the American Art-Union (AAU). Description For five dollars a year, the members of the AAU would receive a copy of the minutes from the annual meeting, free admission to the Gallery, at least one original engraving published by the Union from an original piece of art by a contemporary American artist, and in New York City, the members also received a ticket in a lottery to win an original piece of art from within ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Farny
Henry François Farny (15 July 1847, Ribeauvillé – 23 December 1916) was an American painter and illustrator. His work was centered on the life of Native Americans in the 19th-century United States. Biography Farny's family left France in 1853 to emigrate to the United States. The family moved to Warren, Pennsylvania, near a Seneca reservation. As a child, he learned the lore of the woods from Seneca Indians, who came from their reservation to hunt in the neighborhood where his father lived. In his boyhood, he was fond of covering the walls of his father's board-house with pictures of animals, birds, and Indians, which he scratched with nails or framed by aid of burnt sticks. Around 1859, the Farny family moved to Cincinnati, Ohio. Attracted by painting and drawing, the young man became an illustrator for magazines and books for children. When he was 18 years old, ''Harper's Weekly'' published a double-page view of Cincinnati he made. Between 1867 and 1870, he took pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Marion Russell
Charles Marion Russell (March 19, 1864 – October 24, 1926), also known as C. M. Russell, Charlie Russell, and "Kid" Russell, was an American artist of the American Old West. He created more than 2,000 paintings of cowboys, Native Americans, and landscapes set in the western United States and in Alberta, Canada, in addition to bronze sculptures. He is known as "the cowboy artist" and was also a storyteller and author. He became an advocate for Native Americans in the west, supporting the bid by landless Chippewa to have a reservation established for them in Montana. In 1916, Congress passed legislation to create the Rocky Boy Reservation. The C. M. Russell Museum Complex in Great Falls, Montana houses more than 2,000 Russell artworks, personal objects, and artifacts. Other major collections are held at the Montana Historical Society in Helena, Montana, the Buffalo Bill Center of the West in Cody, Wyoming, the Amon Carter Museum of American Art in Fort Worth, Texas, and the Si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Schreyvogel
Charles Schreyvogel (January 4, 1861 – January 27, 1912) was an American painter of Western subject matter in the days of the disappearing frontier. Schreyvogel was especially interested in military life. Life He was born in Hoboken, New Jersey to Paul and Theresa Schreyvogel,Schreyvogel, Charles in '''' (1901-1902 edition), via and grew up in a poor family of German immigrant shopkeepers on the |
Frederic Remington
Frederic Sackrider Remington (October 4, 1861 – December 26, 1909) was an American painter, illustrator, sculptor, and writer who specialized in the genre of Western American Art. His works are known for depicting the Western United States in the last quarter of the 19th century and featuring such images as cowboys, American Indians, and the US Cavalry. Early life Remington was born in Canton, New York, in 1861 to Seth Pierrepont Remington (1830–1880) and Clarissa (Clara) Bascom Sackrider (1836–1912). His paternal family owned hardware stores and emigrated from Alsace-Lorraine in the early 18th century. His maternal family, of French Basque ancestry, came to America in the early 1600s and founded Windsor, Connecticut. Remington's father was a Union army colonel in the American Civil War, whose family had arrived in America from England in 1637. He was a newspaper editor and postmaster, and the staunchly Republican family was active in local politics. The Remin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Art
Visual art of the United States or American art is visual art made in the United States or by U.S. artists. Before colonization there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place. Early colonial art on the East Coast initially relied on artists from Europe, with John White (1540-c. 1593) the earliest example. In the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting. Furniture-makers imitating English styles and similar craftsmen were also established in the major cities, but in the English colonies, locally made pottery remained resolutely utilitarian until the 19th century, with fancy products imported. But in the later 18th century two U.S. artists, Benjamin West and John Singleton Copley, became the most successful painters in London of history pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visual Art
The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, design, crafts and architecture. Many artistic disciplines such as performing arts, conceptual art, and textile arts also involve aspects of visual arts as well as arts of other types. Also included within the visual arts are the applied arts such as industrial design, graphic design, fashion design, interior design and decorative art. Current usage of the term "visual arts" includes fine art as well as the applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, craft, or applied Visual arts media. The distinction was emphasized by artists of the Arts and Crafts Moveme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Slotkin
Richard Sidney Slotkin (born November 8, 1942) is a cultural critic and historian. He is the Olin Professor of English and American Studies, Emeritus at Wesleyan University in Middletown, Connecticut, and, since 2010, a member of the American Academy of Arts and Sciences. Slotkin writes novels alongside his historical research, and uses the process of writing the novels to clarify and refine his historical work. Education and career Richard Sidney Slotkin was born on November 8, 1942, in Brooklyn, New York. He received a B.A. degree from Brooklyn College in 1963 and a Ph.D. in American Civilization from Brown University in 1967. He started teaching at Wesleyan University in 1966 and helped establish the school's American studies and film studies program. He remained at Wesleyan until his retirement in 2009. Awards ''Regeneration Through Violence'' received the Albert J. Beveridge Award of the American Historical Association as the Best Book in American History (1973) and was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Nash Smith
Henry Nash Smith (September 29, 1906 – June 6, 1986) was a scholar of American culture and literature. He was co-founder of the academic discipline "American studies". He was also a noted Mark Twain scholar, and the curator of the Mark Twain Papers. The ''Handbook of Texas'' reported that an uncle encouraged Smith to read at an early age, and that the boy developed an interest in the works of Rudyard Kipling, Robert L. Stevenson and Mark Twain.Gossett, Thomas F. "Smith, Henry Nash (1906-1986)." ''Handbook of Texas''. December 1, 1995. Life Smith was born in Dallas, Texas to a father, an accountant who was a native of Kentucky, and a mother who was a native of Alabama. In 1922, he enrolled in |
Historical Revisionism
In historiography, historical revisionism is the reinterpretation of a historical account. It usually involves challenging the orthodox (established, accepted or traditional) views held by professional scholars about a historical event or timespan or phenomenon, introducing contrary evidence, or reinterpreting the motivations and decisions of the people involved. The revision of the historical record can reflect new discoveries of fact, evidence, and interpretation, which then results in revised history. In dramatic cases, revisionism involves a reversal of older moral judgments. At a basic level, legitimate historical revisionism is a common and not especially controversial process of developing and refining the writing of histories. Much more controversial is the reversal of moral findings, whereby what mainstream historians had considered (for example) positive forces are depicted as negative. Such revisionism, if challenged (especially in heated terms) by the supporters of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_(14579831590).jpg "Click for more on -> Frederic Remington")
.jpg "Click for more on -> Visual Art")