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The Virtuoso Pianist In 60 Exercises
The Virtuoso Pianist (''Le Pianiste virtuose'') by Charles-Louis Hanon (1819 – 1900), is a compilation of sixty exercises meant to train the pianist in speed, precision, agility, and strength of all of the fingers and flexibility in the wrists. First published in Boulogne, in 1873, ''The Virtuoso Pianist'' is Hanon's most well-known work, and is still widely used by piano instructors and pupils. However, the applicability of these nineteenth-century exercises has been questioned by some piano instructors today. Overview The exercises are intended to address common problems which could hamper the performance abilities of a student. These include "crossing of the thumb", strengthening of the fourth and fifth fingers, and quadruple- and triple-trills. The exercises are meant to be individually mastered and then played consecutively in the sections they are placed in. Apart from increasing technical abilities of the student, when played in groups at higher speeds, the exercises wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-Louis Hanon
Charles-Louis Hanon (2 July 181919 March 1900) was a French piano pedagogue and composer. He is best known for his work '' The Virtuoso Pianist in 60 Exercises'', which is still used today for modern piano teaching, but over the years the method has also faced criticisms. He was born in Renescure, France in 1819, and died in Boulogne-sur-Mer in 1900. Biography Charles-Louis Hanon was born in northern France in the village of Renescure on July 2, 1819. Trained as an organist by a local teacher, it is not known if he received more advanced musical education. At age 27, he moved a short distance east from Renescure to Boulogne-sur-Mer where he lived with his brother François who was also a musician. Music was never the exclusive focus of Hanon's life: he was also a devout Roman Catholic, a Third Order Franciscan and a member of the Society of St. Vincent de Paul. It is known from an 1869 article that Hanon was involved with a monastic order called the "Brothers of the Christian Sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pianist
A pianist ( , ) is an individual musician who plays the piano. Since most forms of Western music can make use of the piano, pianists have a wide repertoire and a wide variety of styles to choose from, among them traditional classical music, jazz, blues, and all sorts of popular music, including rock and roll. Most pianists can, to an extent, easily play other keyboard-related instruments such as the synthesizer, harpsichord, celesta, and the organ. Pianists past and present Modern classical pianists dedicate their careers to performing, recording, teaching, researching, and learning new works to expand their repertoire. They generally do not write or transcribe music as pianists did in the 19th century. Some classical pianists might specialize in accompaniment and chamber music, while others (though comparatively few) will perform as full-time soloists. Classical Mozart could be considered the first "concert pianist" as he performed widely on the piano. Composers Bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semiquavers
Figure 1. A 16th note with stem facing up, a 16th note with stem facing down, and a 16th rest. Figure 2. Four 16th notes beamed together. In music, a 1/16, sixteenth note (American) or semiquaver (British) is a note played for half the duration of an eighth note (quaver), hence the names. It is the equivalent of the semifusa in mensural notation, first found in 15th-century notation. Sixteenth notes are notated with an oval, filled-in note head and a straight note stem with two flags (see Figure 1). A single sixteenth note is always stemmed with flags, while two or more are usually beamed in groups. A corresponding symbol is the sixteenth rest (or semiquaver rest), which denotes a silence for the same duration. As with all notes with stems, sixteenth notes are drawn with stems to the right of the notehead, facing up, when they are below the middle line of the musical staff (or on the middle line, in vocal music). When they are on the middle line (in instrumental music) or a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C (musical Note)
C or Do is the first note and semitone of the C major scale, the third note of the A minor scale (the relative minor of C major), and the fourth note (G, A, B, C) of the Guidonian hand, commonly pitched around 261.63 Hz. The actual frequency has depended on historical pitch standards, and for transposing instruments a distinction is made between written and sounding or concert pitch. It has enharmonic equivalents of B and D. In English the term ''Do'' is used interchangeably with C only by adherents of fixed Do solfège; in the movable Do system Do refers to the tonic of the prevailing key. Frequency Historically, concert pitch has varied. For an instrument in equal temperament tuned to the A440 pitch standard widely adopted in 1939, middle C has a frequency around 261.63 Hz (for other notes see piano key frequencies). Scientific pitch was originally proposed in 1713 by French physicist Joseph Sauveur and based on the numerically convenient frequency of 256 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D (musical Note)
D basicmusictheory.com is a musical note a above C, and is known as Re within the fixed-Do solfege system. Its enharmonic equivalents are C (C-double sharp) and E (E-double flat). When calculated in equal temperament with a reference of A above middle C as 440 H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octaves
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Scale
In music theory, a scale is any set of musical notes ordered by fundamental frequency or pitch. A scale ordered by increasing pitch is an ascending scale, and a scale ordered by decreasing pitch is a descending scale. Often, especially in the context of the common practice period, most or all of the melody and harmony of a musical work is built using the notes of a single scale, which can be conveniently represented on a staff with a standard key signature. Due to the principle of octave equivalence, scales are generally considered to span a single octave, with higher or lower octaves simply repeating the pattern. A musical scale represents a division of the octave space into a certain number of scale steps, a scale step being the recognizable distance (or interval) between two successive notes of the scale. However, there is no need for scale steps to be equal within any scale and, particularly as demonstrated by microtonal music, there is no limit to how many notes can be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arpeggios
A broken chord is a chord broken into a sequence of notes. A broken chord may repeat some of the notes from the chord and span one or more octaves. An arpeggio () is a type of broken chord, in which the notes that compose a chord are played or sung in a rising or descending order. An arpeggio may also span more than one octave. Being an Italian noun, its plural is ''arpeggi''. The word ''arpeggio'' comes from the Italian word ''arpeggiare'', which means ''to play on a harp''. Even though the notes of an arpeggio are not played or sung all together at the same time, listeners hear the sequence of notes as forming a chord. When an arpeggio also contains passing tones that are not part of the chord, different music theorists may analyze the same musical excerpt differently. Arpeggios enable composers writing for monophonic instruments that play one note at a time (e.g., flute, saxophone, trumpet), to voice chords and chord progressions in musical pieces. Arpeggios and broken ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abby Whiteside
Abby Whiteside (Aug 27, 1881 Vermillion, South Dakota – Dec 10, 1956 Menlo Park, California) was an American piano teacher. She challenged the finger-centric approach of much classical piano teaching and instead advocated a holistic attitude in which the arm and torso are the conductors of a musical image conceived first in the mind. Life Whiteside majored in music at the University of South Dakota. After a period spent teaching at the University of Oregon, she studied in Germany with Rudolf Ganz. On returning to the United States and teaching first in Oregon and then New York City, she slowly developed the ideas for which she became known. Ideas The catalyst for the development of Whiteside's philosophy was the realisation that, as she wrote, "...the pupils in my studio played or didn't play, and that was that. The talented ones progressed, the others didn't--and I could do nothing about it." Whiteside praised the natural ability of the child prodigy and the jazz pianist, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Humerus
The humerus (; ) is a long bone in the arm that runs from the shoulder to the elbow. It connects the scapula and the two bones of the lower arm, the radius and ulna, and consists of three sections. The humeral upper extremity consists of a rounded head, a narrow neck, and two short processes (tubercles, sometimes called tuberosities). The body is cylindrical in its upper portion, and more prismatic below. The lower extremity consists of 2 epicondyles, 2 processes (trochlea & capitulum), and 3 fossae (radial fossa, coronoid fossa, and olecranon fossa). As well as its true anatomical neck, the constriction below the greater and lesser tubercles of the humerus is referred to as its surgical neck due to its tendency to fracture, thus often becoming the focus of surgeons. Etymology The word "humerus" is derived from la, humerus, umerus meaning upper arm, shoulder, and is linguistically related to Gothic ''ams'' shoulder and Greek ''ōmos''. Structure Upper extremity The upper or pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hao Huang (pianist)
(Tseng) Hao Huang (黄俊豪) is a Hakka Chinese American concert pianist, published scholar, narrator, playwright, composer and the Bessie and Cecil Frankel Endowed Chair in Music at Scripps College. Huang has performed in over two dozen countries overseas and authored or co-authored approximately four dozen journal articles and book chapters in classical music, popular music, ethnomusicology, anthropology, American Studies and Humanities. Education Awarded the Leonard Bernstein Scholarship at Harvard College at Harvard University, Huang was referred to study with Leon Fleisher. Graduating with an AB cum laude in music, Huang was selected by audition for the national Frank Huntington Beebe Award for European Study. Upon returning to the States, he studied with Beveridge Webster at the Juilliard School on a piano scholarship, earning an M.M. in piano. Huang finished his academic studies as a Graduate Council Fellow at the State University of New York at Stony Brook, earning a D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aloys Schmitt
Aloys Schmitt (26 August 1788 – 25 July 1866) was a German composer, pianist and music teacher. He was born in Erlenbach am Main. He studied composition with Johann Anton André in Offenbach. In 1824 he was appointed court composer in Munich. He received an honorary doctorate from the University of Giessen. Among his students were Ferdinand Hiller, Carl Almenräder, Carl Arnold Carl Arnold was an American football coach. He was the head football coach at Jamestown College—now known as the University of Jamestown—in Jamestown, North Dakota Jamestown is a city in Stutsman County, North Dakota, United States. It ... and Carl Wolfsohn. His Preparatory Exercises (op. 16) remain important technical studies along with the Hanon exercises. References * External links * * German Romantic composers German classical pianists Male classical pianists German music educators 1788 births 1866 deaths 19th-century classical composers German male class ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
