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The Vision Of The Cross
''The Vision of the Cross'' is a painting made between 1520 and 1524 by assistants of the Italian renaissance artist Raphael. After the master's death in 1520, Gianfrancesco Penni, Giulio Romano and Raffaellino del Colle from Raphael's workshop worked together to finish the commission to decorate with frescoes the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican. ''The Vision of the Cross'' is located in the ''Sala di Costantino'' ("Hall of Constantine"). In the painting, emperor Constantine I is seen just before the Battle of the Milvian Bridge on October 27, 312. According to legend, a cross appeared to Constantine in the sky, after which as seen in the fresco and following Eusebius of Caesarea ''Vita Constantini'', he adopted the Greek motto "Εν τούτῳ νίκα", i.e. "By this, conquer", a motto that has been rendered in Latin as " In hoc signo vinces", i.e. "In this sign you shall conquer". This Mannerist painting is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Renaissance Neoplatonism, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constantine I
Constantine I ( , ; la, Flavius Valerius Constantinus, ; ; 27 February 22 May 337), also known as Constantine the Great, was Roman emperor from AD 306 to 337, the first one to convert to Christianity. Born in Naissus, Dacia Mediterranea (now Niš, Serbia), he was the son of Flavius Constantius, a Roman army officer of Illyrian origin who had been one of the four rulers of the Tetrarchy. His mother, Helena, was a Greek Christian of low birth. Later canonized as a saint, she is traditionally attributed with the conversion of her son. Constantine served with distinction under the Roman emperors Diocletian and Galerius. He began his career by campaigning in the eastern provinces (against the Persians) before being recalled in the west (in AD 305) to fight alongside his father in Britain. After his father's death in 306, Constantine became emperor. He was acclaimed by his army at Eboracum (York, England), and eventually emerged victorious in the civil wars against emperors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chi Rho
The Chi Rho (☧, English pronunciation ; also known as ''chrismon'') is one of the earliest forms of Christogram, formed by superimposing the first two (capital) letters— chi and rho (ΧΡ)—of the Greek word ( Christos) in such a way that the vertical stroke of the rho intersects the center of the chi. The Chi-Rho symbol was used by the Roman Emperor Constantine I (r. 306–337 AD) as part of a military standard (vexillum). Constantine's standard was known as the Labarum. Early symbols similar to the Chi Rho were the Staurogram () and the IX monogram (). In pre-Christian times, the Chi-Rho symbol was also used to mark a particularly valuable or relevant passage in the margin of a page, abbreviating ''chrēston'' (good). Some coins of Ptolemy III Euergetes (r. 246–222 BC) were marked with a Chi-Rho. Although formed of Greek characters, the device (or its separate parts) is frequently found serving as an abbreviation in Latin text, with endings added appropriate t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael Vision Cross Detail
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the city, and began to work as an architect. He w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In Hoc Signo Vinces
"''In hoc signo vinces''" (, ) is a Latin phrase conventionally translated into English as "In this sign thou shalt conquer". The Latin phrase itself renders, rather loosely, the Greek phrase "", transliterated as "''en toútōi níka''" (, ), literally meaning "in this, conquer". History Lucius Caecilius Firmianus Lactantius was an early Christian author (c. 240 – c. 320) who became an advisor to the first Christian Roman emperor, Constantine I (and tutor to his son), guiding the Emperor's religious policy as it developed during his reign. His work ''De Mortibus Persecutorum'' has an apologetic character, but has been treated as a work of history by Christian writers. Here Lactantius preserves the story of Constantine's vision of the Chi Rho before his conversion to Christianity. The full text is found in only one manuscript, which bears the title, ''Lucii Caecilii liber ad Donatum Confessorem de Mortibus Persecutorum''. The bishop Eusebius of Caesaria, a historian, st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek
Ancient Greek includes the forms of the Greek language used in ancient Greece and the ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Dark Ages (), the Archaic period (), and the Classical period (). Ancient Greek was the language of Homer and of fifth-century Athenian historians, playwrights, and philosophers. It has contributed many words to English vocabulary and has been a standard subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Epic and Classical periods of the language. From the Hellenistic period (), Ancient Greek was followed by Koine Greek, which is regarded as a separate historical stage, although its earliest form closely resembles Attic Greek and its latest form approaches Medieval Greek. There were several regional dialects of Ancient Greek, of which Attic Greek developed into Koine. Dia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Life Of Constantine
''Life of Constantine the Great'' ( grc-gre, Βίος Μεγάλου Κωνσταντίνου; la, Vita Constantini) is a panegyric written in Greek in honor of Constantine the Great by Eusebius of Caesarea in the 4th century AD. It was never completed due to the death of Eusebius in 339. The work provides scholars with one of the most comprehensive sources for the religious policies of Constantine's reign. In addition to detailing the religious policies of the Roman Empire under Constantine, Eusebius uses ''Life of Constantine'' to engage several of his own religious concerns, such as apologetics, as well as a semi-bibliographic account of Constantine. Its reliability as a historical text has been called into question by several historians, most notably Timothy Barnes, because of its questionable motives and writing style. Synopsis Divided into four books, ''Life of Constantine'' begins with the declaration that Constantine is immortal. This opening sets the tone for the rest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eusebius Of Caesarea
Eusebius of Caesarea (; grc-gre, Εὐσέβιος ; 260/265 – 30 May 339), also known as Eusebius Pamphilus (from the grc-gre, Εὐσέβιος τοῦ Παμφίλου), was a Greek historian of Christianity, exegete, and Christian polemicist. In about AD 314 he became the bishop of Caesarea Maritima in the Roman province of Syria Palaestina. Together with Pamphilus, he was a scholar of the biblical canon and is regarded as one of the most learned Christians during late antiquity. He wrote ''Demonstrations of the Gospel'', '' Preparations for the Gospel'' and ''On Discrepancies between the Gospels'', studies of the biblical text. As "Father of Church History" (not to be confused with the title of Church Father), he produced the ''Ecclesiastical History'', ''On the Life of Pamphilus'', the ''Chronicle'' and ''On the Martyrs''. He also produced a biographical work on Constantine the Great, the first Christian Roman emperor, who was ''augustus'' between AD 306 an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battle Of The Milvian Bridge
The Battle of the Milvian Bridge took place between the Roman Emperors Constantine I and Maxentius on 28 October 312. It takes its name from the Milvian Bridge, an important route over the Tiber. Constantine won the battle and started on the path that led him to end the Tetrarchy and become the sole ruler of the Roman Empire. Maxentius drowned in the Tiber during the battle; his body was later taken from the river and decapitated, and his head was paraded through the streets of Rome on the day following the battle before being taken to Africa. According to Christian chroniclers Eusebius of Caesarea and Lactantius, the battle marked the beginning of Constantine's conversion to Christianity. Eusebius of Caesarea recounts that Constantine and his soldiers had a vision sent by the Christian God. This was interpreted as a promise of victory if the sign of the Chi Rho, the first two letters of Christ's name in Greek, was painted on the soldiers' shields. The Arch of Constantine, er ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael Rooms
The four Raphael Rooms ( it, Stanze di Raffaello) form a suite of reception rooms in the Apostolic Palace, now part of the Vatican Museums, in Vatican City. They are famous for their frescoes, painted by Raphael and his workshop. Together with Michelangelo's Sistine Chapel ceiling frescoes, they are the grand fresco sequences that mark the High Renaissance in Rome. The ''Stanze'', as they are commonly called, were originally intended as a suite of apartments for Pope Julius II. He commissioned Raphael, then a relatively young artist from Urbino, and his studio in 1508 or 1509 to redecorate the existing interiors of the rooms entirely. It was possibly Julius' intent to outshine the apartments of his predecessor (and rival) Pope Alexander VI, as the ''Stanze'' are directly above Alexander's Borgia Apartment. They are on the third floor, overlooking the south side of the Belvedere Courtyard. Running from east to west, as a visitor would have entered the apartment, but not follo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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