The Veiled Nun
   HOME
*



picture info

The Veiled Nun
''The Veiled Nun'' is a marble bust depicting a female figure that was sculpted by an unidentified Italian workshop in c. 1863. Despite its name, the woman depicted is not a nun. The bust was popular with visitors to the Corcoran Gallery of Art in Washington, D.C. from 1874 until the museum closed in 2014. The bust is now displayed in the National Gallery of Art. Description ''The Veiled Nun'' is a tall marble bust depicting a female figure wearing a veil. The fine details give the illusion that the veil is transparent. Although the title, ''The Veiled Nun'', was already in use in 1874 when the work was first displayed in public, she is not a nun, but rather a woman of means or an allegorical figure. Neither the woman's stylish coiffure that is visible through the veil nor the embroidered border of the veil are consistent with a nun's appearance. Sculptures depicting veiled figures were popular during the 19th century based on an Italian tradition that began in the 18th centur ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Giuseppe Croff
Giuseppe is the Italian form of the given name Joseph, from Latin Josephus, Iōsēphus from Ancient Greek Ἰωσήφ (Iōsḗph), from Hebrew יוסף. It is the most common name in Italy and is unique (97%) to it. The feminine form of the name is Giuseppina (given name), Giuseppina. People with the given name Artists and musicians * Giuseppe Aldrovandini (1671–1707), Italian composer * Giuseppe Arcimboldo (1526 or 1527–1593), Italian painter * Giuseppe Belli (singer) (1732–1760), Italian castrato singer * Giuseppe Gioachino Belli (1791–1863), Italian poet * Giuseppe Castiglione (1829–1908) (1829–1908), Italian painter * Giuseppe Giordani (1751–1798), Italian composer, mainly of opera * Giuseppe Ottaviani (born 1978), Italian musician and disc jockey * Giuseppe Psaila (1891–1960), Maltese Art Nouveau architect * Giuseppe Sammartini (1695–1750), Italian composer and oboist * Giuseppe Sanmartino or Sammartino (1720–1793), Italian sculptor * Giuseppe Santomaso (1 ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

National Museum Of Serbia
The National Museum of Serbia ( sr, / ) is the largest and oldest museum in Belgrade, Serbia. It is located in the central zone of Belgrade on a square plot between the Republic Square, formerly Theatre Square, and three streets: Čika Ljubina, Vasina and Laze Pačua. Its main facade is on the Republic Square and the official address ia 1a Republic Square. The museum was established on 10 May 1844. It moved into the present building in 1950, with the grand opening of the venue on 23 May 1952. Since its founding, the museum's collection has grown to over 400,000 objects, including many foreign masterpieces. The National Museum of Serbia building was declared a Monument of Culture of Great Importance in 1979. History Before the erection of the building of the National Museum on this place was a famous tavern called "Dardanelles", meeting point of the cultural and artistic elite of the time. Demolition of the old tavern signified the beginning of the transformation of The ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

The Veiled Virgin
''The Veiled Virgin'' is a Carrara marble statue carved in Rome by Italian sculptor Giovanni Strazza (1818–1875), depicting the bust of a veiled Virgin Mary. The exact date of the statue's completion is unknown, but it was probably in the early 1850s. The veil gives the appearance of being translucent, but in fact is carved of marble. The technique is similar to Giuseppe Sanmartino's 1753 statue '' Veiled Christ'' in the Cappella Sansevero in Naples. The statue was transported to Newfoundland in 1856, as recorded on December 4 in the diary of Bishop John Thomas Mullock: "Received safely from Rome, a beautiful statue of the Blessed Virgin Mary in marble, by Strazza. The face is veiled, and the figure and features are all seen. It is a perfect gem of art". ''The Veiled Virgin'' was then kept at the Episcopal Palace next to the Roman Catholic Cathedral in St. John's until 1862, when Bishop Mullock presented it to Mother Mary Magdalene O'Shaughnessy, the Superior of Presentat ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Veiled Vestal
The ''Veiled Vestal'' is an 1847 sculpture by Rafaelle Monti. It was commissioned by William Cavendish, 6th Duke of Devonshire during an 1846 trip to Naples. It is a representation of a Vestal Virgin, the priestesses of the Ancient Roman goddess Vesta. The subject was popular at this time due to the then recent discovery of the House of the Vestals in Pompeii. The depiction of translucent fabrics was popular at the time and Monti was requested to use the technique in this sculpture. Monti completed the sculpture in April 1847 and it was afterwards displayed at Cavendish's West London Chiswick House. The ''Veiled Vestal'' was moved to Chatsworth House, the seat of the Cavendish family, in 1999. In 2005 it appeared in Joe Wright's ''Pride and Prejudice'' film. The sculpture was featured prominently in a scene where the protagonist Elizabeth Bennet visits Pemberley, the house of Mr. Darcy. One critic noted that the sculpture was used as a representation of Elizabeth, with ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Veiled Christ
The ''Veiled Christ'' (Italian: ''Cristo velato'') is a 1753 marble sculpture by Giuseppe Sanmartino exhibited in the Cappella Sansevero, Naples, Italy. ''Veiled Christ'' is considered one of the world's most remarkable sculptures, and legendarily thought to have been created by alchemy. Sculptor Antonio Canova, who tried to acquire the work, declared that he would willingly give up ten years of his life to produce a similar masterpiece. History and description ''Veiled Christ''s production was originally assigned to the sculptor Antonio Corradini, who specialized in veiled statues. However, Corradini died a short time later, having produced only a terracotta bozzetto (today displayed at the Museo Nazionale di San Martino). The job thus passed to Giuseppe Sanmartino, who was charged with producing "a marble statue sculpted with the greatest realism, representing Our Lord Jesus Christ in death, covered by a transparent shroud carved from the same block of stone as the sta ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Modesty (Corradini Sculpture)
''Modesty'' or ''Chastity'' ( it, La Pudicizia) or ''Veiled Truth'' by Antonio Corradini is a sculpture completed in 1752 during the Rococo period. Corradini was commissioned by Raimondo di Sangro to sculpt a memorial for his mother in the Cappella Sansevero in Naples, where the marble sculpture remains today. About the work Corradini worked mostly in Venice but also spent some time in Vienna and Naples before his death in 1752. ''Modesty'' was the last in Corradini's series of veiled female nudes, a subject he developed and refined throughout his career. His mastery of the medium of marble is seen in the increasingly skilled representation of seemingly weightless cloth over human flesh in his commissioned pieces. ''Modesty'' is positioned on a pedestal in the chapel and can sometimes be lost in the beauty of the space and its surrounding statues created by other various artists. Raimondo wanted this commemoration to depict his mother's untimely death when he was not even a ye ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Vestal Virgin Tuccia (Corradini Sculpture)
''The Vestal Virgin Tuccia'' ( it, La Vestale Tuccia) or ''Veiled Woman'' ( it, La Velata) is a marble sculpture created in 1743 by Antonio Corradini, a Venetian Rococo sculptor known for his illusory depictions of female allegorical figures covered with veils that reveal the fine details of the forms beneath. The work is housed in the Palazzo Barberini, Rome. Description and history Corradini's subject is Tuccia, an ancient Roman Vestal Virgin who was wrongly accused of being unchaste. She proved her innocence by miraculously carrying water in a sieve from the Tiber River to the Temple of Vesta without spilling a drop. In Corradini's depiction, she holds the sieve on her left hip. The artist began working on ''Tuccia'' shortly after he arrived in Rome from Vienna. He must have been aware of the significance of Tuccia and Vestals to the city. In antiquity, a Vestal's virginity ensured the smooth functioning of the Roman Republic. If a Vestal were sexually active, her impure s ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Exhibition Of The Industry Of All Nations
The Exhibition of the Industry of All Nations was a World's Fair held in 1853 in what is now Bryant Park in New York City, in the wake of the highly successful 1851 Great Exhibition in London. It aimed to showcase the new industrial achievements of the world and also to demonstrate the nationalistic pride of a relatively young nation and all that she stood for. Jacob Aaron Westervelt, at that time Mayor of New York, was the President of the exhibition-committee. The general superintendent was Admiral Du Pont. Opening on July 14, 1853 with newly sworn President Franklin Pierce in attendance, the fair was seen by over 1.1 million visitors before it closed on November 14, 1854. The fair featured its own glass and iron exhibition building – the New York Crystal Palace – directly inspired by London's. The Palace was destroyed by fire on October 5, 1858. Walt Whitman, an American poet, wrote "The Song of the Exposition": ... a Palace, Lofter, fairer, ampler than any yet, Earth' ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

The Greek Slave
''The Greek Slave'' is a marble sculpture by the American sculptor Hiram Powers. It was one of the best-known and critically acclaimed American artworks of the nineteenth century, and is among the most popular American sculptures ever. It was the first publicly exhibited, life-size, American sculpture depicting a fully nude female figure. Powers originally modeled the work in clay, in Florence, Italy, completing it on March 12, 1843. The first marble version (prime version) of the sculpture was completed by Powers' studio in 1844 and is now in Raby Castle, England. Five more full-sized versions of the statue in marble were mechanically reproduced for private patrons, based on Powers' original model, along with numerous smaller-scale versions. Copies of the statue were displayed in a number of venues around Great Britain and the United States; it quickly became one of Powers' most famous works, and held symbolic meaning for some American abolitionists, inspiring an outpouring of p ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Hiram Powers
Hiram Powers (July 29, 1805 – June 27, 1873) was an American neoclassical sculptor. He was one of the first 19th-century American artists to gain an international reputation, largely based on his famous marble sculpture ''The Greek Slave''. Early life and studies Powers was born to a farmer on July 29, 1805 in Woodstock, Vermont. When he was 14 years old, his family moved to Ohio, about six miles from Cincinnati, where Powers attended school for about a year while staying with his father's brother, a lawyer. He began working after the death of his parents, first superintending a reading-room in connection with the chief hotel of the town, then working a clerk in a general store. At age 17, Powers became an assistant to Luman Watson, Cincinnati's early wooden clockmaker, who owned a clock and organ factory. Using his skill in modeling figures, Powers mastered the construction of the instruments and became the first mechanic in the factory. In 1826 he began to frequent the st ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Renwick Gallery
The Renwick Gallery is a branch of the Smithsonian American Art Museum located in Washington, D.C. that displays American craft and decorative arts from the 19th to 21st century. The gallery is housed in a National Historic Landmark building that was opened in 1859 on Pennsylvania Avenue and originally housed the Corcoran Gallery of Art (now one block from the White House and across the street from the Old Executive Office Building). When it was built in 1859, it was known as "the American Louvre". History The Renwick Gallery building was originally built to be Washington, D.C.'s first art museum and to house William Wilson Corcoran's collection of American and European art. The building was designed by James Renwick, Jr. and finally completed in 1874. It is located at 1661 Pennsylvania Avenue NW. Renwick designed it after the Louvre's Tuileries addition. At the time of its construction, it was known as "the American Louvre". The building was near completion when the Civil War ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Veiled Bust At 1853–1854 New York World’s Fair
To be veiled, is to wear a veil Veiled may also refer to: *''Veiled'', novel by Benedict Jacka *''Veiled'', 2009 short film with Kristof Konrad Beth Littleford Leyna Weber * Veiled (album), Leah Andreone 1996 *"Veiled", song by Mat Maneri from Trinity (Mat Maneri album) ''Trinity'' is a solo album by American composer, improviser and jazz violin and viola player Mat Maneri recorded in 1999 and released in 2001 on the ECM label. Reception The AllMusic review by Thom Jurek awarded the album 4 stars calling it "a ... *"Veiled", song by VAS from Offerings (VAS album) {{dab ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]