The Vanishing Bridegroom
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The Vanishing Bridegroom
''The Vanishing Bridegroom'' is an opera by composer Judith Weir to a libretto by the composer from work edited by J. F. Campbell of Islay. Commissioned by the Glasgow District Council, the opera was premiered by the Scottish Opera as a part of the 1990 European Capital of Culture celebrations in Glasgow. The United States premiere of the opera was given by the Opera Theatre of Saint Louis in 1992 (under the title ''Highland Wedding'') with soprano Lauren Flanigan as the Bride/Wife/Mother. The compositional style is primarily polytonal and polyrhythmic, with elements of minimalism and atonality. Woodwinds are used throughout to introduce Gaelic folk melodies, with violin often being employed as a fiddle, either solo or in duet. The three acts vary stylistically, although some musical gestures are common to all three, such as long rising glissandos in the string section. The opera was broadcast by BBC TV in 1991 in a production directed for television by Mike Newman, with the Sco ...
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Judith Weir
Judith Weir (born 11 May 1954) is a British composer serving as Master of the King's Music. Appointed in 2014 by Queen Elizabeth II, Weir is the first woman to hold this office. Biography Weir was born in Cambridge, England, to Scottish parents. She studied with John Tavener while at the North London Collegiate School and subsequently with Robin Holloway at King's College, Cambridge, graduating in 1976. Her music often draws on sources from medieval history, as well as the traditional stories and music of her parents' homeland, Scotland. Although she has achieved international recognition for her orchestral and chamber works, Weir is best known for her operas and theatrical works. From 1995 to 2000, she was Artistic Director of the Spitalfields Festival in London. She held the post of Composer in Association for the City of Birmingham Symphony Orchestra from 1995 to 1998. Weir was appointed a Commander of the Order of the British Empire (CBE) in the 1995 Birthday Honours for se ...
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Scottish Opera
Scottish Opera is the national opera company of Scotland, and one of the five national performing arts companies of Scotland. Founded in 1962 and based in Glasgow, it is the largest performing arts organisation in Scotland. History Scottish Opera was founded by conductor Alexander Gibson in 1962. In 1975 it purchased the Theatre Royal in Glasgow from Scottish Television re-opening it as the first national opera house for Scotland in October 1975 with ''Die Fledermaus''. In March 2005, the management of the Theatre Royal was transferred to the Ambassador Theatre Group, but remains the home of Scottish Opera and of Scottish Ballet. Scottish Opera dealt with various financial troubles, related to lack of funding and accusations of fiscal profligacy, during the first part of the 2000s. Its cycle of Richard Wagner's ''Ring'' was critically acclaimed, but also was highly draining of the company's financial resources. In 2004, a financial restructuring plan had called for the elimin ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Glasgow District Council
Glasgow ( ; sco, Glesca or ; gd, Glaschu ) is the most populous city in Scotland and the fourth-most populous city in the United Kingdom, as well as being the 27th largest city by population in Europe. In 2020, it had an estimated population of 635,640. Straddling the border between historic Lanarkshire and Renfrewshire, the city now forms the Glasgow City Council area, one of the 32 council areas of Scotland, and is governed by Glasgow City Council. It is situated on the River Clyde in the country's West Central Lowlands. Glasgow has the largest economy in Scotland and the third-highest GDP per capita of any city in the UK. Glasgow's major cultural institutions – the Burrell Collection, Kelvingrove Art Gallery and Museum, the Royal Conservatoire of Scotland, the Royal Scottish National Orchestra, Scottish Ballet and Scottish Opera – enjoy international reputations. The city was the European Capital of Culture in 1990 and is notable for its architecture, culture, ...
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Opera Theatre Of Saint Louis
Opera Theatre of Saint Louis (OTSL) is an American summer opera festival held in St. Louis, Missouri. Typically four operas, all sung in English, are presented each season, which runs from late May to late June. Performances are accompanied by the St. Louis Symphony Orchestra, which is divided into two ensembles, each covering two of the operas, for the season. The company's performances are presented in the Loretto-Hilton Center for the Performing Arts on the campus of Webster University. First seasons and achievements In 1976, Leigh Gerdine, Laurance L. Browning, Jr. and James Van Sant co-founded OTSL. They hired Richard Gaddes, who at the time was working at The Santa Fe Opera, as the company's first Artistic Director. They signed him as full-time General Director in 1978 at the suggestion of Ed Korn, who was brought in as a consultant from the Metropolitan Opera. Gaddes acknowledged that the model for OTSL was The Santa Fe Opera: : That was not a coincidence. I always sa ...
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Lauren Flanigan
Lauren Flanigan (born May 18, 1958) is an American operatic soprano who has had an active international career since the 1980s. She enjoyed a particularly fruitful partnership with the New York City Opera, appearing with the company almost every year since 1990. She has sung more than 100 different opera roles on stage during her career, often appearing in contemporary works or more rarely staged operas. '' Opera News'' stated that, "Flanigan has enjoyed one of the most distinctive careers of any artist of her generation, one marked by a high volume of contemporary works. Modern composers love her because of her innate musicality, dramatic power and lightning-fast skills and instincts." Education and early career Flanigan was born in San Francisco, California, the daughter of Irish and Pennsylvania Dutch parents. In 1971, at the age of 12, she appeared as Flora in Benjamin Britten's ''The Turn of the Screw'' with the San Francisco Western Opera Theatre. Her portrayal of Flora resu ...
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Polytonality
Polytonality (also polyharmony) is the musical use of more than one key simultaneously. Bitonality is the use of only two different keys at the same time. Polyvalence or polyvalency is the use of more than one harmonic function, from the same key, at the same time. Some examples of bitonality superimpose fully harmonized sections of music in different keys. History In traditional music Lithuanian traditional singing style sutartines is based on polytonality. A typical sutartines song is based on a six-bar melody, where the first three bars contains melody based on the notes of the triad of a major key (for example, in G major), and the next three bars is based on another key, always a major second higher or lower (for example, in A major). This six-bar melody is performed as a canon, and repetition starts from the fourth bar. As a result, parts are constantly singing in different tonality (key) simultaneously (in G and in A). As a traditional style, sutartines disappeared in Li ...
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Polyrhythm
Polyrhythm is the simultaneous use of two or more rhythms that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic layers may be the basis of an entire piece of music (cross-rhythm), or a momentary section. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm. Concurrently in this context means within the same rhythmic cycle. The underlying pulse, whether explicit or implicit can be considered one of the concurrent rhythms. For example, the son clave is poly-rhythmic because its 3 section suggests a different meter from the pulse of the entire pattern. In western art music In some European art music, polyrhythm periodically contradicts the prevailing meter. For example, in Mozart's opera ''Don Giovanni'', two orchestras are heard playing toget ...
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Minimalist Music
In visual arts, Minimal music, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Donald Judd, Agnes Martin, Dan Flavin, Carl Andre, Robert Morris (artist), Robert Morris, Anne Truitt and Frank Stella. The movement is often interpreted as a reaction against abstract expressionism and modernism; it anticipated contemporary Postminimalism, postminimal art practices, which extend or reflect on minimalism's original objectives. Minimal music, Minimalism in music often features repetition and gradual variation, such as the works of La Monte Young, Terry Riley, Steve Reich, Philip Glass, Julius Eastman and John Adams (composer), John Adams. The term ''minimalist'' often colloquially refers to anything or anyone that is spare or stripped to its essentials. It has accordingly been used to describe the Play (theatre) ...
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Atonal Music
Atonality in its broadest sense is music that lacks a tonal center, or key. ''Atonality'', in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. More narrowly, the term ''atonality'' describes music that does not conform to the system of tonal hierarchies that characterized European classical music between the seventeenth and nineteenth centuries. "The repertory of atonal music is characterized by the occurrence of pitches in novel combinations, as well as by the occurrence of familiar pitch combinations in unfamiliar environments". The term is also occasionally used to describe music that is neither tonal nor serial, especially the pre-twelve-tone music of the Second Viennese School, principally Alban Berg, Arnold Schoenberg, and Anton Webern. However, "as a categorica ...
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Ian Spink
Ian Spink (born 8 October 1947) is an Australian-British choreographer. Born in Melbourne, he trained at the Australian Ballet School. After graduating in 1968, he danced and choreographed for The Australian Ballet, Australian Dance Theatre and the Dance Company of New South Wales. In 1974, he was offered a grant to tour with Merce Cunningham's dance troupes when they toured Australia. He then moved to London in 1977, and has remained in the UK since then. In 1982, Spink co-founded Second Stride along with Siobhan Davies and Richard Alston. In 1990 he directed the premiere production of Judith Weir's opera ''The Vanishing Bridegroom'' for Scottish Opera, subsequently broadcast by BBC TV.Weir, J. Memoirs of an Accidental Film Artist. In: ''A Night in at the Opera'', Tambling, J.John Libbey & Company Ltd, London, 1994, p59. Spink most recently choreographed Petruska for Scottish Ballet at the Edinburgh International Festival The Edinburgh International Festival is an annual ...
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