The Veiled Virgin
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The Veiled Virgin
''The Veiled Virgin'' is a Carrara marble statue carved in Rome by Italian sculptor Giovanni Strazza (1818–1875), depicting the bust of a veiled Virgin Mary. The exact date of the statue's completion is unknown, but it was probably in the early 1850s. The veil gives the appearance of being translucent, but in fact is carved of marble. The technique is similar to Giuseppe Sanmartino's 1753 statue '' Veiled Christ'' in the Cappella Sansevero in Naples. The statue was transported to Newfoundland in 1856, as recorded on December 4 in the diary of Bishop John Thomas Mullock: "Received safely from Rome, a beautiful statue of the Blessed Virgin Mary in marble, by Strazza. The face is veiled, and the figure and features are all seen. It is a perfect gem of art". ''The Veiled Virgin'' was then kept at the Episcopal Palace next to the Roman Catholic Cathedral in St. John's until 1862, when Bishop Mullock presented it to Mother Mary Magdalene O'Shaughnessy, the Superior of Presentat ...
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Veiled Virgin
To be veiled, is to wear a veil Veiled may also refer to: *''Veiled'', novel by Benedict Jacka *''Veiled'', 2009 short film with Kristof Konrad Beth Littleford Leyna Weber * Veiled (album), Leah Andreone 1996 *"Veiled", song by Mat Maneri from Trinity (Mat Maneri album) *"Veiled", song by VAS from Offerings (VAS album) Vas was an alternative world musical group which consisted of Persian vocalist Azam Ali and American percussionist Greg Ellis. Vas is frequently compared to the Australian band Dead Can Dance. The band released four full-length albums, and both ...
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Presentation Sisters
The Presentation Sisters, officially the Sisters of the Presentation of the Blessed Virgin Mary, are a religious institute of Roman Catholic women founded in Cork, Ireland, by the Venerable Honora "Nano" Nagle in 1775. The Sisters of the congregation use the postnominal initials P.B.V.M. The Presentation Sisters' mission is to help the poor and needy around the world. Historically, the Sisters focused their energies on creating and staffing schools that would educate young people, especially young ladies. Most of these schools are still in operation and can be found across the globe. As of 2021, the Presentation Sisters are located in 24 countries: Antigua, Australia, Bolivia, Cambodia, Canada, Chile, Dominica, Ecuador, Guatemala, India, Ireland, Israel, New Zealand, Nicaragua, Pakistan, Papua New Guinea, Peru, Philippines, Slovakia, Thailand, United Kingdom, United States, Zambia, and Zimbabwe. History Beginnings Honora (Nano) Nagle (1718–1784) was born in Ballygriffin, ...
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Statues Of The Virgin Mary
A statue is a free-standing sculpture in which the realistic, full-length figures of persons or animals are carved or cast in a durable material such as wood, metal or stone. Typical statues are life-sized or close to life-size; a sculpture that represents persons or animals in full figure but that is small enough to lift and carry is a statuette or figurine, whilst one more than twice life-size is a colossal statue. Statues have been produced in many cultures from prehistory to the present; the oldest-known statue dating to about 30,000 years ago. Statues represent many different people and animals, real and mythical. Many statues are placed in public places as public art. The world's tallest statue, ''Statue of Unity'', is tall and is located near the Narmada dam in Gujarat, India. Color Ancient statues often show the bare surface of the material of which they are made. For example, many people associate Greek classical art with white marble sculpture, but there is evidenc ...
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Culture Of St
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typical be ...
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Veiled Rebecca
''The Veiled Rebecca'' or ''The Veiled Rebekah'' is a 19th century sculpture carved out of marble in Italian neoclassical style by the sculptor Giovanni Maria Benzoni.The sculpture is also referred as The Veiled Lady in several records. It depicts a biblical figure of Rebecca placed on a marble pedestal. Originally several copies of the sculpture were made by Benzoni in two different sizes. Presently, location of five sculptures are identified - High Museum of Art in Atlanta, Georgia, listed in the catalog as ''The Veiled Rebekah'' and dated 1864, Berkshire Museum, Pittsfield, Massachusetts Dated c. 1866,Detroit Institute of Arts, Detroit, Michigan (This smaller version (113 cm tall) is listed in the catalog as ''The Veiled Lady'' and dated 1872),Salar Jung Museum, Hyderabad, India. Dated 1876 (three years after Benzoni's death). Cedarhurst Center for the Arts, Mount Vernon, Illinois.) The one located in Detroit Institute of Arts, is the smaller version. The same is noted in 1 ...
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The Veiled Nun
''The Veiled Nun'' is a marble bust depicting a female figure that was sculpted by an unidentified Italian workshop in c. 1863. Despite its name, the woman depicted is not a nun. The bust was popular with visitors to the Corcoran Gallery of Art in Washington, D.C. from 1874 until the museum closed in 2014. The bust is now displayed in the National Gallery of Art. Description ''The Veiled Nun'' is a tall marble bust depicting a female figure wearing a veil. The fine details give the illusion that the veil is transparent. Although the title, ''The Veiled Nun'', was already in use in 1874 when the work was first displayed in public, she is not a nun, but rather a woman of means or an allegorical figure. Neither the woman's stylish coiffure that is visible through the veil nor the embroidered border of the veil are consistent with a nun's appearance. Sculptures depicting veiled figures were popular during the 19th century based on an Italian tradition that began in the 18th centur ...
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Veiled Vestal
The ''Veiled Vestal'' is an 1847 sculpture by Rafaelle Monti. It was commissioned by William Cavendish, 6th Duke of Devonshire during an 1846 trip to Naples. It is a representation of a Vestal Virgin, the priestesses of the Ancient Roman goddess Vesta. The subject was popular at this time due to the then recent discovery of the House of the Vestals in Pompeii. The depiction of translucent fabrics was popular at the time and Monti was requested to use the technique in this sculpture. Monti completed the sculpture in April 1847 and it was afterwards displayed at Cavendish's West London Chiswick House. The ''Veiled Vestal'' was moved to Chatsworth House, the seat of the Cavendish family, in 1999. In 2005 it appeared in Joe Wright's ''Pride and Prejudice'' film. The sculpture was featured prominently in a scene where the protagonist Elizabeth Bennet visits Pemberley, the house of Mr. Darcy. One critic noted that the sculpture was used as a representation of Elizabeth, with ...
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Modesty (Corradini Sculpture)
''Modesty'' or ''Chastity'' ( it, La Pudicizia) or ''Veiled Truth'' by Antonio Corradini is a sculpture completed in 1752 during the Rococo period. Corradini was commissioned by Raimondo di Sangro to sculpt a memorial for his mother in the Cappella Sansevero in Naples, where the marble sculpture remains today. About the work Corradini worked mostly in Venice but also spent some time in Vienna and Naples before his death in 1752. ''Modesty'' was the last in Corradini's series of veiled female nudes, a subject he developed and refined throughout his career. His mastery of the medium of marble is seen in the increasingly skilled representation of seemingly weightless cloth over human flesh in his commissioned pieces. ''Modesty'' is positioned on a pedestal in the chapel and can sometimes be lost in the beauty of the space and its surrounding statues created by other various artists. Raimondo wanted this commemoration to depict his mother's untimely death when he was not even a ye ...
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Vestal Virgin Tuccia (Corradini Sculpture)
''The Vestal Virgin Tuccia'' ( it, La Vestale Tuccia) or ''Veiled Woman'' ( it, La Velata) is a marble sculpture created in 1743 by Antonio Corradini, a Venetian Rococo sculptor known for his illusory depictions of female allegorical figures covered with veils that reveal the fine details of the forms beneath. The work is housed in the Palazzo Barberini, Rome. Description and history Corradini's subject is Tuccia, an ancient Roman Vestal Virgin who was wrongly accused of being unchaste. She proved her innocence by miraculously carrying water in a sieve from the Tiber River to the Temple of Vesta without spilling a drop. In Corradini's depiction, she holds the sieve on her left hip. The artist began working on ''Tuccia'' shortly after he arrived in Rome from Vienna. He must have been aware of the significance of Tuccia and Vestals to the city. In antiquity, a Vestal's virginity ensured the smooth functioning of the Roman Republic. If a Vestal were sexually active, her impure s ...
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Raffaelle Monti
Raffaele Monti (often misspelled Rafaelle or Raffaelle; Milan 1818–1881) was an Italian sculptor, author and poet. Born in Milan, he studied under his father, the noted sculptor Gaetano Matteo Monti, in the Imperial Academy. At the age of only 20, he was invited to Vienna where he received extensive patronage; he returned to Milan after two years. In 1846, Monti travelled to England for the year and later settled there. Monti exhibited at the Royal Academy, and soon earned recognition as a leading sculptor with his piece for the 6th Duke of Devonshire, the "Veiled Vestal", a figure with illusionistic veil, a specialism of his. A bust based on this work and cast in Parian porcelain by Copeland, entitled "The Bride" but often known as "The Veiled Bride", was issued in 1861 by the Crystal Palace Art Union. This became one of the most popular Parian busts ever produced. Monti produced sculptures in marble, but also created in metals and porcelain, while remaining active in t ...
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Pietro Rossi (sculptor)
Pietro Rossi was an Italian sculptor who was active between 1856 and 1882. His reputation is overshadowed by that of his more famous Italian contemporary Giovanni Strazza (1818–1875). Little is known about Pietro Rossi's life other than that he participated in an exhibition in the Italian city of Novara, north of Milan, in 1856. Rossi's 1882 marble bust of a veiled lady in the Gibbes Museum of Art is a prime example of the Italian nationalist art movement called ''Risorgimento''. The image of the veiled woman was intended to symbolize Italy just as Britannia symbolized England, Hibernia ''Hibernia'' () is the Classical Latin name for Ireland. The name ''Hibernia'' was taken from Greek geographical accounts. During his exploration of northwest Europe (c. 320 BC), Pytheas of Massalia called the island ''Iérnē'' (written ). ... symbolized Ireland, and Lady Liberty symbolized the United States. External links ''Veiled Lady'' at the Gibbes Museum of Art 19th-century ...
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Italian Unification
The unification of Italy ( it, Unità d'Italia ), also known as the ''Risorgimento'' (, ; ), was the 19th-century political and social movement that resulted in the consolidation of different states of the Italian Peninsula into a single state in 1861, the Kingdom of Italy. Inspired by the rebellions in the 1820s and 1830s against the outcome of the Congress of Vienna, the unification process was precipitated by the Revolutions of 1848, and reached completion in 1871 after the Capture of Rome and its designation as the capital of the Kingdom of Italy. Some of the states that had been targeted for unification ('' terre irredente'') did not join the Kingdom of Italy until 1918 after Italy defeated Austria-Hungary in the First World War. For this reason, historians sometimes describe the unification period as continuing past 1871, including activities during the late 19th century and the First World War (1915–1918), and reaching completion only with the Armistice of Villa ...
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