The War At Home (1979 Film)
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The War At Home (1979 Film)
''The War at Home'' is a documentary film about the anti-war movement in the Madison, Wisconsin, area during the time of the Vietnam War. It combines archival footage and interviews with participants that explore the events of the period on the University of Wisconsin–Madison campus. The film was nominated for an Academy Awards, Academy Award for Academy Award for Best Documentary Feature, Best Documentary Feature. Synopsis The film focuses on student protests of government policies in the Vietnam War, clashes between students and police, and the responses of politicians and the public to the turmoil. Among the major events included is the Sterling Hall bombing. Intended to destroy the Army Math Research Center in the building, the bombing also caused massive destruction to other parts of the building, resulting in the death of a physics researcher, Robert Fassnacht, who was not involved in the Army Math Research Center. Bomber Karleton Armstrong, brother of Dwight Armstrong, is ...
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Barry Alexander Brown
Barry Alexander Brown (born 28 November 1950 in Warrington, Cheshire) is an English born-American film director and editor. As a film editor, he is best known for collaborations with film director Spike Lee, editing some of Lee's best known films including ''Do the Right Thing'' (1989), ''Malcolm X'' (1992), '' He Got Game'' (1998), ''25th Hour'' (2002), ''Inside Man'' (2006), and ''BlacKkKlansman'' (2018), the latter of which earned him a nomination for the Academy Award for Best Film Editing at the 91st Academy Awards. As a film director, Brown co-directed the documentary film '' The War at Home'' (1979), for which it was nominated for an Academy Award for Best Documentary Feature and was one of the youngest nominees for the category. Some of his other film directing credits include ''The Who's Tommy, the Amazing Journey'' (1993), a documentary film about The Who's ''Tommy'' album, and the feature films '' Winning Girls Through Psychic Mind Control'' (2002), starring Bronson P ...
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Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ...
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