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The Way You Look Tonight
"The Way You Look To-night" is a song from the film ''Swing Time'' that was performed by Fred Astaire and composed by Jerome Kern with lyrics written by Dorothy Fields. It won the Academy Award for Best Original Song in 1936. Fields remarked, "The first time Jerry played that melody for me I went out and started to cry. The release absolutely killed me. I couldn't stop, it was so beautiful." In the movie, Astaire sang "The Way You Look To-night" to Ginger Rogers while she was washing her hair in an adjacent room. Astaire's recording was a top seller in 1936. Other versions that year were by Guy Lombardo and Teddy Wilson with Billie Holiday. Composition and publication The song was sung by Fred Astaire in the 1936 film ''Swing Time'' in the key of D major, but it is typically performed in E-flat major with a modulation to G-flat major. It was first copyrighted on March 17, 1936 as "Way (The) you look to-night; song from I won't dance", and was unpublished ("I Won't Dance" was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chappell & Co
Chappell & Co. was an English company that published music and manufactured pianos. Founded by pianist Samuel Chappell, the company was one of the leading music publishers and piano manufacturers in Britain until 1980 when Chappell sold its retail activities to concentrate solely on music publishing. After some previous acquisitions by other companies, the ''Chappell'' brand name is currently owned by Warner Chappell Music (part of Warner Music Group, which acquired it for $200 million in 1987.Warner Reportedly Will Acquire Chappell : $200-Million Deal Would Merge 2 of 3 Biggest U.S. Music Publishers by KATHRYN HARRIS on ''Los Angeles Times'', 12 May 1987 History [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
When I Fall In Love
"When I Fall in Love" is a popular song, written by Victor Young (music) and Edward Heyman (lyrics). It was introduced in the film '' One Minute to Zero'' as the instrumental titled "Theme from One Minute to Zero". Jeri Southern sang on the first vocal recording released in April 1952 with the song's composer, Victor Young, handling the arranging and conducting duties. The song has become a standard, with many artists recording it; the first hit version was sung by Doris Day released in July 1952. Day's recording was made on June 5, 1952. It was released by Columbia Records as catalog number 39786 and issued with the flip side "Take Me in Your Arms". The song reached number 20 on the '' Billboard'' chart. A 1996 recording by Natalie Cole, sung as a duet with her father Nat King Cole using vocals from his 1956 version, won 1996 Grammys for Best Pop Collaboration with Vocals and Best Instrumental Arrangement with Accompanying Vocal(s). Notable recordings * A version was re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bing Crosby
Harry Lillis "Bing" Crosby Jr. (May 3, 1903 – October 14, 1977) was an American singer, musician and actor. The first multimedia star, he was one of the most popular and influential musical artists of the 20th century worldwide. He was a leader in record sales, radio ratings, and motion picture grosses from 1926 to 1977. He made over 70 feature films and recorded more than 1,600 songs. His early career coincided with recording innovations that allowed him to develop an intimate singing style that influenced many male singers who followed, such as Frank Sinatra, Perry Como, Dean Martin, Dick Haymes, Elvis Presley, and John Lennon. ''Yank'' magazine said that he was "the person who had done the most for the morale of overseas servicemen" during World War II. In 1948, American polls declared him the "most admired man alive", ahead of Jackie Robinson and Pope Pius XII. In 1948, ''Music Digest'' estimated that his recordings filled more than half of the 80,000 weekly hou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberta (1935 Film)
''Roberta'' is a 1935 American musical film by RKO starring Irene Dunne, Fred Astaire, Ginger Rogers, and Randolph Scott. It was an adaptation of the 1933 Broadway musical ''Roberta'', which in turn was based on the novel ''Gowns by Roberta'' by Alice Duer Miller. It was a solid hit, showing a net profit of more than three-quarters of a million dollars. The film kept the famous songs " Yesterdays", "Let's Begin" (with altered lyrics), and "Smoke Gets in Your Eyes" from the play, along with a fourth song, "I'll Be Hard to Handle". Three songs from the play were dropped—"The Touch of Your Hand", "Something Had to Happen" and "You're Devastating". Two songs were added to this film, "I Won't Dance" (resurrected from the flop Kern show '' Three Sisters'') and "Lovely to Look At", which both became #1 hits in 1935. The latter addition was nominated for the Best Song Oscar. The songs "I Won't Dance" and "Lovely to Look At" have remained so popular that they are now almost always in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Won't Dance
"I Won't Dance" is a song with music by Jerome Kern that has become a jazz standard. The song has two different sets of lyrics: the first written by Oscar Hammerstein II and Otto Harbach in 1934, and second written by Dorothy Fields (though Jimmy McHugh was also credited) in 1935. Kern, Hammerstein and Harbach originally wrote "I Won't Dance" for the 1934 London musical '' Three Sisters''. However, ''Three Sisters'' flopped and was quickly forgotten. The next year, Fields was hired to help with the music for a film version of the 1933 Kern-Harbach musical '' Roberta''. The writing team decided to make use of "I Won't Dance" for the film, also named '' Roberta''. However, Fields rewrote nearly all of the lyrics, making the song more playful and suggestive by having the narrator refuse to dance because "I know that music leads the way to romance". The song became such a hit, largely due to the fact that it was performed by Fred Astaire, that it is now included in all stage revival ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G-flat Major
G-flat major (or the key of G-flat) is a major scale based on G, consisting of the pitches G, A, B, C, D, E, and F. Its key signature has six flats. Its relative minor is E-flat minor (or enharmonically D-sharp minor), and its parallel minor is G-flat minor, which is usually replaced by F-sharp minor, since G-flat minor's two double-flats make it generally impractical to use. Its direct enharmonic equivalent, F-sharp major, contains the same number of sharps as the G-flat major key does flats. The G-flat major scale is: : Characteristics Like F-sharp major, G-flat major is rarely chosen as the main key for orchestral works. It is more often used as a main key for piano works, such as the impromptus of Chopin and Schubert. It is the predominant key of Maurice Ravel's ''Introduction and Allegro'' for harp, flute, clarinet and string quartet. A striking use of G-flat major can be found in the love duet "Tu l'as dit" that concludes the fourth act of Giacomo Meyerbe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-flat Major
E-flat major (or the key of E-flat) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor, (or enharmonically D minor). The E-flat major scale is: : Characteristics The key of E-flat major is often associated with bold, heroic music, in part because of Beethoven's usage. His ''Eroica Symphony'', ''Emperor Concerto'' and ''Grand Sonata'' are all in this key. Beethoven's (hypothetical) 10th Symphony is also in E-flat. But even before Beethoven, Francesco Galeazzi identified E-flat major as "a heroic key, extremely majestic, grave and serious: in all these features it is superior to that of C." Three of Mozart's completed Horn Concertos and Joseph Haydn's Trumpet Concerto are in E-flat major, and so is Anton Bruckner's Fourth Symphony with its prominent horn theme in the first movement. Another notable heroic piece in the key of E-flat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D Major
D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has two sharps. Its relative minor is B minor and its parallel minor is D minor. The D major scale is: : Characteristics According to Paolo Pietropaolo, D major is Miss Congeniality: it is persistent, sunny, and energetic. D major is well-suited to violin music because of the structure of the instrument, which is tuned G D A E. The open strings resonate sympathetically with the D string, producing a sound that is especially brilliant. This is also the case with all other orchestral strings. Thus, it is no coincidence that many classical composers throughout the centuries have chosen to write violin concertos in D major, including those by Mozart ( No. 2, 1775, No. 4, 1775); Ludwig van Beethoven (1806); Paganini ( No. 1, 1817); Brahms (1878); Tchaikovsky (1878); Prokofiev ( No. 1, 1917); Stravinsky (1931); and Korngold ( 1945). The k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billie Holiday
Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz and swing music singer. Nicknamed "Lady Day" by her friend and music partner, Lester Young, Holiday had an innovative influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills. After a turbulent childhood, Holiday began singing in nightclubs in Harlem, where she was heard by producer John Hammond, who liked her voice. She signed a recording contract with Brunswick in 1935. Collaborations with Teddy Wilson produced the hit "What a Little Moonlight Can Do", which became a jazz standard. Throughout the 1930s and 1940s, Holiday had mainstream success on labels such as Columbia and Decca. By the late 1940s, however, she was beset with legal troubles and drug abuse. After a short prison sentence, she performed at a sold-out conce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teddy Wilson
Theodore Shaw Wilson (November 24, 1912 – July 31, 1986) was an American jazz pianist. Described by critic Scott Yanow as "the definitive swing pianist", Wilson had a sophisticated, elegant style. His work was featured on the records of many of the biggest names in jazz, including Louis Armstrong, Lena Horne, Benny Goodman, Billie Holiday, and Ella Fitzgerald. With Goodman, he was one of the first black musicians to appear prominently with white musicians. In addition to his extensive work as a sideman, Wilson also led his own groups and recording sessions from the late 1920s to the 1980s. Biography Wilson was born in Austin, Texas. He studied piano and violin at Tuskegee Institute in Tuskegee, Alabama. After working in Speed Webb's band, with Louis Armstrong, and also understudying Earl Hines in Hines's Grand Terrace Cafe Orchestra, Wilson joined Benny Carter's Chocolate Dandies in 1933. In 1935, he joined the Benny Goodman Trio (which consisted of Goodman, Wilson an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guy Lombardo
Gaetano Alberto "Guy" Lombardo (June 19, 1902 – November 5, 1977) was an Italian-Canadian-American bandleader, violinist, and hydroplane racer. Lombardo formed the Royal Canadians in 1924 with his brothers Carmen, Lebert and Victor, and other musicians from his hometown. They billed themselves as creating "the sweetest music this side of Heaven." The Lombardos are believed to have sold between 100 and 300 million records during their lifetimes, many featuring the band's lead singer from 1940 onward, Kenny Gardner. Early life Lombardo was born in London, Ontario, Canada, to Italian immigrants Gaetano Alberto and Angelina Lombardo. His father, who had worked as a tailor, was an amateur singer with a baritone voice and had four of his five sons learn to play instruments so they could accompany him. Lombardo and his brothers formed their first orchestra while still in grammar school and rehearsed in the back of their father's tailor shop. Lombardo first performed in public with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ginger Rogers
Ginger Rogers (born Virginia Katherine McMath; July 16, 1911 – April 25, 1995) was an American actress, dancer and singer during the Classical Hollywood cinema, Golden Age of Hollywood. She won an Academy Award for Best Actress for her starring role in Kitty Foyle (film), ''Kitty Foyle'' (1940), and performed during the 1930s in RKO Pictures, RKO's musical films with Fred Astaire. Her career continued on stage, radio and television throughout much of the 20th century. Rogers was born in Independence, Missouri, and raised in Kansas City, Missouri, Kansas City. She and her family moved to Fort Worth, Texas, when she was nine years old. In 1925, she won a Charleston dance contest that helped her launch a successful vaudeville career. After that, she gained recognition as a Broadway theatre, Broadway actress for her stage debut in ''Girl Crazy''. This led to a contract with Paramount Pictures, which ended after five films. Rogers had her first successful film roles as a supporting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
