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The Wes Montgomery Trio
''The Wes Montgomery Trio'' (a.k.a. ''A Dynamic New Sound'') is an album by the American jazz guitarist Wes Montgomery, released in 1959. The track "Missile Blues" is named after the club in Indianapolis where Montgomery played before moving to New York City to record for Riverside. At this club, he met Riverside's record producer Orrin Keepnews. The album was reissued on the Original Jazz Classics label. Reception In his AllMusic review, music critic Ronnie D. Lankford, Jr. wrote: "The only drawback is that the accompaniment, which though solid, doesn't seem to perfectly match his guitar style... Montgomery's performance... was a revolution in technique and execution. Suddenly, out of nowhere, a 36-year-old guitarist re-imagines the jazz guitar solo." Track listing #" 'Round Midnight" (Thelonious Monk, Cootie Williams) – 4:58 #" Yesterdays" (Otto Harbach, Jerome Kern) – 3:20 #"The End of a Love Affair" (Edward Redding) – 3:18 #" Whisper Not" (Benny Golson) – 4:40 #"Eca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wes Montgomery
John Leslie "Wes" Montgomery (March 6, 1923 – June 15, 1968) was an American jazz guitarist. Montgomery was known for an unusual technique of plucking the strings with the side of his thumb and his extensive use of octaves, which gave him a distinctive sound. Montgomery often worked with his brothers Buddy (Charles F.) and Monk (William H.) and with organist Melvin Rhyne. His recordings up to 1965 were oriented towards hard bop, soul jazz, and post bop, but around 1965 he began recording more pop-oriented instrumental albums that found mainstream success. His later guitar style influenced jazz fusion and smooth jazz. Biography Montgomery was born in Indianapolis, Indiana. According to NPR, the nickname "Wes" was a child's abbreviation of his middle name, Leslie. The family was large, and the parents split up early in the lives of the children. Montgomery and his brothers moved to Columbus, Ohio, with their father and attended Champion High School. His older brother Monk dropped ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Harbach
Otto Abels Harbach, born Otto Abels Hauerbach (August 18, 1873 – January 24, 1963) was an American lyricist and librettist of nearly 50 musical comedies and operettas. Harbach collaborated as lyricist or librettist with many of the leading Broadway composers of the early 20th century, including Jerome Kern, Louis Hirsch, Herbert Stothart, Vincent Youmans, George Gershwin, and Sigmund Romberg. Harbach believed that music, lyrics, and story should be closely connected, and, as Oscar Hammerstein II's mentor, he encouraged Hammerstein to write musicals in this manner. Harbach is considered one of the first great Broadway lyricists, and he helped raise the status of the lyricist in an age more concerned with music, spectacle, and stars. Some of his more famous lyrics are "Smoke Gets in Your Eyes", "Indian Love Call" and "Cuddle up a Little Closer, Lovey Mine". Early life and education Otto Abels Hauerbach was born on August 18, 1873, in Salt Lake City, Utah to Danish immigrant parent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hammond Organ
The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Multiple models have been produced, most of which use sliding drawbars to vary sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an amplifier to drive a speaker cabinet. The organ is commonly used with the Leslie speaker. Around two million Hammond organs have been manufactured. The organ was originally marketed by the Hammond Organ Company to churches as a lower-cost alternative to the wind-driven pipe organ, or instead of a piano. It quickly became popular with professional jazz musicians in organ trios—small groups centered on the Hammond organ. Jazz club owners found that organ trios were cheaper than hiring a big band. Jimmy Smith's use of the Hammond B-3, with its additional harmonic percussion feature, inspired a g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melvin Rhyne
Melvin Rhyne (October 12, 1936 – March 5, 2013), was a jazz organist best known for his work with Wes Montgomery. Biography Melvin Rhyne was born in Indianapolis in 1936 and started playing the piano shortly after. At 19 years old, Rhyne started playing piano with then-unknown tenor saxophonist Rahsaan Roland Kirk but quickly switched over to the instrument that would make him famous: the Hammond B3 organ. Rhyne's piano skills translated to the organ fluently and before long he was backing famous blues players like B.B. King and T-Bone Walker. In 1959 he was asked to join fellow Indianapolis musician Wes Montgomery's newly formed trio. Rhyne then moved to Wisconsin and largely kept to himself for the next two decades. In 1991, however, he played on Herb Ellis's album ''Roll Call'', Brian Lynch's ''At the Main Event'', and his own album, ''The Legend''. He continued to be prolific in the years to come, releasing eight more solo albums on the Criss Cross Jazz label. Rhyne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Guitar
Jazz guitar may refer to either a type of electric guitar or a guitar playing style in jazz, using electric amplification to increase the volume of acoustic guitars. In the early 1930s, jazz musicians sought to amplify their sound to be heard over loud big bands. When guitarists in big bands switched from acoustic to semi-acoustic guitar and began using amplifiers, it enabled them to play solos. Jazz guitar had an important influence on jazz in the beginning of the twentieth century. Although the earliest guitars used in jazz were acoustic and acoustic guitars are still sometimes used in jazz, most jazz guitarists since the 1940s have performed on an electrically amplified guitar or electric guitar. Traditionally, jazz electric guitarists use an archtop with a relatively broad hollow sound-box, violin-style f-holes, a " floating bridge", and a magnetic pickup. Solid body guitars, mass-produced since the early 1950s, are also used. Jazz guitar playing styles include '' c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alan Jay Lerner
Alan Jay Lerner (August 31, 1918 – June 14, 1986) was an American lyricist and librettist. In collaboration with Frederick Loewe, and later Burton Lane, he created some of the world's most popular and enduring works of musical theatre both for the stage and on film. He won three Tony Awards and three Academy Awards, among other honors. Early life and education Born in New York City, he was the son of Edith Adelson Lerner and Joseph Jay Lerner, whose brother, Samuel Alexander Lerner, was founder and owner of the Lerner Stores, a chain of dress shops. One of Lerner's cousins was the radio comedian and television game show panelist Henry Morgan (comedian), Henry Morgan. Lerner was educated at Bedales School in England, Choate Rosemary Hall, The Choate School (now Choate Rosemary Hall) in Wallingford, Connecticut, (where he wrote "The Choate Marching Song") and Harvard University, Harvard. He attended both Camp Androscoggin and Camp Greylock. At both Choate and Harvard, Lerner ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burton Lane
Burton Lane ( Levy; February 2, 1912 – January 5, 1997) was an American composer and lyricist primarily known for his theatre and film scores. His most popular and successful works include '' Finian's Rainbow'' in 1947 and ''On a Clear Day You Can See Forever'' in 1965. Biography He was born Burton Levy, in New York City; his father was Lazarus Levy. At some later time he became known as Burton Lane. One source erroneously gives his birth name as "Morris Hyman Kushner". Burton Lane studied classical piano as a child. At age 14 the theatrical producers the Shuberts commissioned him to write songs for a revue, ''Greenwich Village Follies''. At the age of 18, he contributed the music for at least two songs for the revue, ''Three's A Crowd'': "Forget All Your Books" and "Out in the Open Air." He was known for his Broadway musicals, '' Finian's Rainbow'' (1947) and ''On a Clear Day You Can See Forever'' (1965). He also wrote the music for the less remembered Broadway shows, '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include "Take the 'A' Train", "Chelsea Bridge", "A Flower Is a Lovesome Thing", and " Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken sprees. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano, and playing records on her Victrola record player. Return to Pittsburgh and meeting Ellington S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Mercer
John Herndon Mercer (November 18, 1909 – June 25, 1976) was an American lyricist, songwriter, and singer, as well as a record label executive who co-founded Capitol Records with music industry businessmen Buddy DeSylva and Glenn E. Wallichs. He is best known as a Tin Pan Alley lyricist, but he also composed music, and was a popular singer who recorded his own songs as well as songs written by others from the mid-1930s through the mid-1950s. Mercer's songs were among the most successful hits of the time, including " Moon River", " Days of Wine and Roses", " Autumn Leaves", and "Hooray for Hollywood". He wrote the lyrics to more than 1,500 songs, including compositions for movies and Broadway shows. He received nineteen Oscar nominations, and won four Best Original Song Oscars. Early life Mercer was born in Savannah, Georgia, where one of his first jobs, aged 10, was sweeping floors at the original 1919 location of Leopold's Ice Cream. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satin Doll
"Satin Doll" is a jazz standard written by Duke Ellington and Billy Strayhorn with lyrics by Johnny Mercer. Written in 1953, the song has been recorded by Ella Fitzgerald, 101 Strings, Terry Callier, and Nancy Wilson. Its chord progression is well known for its unusual use of chords and opening with a ii-V-I turnaround. Background Johnny Mercer was often asked to write lyrics to already popular songs. Lyrics to "Satin Doll" were written after the song was a hit in its instrumental version. Ellington used "Satin Doll" as the closing number in most of his concerts. Other versions * Duke Ellington – ''Capitol Sessions 1953–1955'' (1953) * The Gaylords – 1958 * Bill Doggett – ''Salute to Duke Ellington'' (King, 1959) * Peggy Lee / George Shearing – ''Beauty And The Beat!'' (Capitol Records, 1959) * The Coasters – ''One by One'' (1960) * Harry James – ''Harry James...Today'' (MGM, 1960) * Ella Fitzgerald – ''Ella in Hollywood'' (1961) * McCoy Tyner – ''Night ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace Silver
Horace Ward Martin Tavares Silver (September 2, 1928 – June 18, 2014) was an American jazz pianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s. After playing tenor saxophone and piano at school in Connecticut, Silver got his break on piano when his trio was recruited by Stan Getz in 1950. Silver soon moved to New York City, where he developed a reputation as a composer and for his bluesy playing. Frequent sideman recordings in the mid-1950s helped further, but it was his work with the Jazz Messengers, co-led by Art Blakey, that brought both his writing and playing most attention. Their ''Horace Silver and the Jazz Messengers'' album contained Silver's first hit, " The Preacher". After leaving Blakey in 1956, Silver formed his own quintet, with what became the standard small group line-up of tenor saxophone, trumpet, piano, bass, and drums. Their public performances and frequent recordings for Blue Note Records increased Silver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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