The Vermilion Pencil
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The Vermilion Pencil
''The Vermilion Pencil'' is a 1922 American silent drama film directed by Norman Dawn, and produced and distributed by Robertson–Cole. It is based on the eponymous 1908 novel by Homer Lea. The film stars Japanese actor Sessue Hayakawa in multiple roles, and white actors Ann May, Bessie Love, and Sidney Franklin, all in Asian roles. It is now a lost film. After completing this film, Hayakawa learned that members of the studio who made the film were active in the anti-Japanese movement, and he left Hollywood for over a decade. Production Extras were cast from Chinatown, Los Angeles, and the value of the costumes worn by the principals cost $20,000 (). To darken her hair for the film, Bessie Love used mascara. Despite this, Love called the film "thoughtfully produced". Exteriors were filmed in the Sierra Nevada mountains. Some scenes were filmed at the Hollywood home of Adolph and Eugene Bernheimer, now the Japanese restaurant Yamashiro. Plot In China, Tse Chan (Hayak ...
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Norman Dawn
Norman O. Dawn (25 May 1884 – 2 February 1975) was an early American film director. He made several improvements on the Matte (filmmaking), matte shot to apply it to motion picture, and was the first director to use rear projection in film production. Dawn's innovations in glass and matte shots Dawn's first film ''Missions of California'' made extensive use of the glass shot, in which certain parts of the intended image are painted on a piece of glass and placed in between the camera and the live action. Many of the buildings which Dawn was filming were at least partially destroyed; by painting sections of roof or walls, the impression was made that the buildings were in fact, still whole. The main difference between the glass shot and the matte shot is that with a glass shot, all filming is done with a single exposure of film. Dawn combined his experience with the glass shot with the techniques of the matte shot. Up until this time, the matte shot was essentially a double-exp ...
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Omar Whitehead And Sessue Hayakawa In The Vermilion Pencil (1922)
ʿUmar ibn al-Khaṭṭāb ( ar, عمر بن الخطاب, also spelled Omar, ) was the second Rashidun caliph, ruling from August 634 until his assassination in 644. He succeeded Abu Bakr () as the second caliph of the Rashidun Caliphate on 23 August 634. Umar was a senior companion and father-in-law of the Islamic prophet Muhammad. He was also an expert Muslim jurist known for his pious and just nature, which earned him the epithet ''al-Fārūq'' ("the one who distinguishes (between right and wrong)"). Umar initially opposed Muhammad, his distant Qurayshite kinsman and later son-in-law. Following his conversion to Islam in 616, he became the first Muslim to openly pray at the Kaaba. Umar participated in almost all battles and expeditions under Muhammad, who bestowed the title ''al-Fārūq'' ('the Distinguisher') upon Umar, for his judgements. After Muhammad's death in June 632, Umar pledged allegiance to Abu Bakr () as the first caliph and served as the closest adviser t ...
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1922 Films
The following is an overview of 1922 in film, including significant events, a list of films released and notable births and deaths. Top-grossing films (U.S.) The top nine films released in 1922 by U.S. gross are as follows: Events * June 11 – United States première of Robert J. Flaherty's ''Nanook of the North'', the first commercially successful feature length documentary film. * November 26 – '' The Toll of the Sea'', starring Anna May Wong and Kenneth Harlan, debuts as the first general release film to use two-tone Technicolor (''The Gulf Between'' was the first film to do so but it was not widely distributed). Notable films released in 1922 United States unless stated A *''At the Sign of the Jack O'Lantern'' (lost), directed by Lloyd Ingraham, based on the 1905 novel by Myrtle Reed B *''The Bachelor Daddy'' (lost), directed by Alfred E. Green, starring Thomas Meighan *''The Beautiful and Damned'' (lost), directed by William A. Seiter, starring Marie Prevost * ...
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1922 Lost Films
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
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1922 Drama Films
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipkno ...
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Whitewashing In Film
Whitewashing is a casting practice in the film industry in which white actors are cast in non-white roles. As defined by Merriam-Webster, to whitewash is "to alter...in a way that favors, features, or caters to white people: such as...casting a white performer in a role based on a nonwhite person or fictional character." According to the BBC, films in which white actors have played other races include all genres. African-American roles and roles of Asian descent have been whitewashed, as well as characters from the ancient world in the genre of classical and mythological films. History In the early 20th century, white actors caricatured different ethnicities by blackface or yellowface, commonly exaggerating the perceived stereotypes of other ethnicities. For example, Swedish-born actor Warner Oland played the Chinese detective Charlie Chan in ''Charlie Chan Carries On'' (1931) and subsequent films. Because of the lack of characters of color in the film industry, these roles we ...
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Racism In Early American Film
Racism in early American film is the negative depiction of racial groups, racial stereotypes, and racist ideals in classical Hollywood cinema from the 1910s to the 1960s. From its inception, Hollywood has largely been dominated by white male filmmakers and producers, catering to a predominantly white audience. Various techniques have been used to depict non-white characters including whitewashing and ethnic stereotyping. Themes of white supremacy and xenophobia are commonly found within these films, reflecting contemporary attitudes towards non-white groups, taking on different imagery as race relations shift. 1910s–1930s African American In February 1915, the film ''The Birth of a Nation'' by D.W. Griffith was released. The film depicted Ku Klux Klansmen as the saviors to the nation that bring back a stable government and uphold American values. The movie used actors in blackface to depict African Americans as mindless, lustful savages, portraying them as an active danger ...
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Examples Of Yellowface
Examples of yellowface mainly include the portrayal of East Asians in American film and theater, though this can also encompass other Western media. It used to be the norm in Hollywood that East Asian characters were played by white actors, often using makeup to approximate East Asian facial characteristics, a practice known as yellowface. American media portrayals of East Asians have reflected a dominant Americentric perception rather than realistic and authentic depictions of true cultures, customs and behaviors. Yellowface relies on stereotypes of East Asians in the United States. Fu Manchu, Charlie Chan, and Madame Butterfly * Fu Manchu and Charlie Chan were the most common East Asian characters in film and television of the mid-20th century, and they were almost always played by white actors in yellowface. (Swedish actor Warner Oland, the first Charlie Chan in sound films, did not use yellowface. He was considered to look Asian, and was typecast in such roles from earl ...
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Thomas Jefferson In The Vermilion Pencil (1922)
Thomas may refer to: People * List of people with given name Thomas * Thomas (name) * Thomas (surname) * Saint Thomas (other) * Thomas Aquinas (1225–1274) Italian Dominican friar, philosopher, and Doctor of the Church * Thomas the Apostle * Thomas (bishop of the East Angles) (fl. 640s–650s), medieval Bishop of the East Angles * Thomas (Archdeacon of Barnstaple) (fl. 1203), Archdeacon of Barnstaple * Thomas, Count of Perche (1195–1217), Count of Perche * Thomas (bishop of Finland) (1248), first known Bishop of Finland * Thomas, Earl of Mar (1330–1377), 14th-century Earl, Aberdeen, Scotland Geography Places in the United States * Thomas, Illinois * Thomas, Indiana * Thomas, Oklahoma * Thomas, Oregon * Thomas, South Dakota * Thomas, Virginia * Thomas, Washington * Thomas, West Virginia * Thomas County (other) * Thomas Township (other) Elsewhere * Thomas Glacier (Greenland) Arts, entertainment, and media * ''Thomas'' (Burton novel) 1969 novel ...
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Lock Chy
Lock(s) may refer to: Common meanings *Lock and key, a mechanical device used to secure items of importance *Lock (water navigation), a device for boats to transit between different levels of water, as in a canal Arts and entertainment * ''Lock'' (film), a 2016 Punjabi film * Lock (''Saga of the Skolian Empire''), a sentient machine in the novels by Catherine Asaro *Lock (waltz), a dance figure * ''Locked'' (miniseries), Indian web miniseries * ''The Lock'' (Constable), an 1824 painting by John Constable * ''The Lock'' (Fragonard) or ''The Bolt'', a 1777 painting by Jean-Honoré Fragonard * ''Locks'' (album), by Garnet Crow, 2008 People *Lock (surname) *Ormer Locklear (1891–1920), American stunt pilot and film actor nicknamed "Lock" * George Locks (1889–1965), English cricketer *Lock Martin (1916–1959), stage name of American actor Joseph Lockard Martin, Jr. Places *Lock, Ohio, an unincorporated community in the United States *Lock, South Australia, a small town in the ce ...
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Omar Whitehead
ʿUmar ibn al-Khaṭṭāb ( ar, عمر بن الخطاب, also spelled Omar, ) was the second Rashidun caliph, ruling from August 634 until his assassination in 644. He succeeded Abu Bakr () as the second caliph of the Rashidun Caliphate on 23 August 634. Umar was a senior companion and father-in-law of the Islamic prophet Muhammad. He was also an expert Muslim jurist known for his pious and just nature, which earned him the epithet ''al-Fārūq'' ("the one who distinguishes (between right and wrong)"). Umar initially opposed Muhammad, his distant Qurayshite kinsman and later son-in-law. Following his conversion to Islam in 616, he became the first Muslim to openly pray at the Kaaba. Umar participated in almost all battles and expeditions under Muhammad, who bestowed the title ''al-Fārūq'' ('the Distinguisher') upon Umar, for his judgements. After Muhammad's death in June 632, Umar pledged allegiance to Abu Bakr () as the first caliph and served as the closest adviser t ...
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