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The Voice (Moody Blues Song)
"The Voice" is the second single released from the Moody Blues' 1981 album ''Long Distance Voyager''. The song continued the success of previous single " Gemini Dream", becoming a Top 40 hit on the ''Billboard'' Hot 100, where it peaked at No. 15 in October 1981. The song had previously topped the ''Billboard'' Top Rock Tracks chart for four weeks during June–July 1981. The song also reached No. 9 in Canada. According to Allmusic critic Dave Connolly, the song "is a sweeping and majestic call to adventure." '' Billboard'' described it as "a texturally lush piece of pop in the best tradition of he Moody Blues'earlier work". '' Record World'' said that "The symphonic arrangement envelops Justin Hayward's dramatic vocal." ''Classic Rock'' critic Malcolm Dome rated it as the Moody Blues' 5th greatest song, saying that the song "offers hope for the future, as long as people take control of their lives and events." ''Ultimate Classic Rock'' critic Nick DeRiso rated it as the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Moody Blues
The Moody Blues were an English rock music, rock band formed in Birmingham in 1964, initially consisting of keyboardist Mike Pinder, multi-instrumentalist Ray Thomas, guitarist Denny Laine, drummer Graeme Edge and bassist Clint Warwick. The group came to prominence playing rhythm and blues. They made some changes in musicians but settled on a line-up of Pinder, Thomas, Edge, guitarist Justin Hayward and bassist John Lodge (musician), John Lodge, who stayed together for most of the band's "classic era" into the early 1970s. Edge was the group’s sole continuous member throughout their entire history. Their second album, ''Days of Future Passed'', which was released in 1967, was a fusion of rock with classical music which established the band as pioneers in the development of art rock and progressive rock. It has been described as a "landmark" and "one of the first successful concept albums". The group toured extensively through the early 1970s, then took an extended hiatus fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Lodge (musician)
John Charles Lodge (born 20 July 1945) is an English musician, best known as bass guitarist, vocalist, and songwriter of the longstanding rock band the Moody Blues. He has also worked as a record producer and has collaborated with other musicians outside the band. In 2018, Lodge was inducted into the Rock and Roll Hall of Fame as a member of the Moody Blues. Biography Early years John Charles Lodge was born in Erdington, Birmingham on 20 July 1945. He attended school at Birches Green Junior School, Central Grammar School and later went to college at the Birmingham College of Advanced Technology for engineering. His early influences were musicians like Buddy Holly and Jerry Lee Lewis. By age 14, Lodge had met future bandmate Ray Thomas. Career Lodge was initially involved in the Birmingham music scene, although he temporarily dropped out to continue his studies. In 1966, however, after the Moody Blues' original bassist Clint Warwick had left the band, Lodge succeeded the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adult Contemporary (chart)
The Adult Contemporary chart is published weekly by '' Billboard'' magazine and lists the most popular songs on adult contemporary radio stations in the United States. The chart is compiled based on airplay data submitted to ''Billboard'' by stations that are members of the Adult Contemporary radio panel. The chart debuted in ''Billboard'' magazine on July 17, 1961.Hyatt, Wesley (1999). ''The Billboard Book of Number One Adult Contemporary Hits''. New York City: Billboard Books. . Over the years, the chart has gone under a series of name changes, being called Easy Listening (1961–1962; 1965–1979), Middle-Road Singles (1962–1964), Pop-Standard Singles (1964–1965), Hot Adult Contemporary Tracks (1979–1982) and Adult Contemporary (1983–present). Chart history The ''Billboard'' Easy listening chart, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mainstream Rock
Mainstream rock (also known as heritage rock) is a radio format used by many commercial radio stations in the United States and Canada. Format background Mainstream rock stations represent the middle ground between classic rock and active rock on the programming spectrum, in that they play more classic rock songs from the 1970s and 1980s and fewer songs from emerging acts than active rock stations, and only rarely play songs on the softer edge of the classic rock format. They program a balanced airplay of tracks found on active rock and classic rock playlists, but the music playlist tends to focus on charting hard rock music from the 1970s through the 2000s. Mainstream rock is the true successor to the widespread album-oriented rock (AOR) format created in the 1970s. However, mainstream rock can be used as a modernized update of classic rock if any radio station playlist has to cut back on some active rock artists and songs due to ratings and popularity demand, which is an abso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent (historian), David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram Records, Phonogram records and had developed the report initially as a hobby ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graeme Edge
Graeme Charles Edge (30 March 1941 – 11 November 2021) was an English musician, songwriter and poet, best known as the co-founder and drummer of the English band the Moody Blues. In addition to his work with the Moody Blues, Edge worked as the bandleader of his own outfit, the Graeme Edge Band. He contributed his talents to a variety of other projects throughout his career. In 2018, Edge was inducted into the Rock and Roll Hall of Fame as a member of the Moody Blues. Life The Moody Blues (1964–1966) Born in Rocester, Staffordshire, Graeme Edge was one of the original members of the Moody Blues, alongside singer/guitarist Denny Laine, singer/bassist Clint Warwick, singer/keyboardist Mike Pinder and singer/flautist/harmonica player Ray Thomas. Edge provided a foundation for the original R&B and rock-flavoured band fronted by Laine, playing on all their Decca singles, including the UK chart-topping " Go Now" (January 1965) and other 1965 hit songs: " I Don't Want to Go On ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minimoog
The Minimoog is an analog synthesizer first manufactured by Moog Music between 1970 and 1981. Designed as a more affordable, portable version of the modular Moog synthesizer, it was the first synthesizer sold in retail stores. It was first popular with progressive rock and jazz musicians and found wide use in disco, pop, rock and electronic music. Production of the Minimoog stopped in the early 1980s after the sale of Moog Music. In 2002, founder Robert Moog regained the rights to the Moog brand, bought the company, and released an updated version of the Minimoog, the Minimoog Voyager. In 2016 and in 2022, Moog Music released another new version of the original Minimoog. Development In the 1960s, RA Moog Co manufactured Moog synthesizers, which helped bring electronic sounds to music but remained inaccessible to ordinary people. These modular synthesizers were difficult to use and required users to connect components manually with patch cables to create sounds. They ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Jupiter 8
The Jupiter-8, or JP-8, is an eight-voice polyphonic analog subtractive synthesizer introduced by Roland Corporation in early 1981. The Jupiter-8 was Roland's flagship synthesizer for the first half of the 1980s. Approximately 3300 units have been produced. Although it lacked the soon-to-be standard of MIDI control, later production series of the Jupiter-8 did include Roland's proprietary DCB interface. The instrument had many advanced features for its time, including the ability to split the keyboard into two zones, with separate patches active on each zone. Two years after the release of the Jupiter-8, Roland released the more affordable Jupiter-6 synthesizer with built-in MIDI control but an otherwise slightly reduced set of features. In 2011, three decades after the release of the original Jupiter series, Roland released the fully digital Jupiter-80 and Jupiter-50 synthesizers as successors to the 1980s originals. They were in turn succeeded by the Jupiter-X and Jupiter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamaha CS80
The Yamaha CS-80 is an analog synthesizer released in 1977. It supports true 8-voice polyphony, with two independent synthesizer layers per voice each with its own set of front panel controls, in addition to a number of hardwired preset voice settings and four parameter settings stores based on banks of subminiature potentiometers (rather than the digital programmable presets the Prophet-5 would sport soon after). It has exceptionally complete performer expression features, such as a layered keyboard that was both velocity-sensitive (like a piano's) and pressure-sensitive (" after-touch") but unlike most modern keyboards the aftertouch could be applied to individual voices rather than in common, and a ribbon controller allowing for polyphonic pitch-bends and glissandos. Production of the instrument ceased in 1980. Vying with the Sequential Circuits Prophet-5 and Oberheim OB-X polysynths for the title, the CS-80 is often described as the pre-eminent polyphonic analog synthesize ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberheim Electronics
Oberheim is an American synthesizer manufacturer founded in 1969 by Tom Oberheim. History and products Tom Oberheim founded the company in 1969, originally as a designer and contract manufacturer of electronic effects devices for Maestro (most notably the Maestro PS-1A Phase Shifter),, and briefly a retail dealer for ARP Instruments, eventually designing the company's first Oberheim-branded product, the Oberheim DS-2, one of the first digital music sequencers. In 1975 Oberheim introduced the Synthesizer Expander Module (SEM) to complement the DS-2 sequencer and enable a user to play one synthesizer while the DS-2 played a sequence on another. The SEM featured a two-pole filter that could operate as a low-pass, high-pass, band-pass, or band-reject filter, giving it a different sound than the Moog and ARP filters popular at the time. The company later combined multiple SEM modules with a digitally-scanned keyboard and a 2-channel voltage-controlled sequencer to create a series ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mellotron
The Mellotron is an electro-mechanical musical instrument developed in Birmingham, England, in 1963. It is played by pressing its keys, each of which pushes a length of magnetic tape against a capstan, which pulls it across a playback head. As the key is released, the tape is retracted by a spring to its initial position. Different portions of the tape can be played to access different sounds. The Mellotron evolved from the similar Chamberlin, but could be mass-produced more efficiently. The first models were designed for the home and contained a variety of sounds, including automatic accompaniments. Bandleader Eric Robinson and television personality David Nixon helped promote the first instruments, and celebrities such as Princess Margaret were early adopters. It was adopted by rock and pop groups in the mid to late 1960s. One of the first pop songs featuring the Mellotron was Manfred Mann's "Semi-Detached, Suburban Mr. James" (1966). The Beatles used it on tracks inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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