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The Vault Of Horror (comics)
''The Vault of Horror'' was an American bi-monthly horror comic anthology series published by EC Comics in the early 1950s. Along with ''Tales from the Crypt'' and ''The Haunt of Fear'', it formed a trifecta of popular EC horror anthologies. ''The Vault of Horror'' hit newsstands with its April/May 1950 issue and ceased publication with its December/January 1955 issue, producing a total of 40 issues. Origin In 1950, William Gaines and his editor Al Feldstein discovered they shared similar tastes in horror and began experimenting with such stories in EC's crime comic ''War Against Crime'' and its companion title, ''Crime Patrol''. With issue #12 the ''War Against Crime'' title was replaced with ''The Vault of Horror''. Due to an attempt to save money on second-class postage permits, characteristic of comics publishing of the era, the numbering did not change with the title; the first issue of ''The Vault of Horror'' was thus labelled "No. 12". There is, however, evidence of an in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EC Comics
Entertaining Comics, more commonly known as EC Comics, was an American publisher of comic books, which specialized in horror fiction, crime fiction, satire, military fiction, dark fantasy, and science fiction from the 1940s through the mid-1950s, notably the ''Tales from the Crypt'' series. Initially, EC was owned by Maxwell Gaines and specialized in educational and child-oriented stories. After Max Gaines' death in a boating accident in 1947, his son William Gaines took over the company and began to print more mature stories, delving into genres of horror, war, fantasy, science-fiction, adventure, and others. Noted for their high quality and shock endings, these stories were also unique in their socially conscious, progressive themes (including racial equality, anti-war advocacy, nuclear disarmament, and environmentalism) that anticipated the Civil Rights Movement and dawn of 1960s counterculture. In 1954–55, censorship pressures prompted it to concentrate on the humor mag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Kamen
Jack Kamen (; May 29, 1920 – August 5, 2008) was an American illustrator for books, magazines, comic books and advertising, known for his work illustrating crime, horror, humour, suspense and science fiction stories for EC Comics, for his work in advertising, and for the onscreen artwork he contributed to the 1982 horror anthology film ''Creepshow''. Early life Jack Kamen was born to a Jewish family in Brooklyn, New York on May 29, 1920. Career Kamen's first professional job was as an assistant to a sculptor working for the Texas Centennial. He studied sculpture with Agop Agopoff and was a student of Harvey Dunn, George Brandt Bridgman and William C. McNulty. When Kamen attended classes at the Art Students League and the Grand Central Art School, he paid for his studies by painting theatrical scenery, decorating fashion mannequins and creating sculptures. Shortly after he began his illustration career with Western and detective pulp magazines, he was called into the Army in 1942 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Body Snatcher
"The Body Snatcher" is a short story by the Scottish author Robert Louis Stevenson (1850–1894). First published in ''The Pall Mall Gazette'' in December 1884, its characters were based on criminals in the employ of real-life surgeon Robert Knox (1791–1862) around the time of the notorious Burke and Hare murders (1828). Plot A group of friends share a few drinks, when an eminent doctor, Wolfe Macfarlane, enters. One of the friends, Fettes, recognizes the name and angrily confronts the new arrival. Although his friends all find this behaviour suspicious, none of them can understand what might lie behind it. It turns out that Macfarlane and Fettes had attended medical school together, under anatomy professor Mr. K. Their duties included taking receipt of bodies for dissection, and paying the pair of shifty and suspicious men who supplied them. On one occasion, Fettes identifies a body as that of a woman he knew, and is convinced she has been murdered. But Macfarlane talks him ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Louis Stevenson
Robert Louis Stevenson (born Robert Lewis Balfour Stevenson; 13 November 1850 – 3 December 1894) was a Scottish novelist, essayist, poet and travel writer. He is best known for works such as ''Treasure Island'', ''Strange Case of Dr Jekyll and Mr Hyde'', '' Kidnapped'' and ''A Child's Garden of Verses''. Born and educated in Edinburgh, Stevenson suffered from serious bronchial trouble for much of his life, but continued to write prolifically and travel widely in defiance of his poor health. As a young man, he mixed in London literary circles, receiving encouragement from Andrew Lang, Edmund Gosse, Leslie Stephen and W. E. Henley, the last of whom may have provided the model for Long John Silver in ''Treasure Island''. In 1890, he settled in Samoa where, alarmed at increasing European and American influence in the South Sea islands, his writing turned away from romance and adventure fiction toward a darker realism. He died of a stroke in his island home in 1894 at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Mystery Of The Wax Museum
''Mystery of the Wax Museum'' is a 1933 American pre-Code mystery- horror film directed by Michael Curtiz and starring Lionel Atwill, Fay Wray, Glenda Farrell, and Frank McHugh. It was produced and released by Warner Bros. and filmed in two-color Technicolor; '' Doctor X'' and ''Mystery of the Wax Museum'' were the last two dramatic fiction films made using this process."Notes" Plot In London in 1921, Ivan Igor (pronounced eye-gor) is a who operates a |
Michael Curtiz
Michael Curtiz ( ; born Manó Kaminer; since 1905 Mihály Kertész; hu, Kertész Mihály; December 24, 1886 April 10, 1962) was a Hungarian-American film director, recognized as one of the most prolific directors in history. He directed classic films from the silent era and numerous others during Hollywood's Classical Hollywood cinema, Golden Age, when the studio system was prevalent. Curtiz was already a well-known director in Europe when Warner Bros. invited him to Hollywood in 1926, when he was 39 years of age. He had already directed 64 films in Europe, and soon helped Warner Bros. become the fastest-growing movie studio. He directed 102 films during his Hollywood career, mostly at Warners, where he directed ten actors to Oscar nominations. James Cagney and Joan Crawford won their only Academy Awards under Curtiz's direction. He put Doris Day and John Garfield on screen for the first time, and he made stars of Errol Flynn, Olivia de Havilland, and Bette Davis. He himself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Harrison (writer)
Harry Max Harrison (born Henry Maxwell Dempsey; March 12, 1925 – August 15, 2012) was an American science fiction author, known mostly for his character The Stainless Steel Rat and for his novel ''Make Room! Make Room!'' (1966). The latter was the rough basis for the motion picture ''Soylent Green'' (1973). Long resident in both Ireland and the United Kingdom, Harrison was involved in the foundation of the Irish Science Fiction Association, and was, with Brian Aldiss, co-president of the Birmingham Science Fiction Group. Aldiss called him "a constant peer and great family friend". His friend Michael Carroll (author), Michael Carroll said of Harrison's work: "Imagine ''Pirates of the Caribbean'' or ''Raiders of the Lost Ark'', and picture them as science-fiction novels. They're rip-roaring adventures, but they're stories with a lot of heart." Novelist Christopher Priest (novelist), Christopher Priest wrote in an obituary Career Before becoming an editor and writer, Harrison ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard Krigstein
Bernard Krigstein (; March 22, 1919 – January 8, 1990), was an American illustrator and gallery artist who received acclaim for his innovative and influential approach to comic book art, notably in EC Comics. His artwork usually displayed the signature B. Krigstein. His best-known work in comic books is the eight-page story "Master Race", originally published in the debut issue (cover-dated April 1955) of EC Comics' ''Impact''. Biography Born in Brooklyn, New York City to a Jewish household, Krigstein studied art at Brooklyn College. Krigstein's earliest confirmed work in comics is penciling and inking the 10-page, patriotic "kid gang" feature "The Liberty Lads" in Harvey Comics' ''Champ Comics'' #25 (cover-dated April 1943). He went on to draw for Harvey and for Prize Comics through 1943, during the period fans and historians call the Golden Age of Comic Books. Following his service in World War II, he returned to comic books in 1945, working for publishers including Fawcett Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reed Crandall
Reed Leonard Crandall (February 22, 1917 – September 13, 1982) Reed Crandall at the , via GenealogyBank.com; and vi FamilySearch.org citing U.S. Social Security Administration, Death Master File, database (Alexandria, Virginia: National Technical Information Service, ongoing. Retrieved on 22 February 2013. Neither gives specific day of death. First cit [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Orlando
Joseph Orlando (April 4, 1927 – December 23, 1998) was an Italian American illustrator, writer, editor and cartoonist during a lengthy career spanning six decades. He was the associate publisher of '' Mad'' and the vice president of DC Comics, where he edited numerous titles and ran DC's Special Projects department. Early life Orlando was born in Bari, Italy, emigrating to the United States in 1929. He began drawing at an early age, going to art classes at a neighborhood boys' club when he was seven years old. He continued there until he was 14, winning prizes annually in their competitions, including a John Wanamaker bronze medal. In 1941, he began attending the School of Industrial Art (later the High School of Art and Design), where he studied illustration. This school was a breeding ground for a number of comics artists, including Richard Bassford, Frank Giacoia, Carmine Infantino, Rocke Mastroserio, Alex Toth and future comics letterer Gaspar Saladino. Infantino and Orla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Williamson
Alfonso Williamson (March 21, 1931 – June 12, 2010) was an American cartoonist, comic book artist and illustrator specializing in adventure, Western, science fiction and fantasy. Born in New York City, he spent much of his early childhood in Bogotá, Colombia before moving back to the United States at the age of 12. In his youth, Williamson developed an interest in comic strips, particularly Alex Raymond's ''Flash Gordon''. He took art classes at Burne Hogarth's Cartoonists and Illustrators School, there befriending future cartoonists Wally Wood and Roy Krenkel, who introduced him to the work of illustrators who had influenced adventure strips. Before long, he was working professionally in the comics industry. His most notable works include his science-fiction/ heroic-fantasy art for EC Comics in the 1950s, on titles including '' Weird Science'' and ''Weird Fantasy''. In the 1960s, he gained recognition for continuing Raymond's illustrative tradition with his work on the ''Fl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Davis (cartoonist)
John Burton Davis Jr. (December 2, 1924 – July 27, 2016) was an American cartoonist and illustrator, known for his advertising art, magazine covers, film posters, record album art and numerous comic book stories. He was one of the founding cartoonists for ''Mad (magazine), Mad'' in 1952. His cartoon characters are characterized by extremely distorted anatomy, including big heads, skinny legs and large feet. Early life Davis was born December 2, 1924, in Atlanta, Georgia. As a child, he adored listening to Bob Hope on the radio and tried to draw him, despite not knowing what Hope looked like. Career Early work Davis saw comic book publication at the age of 12 when he contributed a cartoon to the reader's page of ''Tip Top Comics'' No. 9 (December 1936). After drawing for his high school newspaper and yearbook, he spent three years in the U.S. Navy, where he contributed to the daily ''Navy News.'' Attending the University of Georgia on the G.I. Bill, he drew for the campus ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
