The Unusual Past Of Thea Carter
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The Unusual Past Of Thea Carter
''The Unusual Past of Thea Carter'' (German: ''Die seltsame Vergangenheit der Thea Carter'') is a 1929 German silent film directed by Ernst Laemmle and Joseph Levigard and starring Olaf Fønss, June Marlowe and Inge Landgut.Goble p.88 The film's art direction was by Franz Schroedter. Cast * Olaf Fønss as Direktor Carter * June Marlowe as Thea Carter * Inge Landgut as Inge Carter * Olga Engl as Oma Carter * Ernst Stahl-Nachbaur as Van Ruyten * Hermann Vallentin as Polizeirat Kroll * Camilla von Hollay Camilla von Hollay (born Kamilla Borbála Hollay; 11 July 1899 – 9 February 1967) was a Hungarian film actress of the silent era. She appeared in more than 40 films between 1917 and 1930. She was born in Budapest, Austria-Hungary and die ... as Die Zofe * Charles Charlia as Charlie Mason References Bibliography * Goble, Alan. ''The Complete Index to Literary Sources in Film''. Walter de Gruyter, 1999. External links

* 1929 films Films of the Weimar Republic Ge ...
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Ernst Laemmle
Ernst Laemmle (1900–1950) was a German screenwriter and film director. He was the nephew of Universal Pictures founder Carl Laemmle and like many of his relatives he was brought over to America to work for the studio. Ernst directed a number of short western films during the silent era. He also directed films for Universal's German subsidiary. During the 1930s he worked as Universal's foreign dialogue supervisor.Jacobs p.153 He was the brother of director Edward Laemmle who was also employed by Universal. Selected filmography Director * '' The Sunset Trail'' (1924) * ''The Phantom of the Opera'' (1925)(Uncredited) * ''Prowlers of the Night'' (1926) * '' A One Man Game'' (1927) * ''Red Clay'' (1927) * '' Range Courage'' (1927) *''The Broncho Buster'' (1927) * ''The Grip of the Yukon'' (1928) * ''Phyllis of the Follies'' (1928) * ''The Unusual Past of Thea Carter'' (1929) * '' The Daredevil Reporter'' (1929) * ''What Men Want'' (1930) Screenwriter * ''The Palm Beach Story ''Th ...
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Franz Schroedter
Franz Schroedter (9 May 1897 – 14 November 1968) was a German art director.Giesen p.212 Selected filmography * '' The Black Count'' (1920) * ''The Dance of Love and Happiness'' (1921) * ''The New Paradise'' (1921) * '' The Queen of Whitechapel '' (1922) * ''The Men of Frau Clarissa'' (1922) * ''The Cigarette Countess'' (1922) * '' The Shadows of That Night'' (1922) * '' The Shadow of the Mosque'' (1923) * '' The Woman from the Orient'' (1923) * '' The Voice of the Heart'' (1924) * '' Strong Winds'' (1924) * ''The Heart of Lilian Thorland'' (1924) * ''Chamber Music'' (1925) * ''Tragedy'' (1925) * ''The Adventures of Sybil Brent'' (1925) * ''The Elegant Bunch'' (1925) * ''The Doll of Luna Park'' (1925) * '' The Morals of the Alley'' (1925) * ''The Flower Girl of Potsdam Square'' (1925) * '' Roses from the South'' (1926) * ''The Last Horse Carriage in Berlin'' (1926) * ''Only a Dancing Girl'' (1926) * '' The Flames Lie'' (1926) * ''When She Starts, Look Out'' (1926) * ''The Trousers ...
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Films Directed By Ernst Laemmle
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ...
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German Silent Feature Films
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germ ...
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Films Of The Weimar Republic
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ...
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1929 Films
The following is an overview of 1929 in film, including significant events, a list of films released and notable births and deaths. Top-grossing films (U.S.) The top ten 1929 released films by box office gross in North America are as follows: Events The days of the silent film are numbered. A mad scramble to provide synchronized sound is on. * February 1 – ''The Broadway Melody'' is released by MGM and becomes the first major musical film of the sound era, sparking a host of imitators as well as a series of ''Broadway Melody'' films that will run until 1940. * February 18 – The first Academy Awards, or Oscars, are announced for the year ended August 1, 1928. * March 3 – William Fox announces that he has taken control of Loews Inc., including its subsidiary Metro-Goldwyn-Mayer, buying shares from Marcus Loew's widow and sons and Nicholas Schenck for $50 million. The acquisition eventually falls through. * May 16 – The first Academy Awards are distributed at The Hollyw ...
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Charles Charlia
Charles is a masculine given name predominantly found in English and French speaking countries. It is from the French form ''Charles'' of the Proto-Germanic name (in runic alphabet) or ''*karilaz'' (in Latin alphabet), whose meaning was "free man". The Old English descendant of this word was '' Ċearl'' or ''Ċeorl'', as the name of King Cearl of Mercia, that disappeared after the Norman conquest of England. The name was notably borne by Charlemagne (Charles the Great), and was at the time Latinized as ''Karolus'' (as in ''Vita Karoli Magni''), later also as '' Carolus''. Some Germanic languages, for example Dutch and German, have retained the word in two separate senses. In the particular case of Dutch, ''Karel'' refers to the given name, whereas the noun ''kerel'' means "a bloke, fellow, man". Etymology The name's etymology is a Common Germanic noun ''*karilaz'' meaning "free man", which survives in English as churl (< Old English ''ċeorl''), which developed its depr ...
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Camilla Von Hollay
Camilla von Hollay (born Kamilla Borbála Hollay; 11 July 1899 – 9 February 1967) was a Hungarian film actress of the silent era. She appeared in more than 40 films between 1917 and 1930. She was born in Budapest, Austria-Hungary and died in Budapest. Selected filmography * '' A Régiséggyüjtö'' (1917) * ''Casanova'' (1918) * ''Az Élet királya'' (1917) * ''The Fire Ship'' (1922) * ''The Stolen Professor'' (1924) * '' Passion'' (1925) * '' Madame Wants No Children'' (1926) * '' Superfluous People'' (1926) * '' The Eleven Schill Officers'' (1926) * '' A Sister of Six'' (1926) * '' The Queen of the Baths'' (1926) * '' At the Edge of the World'' (1927) * ''The Weavers'' (1927) * '' The Salvation Army Girl'' (1927) * '' Break-in'' (1927) * ''Potsdam'' (1927) * ''The Duty to Remain Silent'' (1928) * ''The Green Alley'' (1928) * '' When the Mother and the Daughter'' (1928) * ''Immorality'' (1928) * ''The Saint and Her Fool'' (1928) * '' The Abduction of the Sabine Women'' ...
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Hermann Vallentin
Hermann Vallentin (24 May 1872 – 18 September 1945) was a German actor. Biography Hermann Vallentin was born in Berlin in 1872. He was the son of a Jewish timber merchant and factory owner, Felix Vallentin. He was the older brother of actress Rosa Valetti. After training as an actor at the Royal Theatre in Berlin with Max Grube and Hans Oberländer, he received his first engagement at the Central-Theatre in Berlin in the 1895/96 season. In the next few years, appearances on various Berlin stages followed. From 1914, Vallentin was also a film actor. He mostly embodied fatherly figures, patriarchs and directors, but also small-minded philistines. In the 1931 film version of '' Der Hauptmann von Köpenick'', he played the uniform tailor Adolph Wormser. The seizure of power by the National Socialists in 1933, ended his film career abruptly. In 1933 Vallentin, emigrated to Czechoslovakia, where he appeared on German language stages in Ústí and Prague. In 1938 he left for Switze ...
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Ernst Stahl-Nachbaur
Ernst Stahl-Nachbaur (6 March 1886 – 13 May 1960) was a German film actor. Early life Stahl-Nachbaur was born in Munich, Germany and died at age 74 in Berlin. Selected filmography * ''Das Geschlecht der Schelme. 1. Teil'' (1917) * ''Das verlorene Paradies'' (1917) * ''Eugen Onegin'' (1919) - Fürst Gremin * ''Zwischen Tod und Leben'' (1919) - Fritz Nettenmair * ''Fidelio'' (1919) - Gouveneur * ''Pogrom'' (1919) - Krassowsky * ''Maria Pavlowna'' (1919) - Polizist Maximowitsch * ''Aus eines Mannes Mädchenjahren'' (1919) * ''König Nicolo'' (1919) - King Nicolo * '' Lillis Ehe'' (1919) - Dr. Goldmann * '' Lilli'' (1919) - Count von Simon * ''Zwischen neun und neun'' (1919) - Stanislaus Demba * ''Zwangsliebe im Freistaat'' (1919) - Dr. Erhardt Kraft * ''Der verführte Heilige'' (1919) * ''Gewalt gegen Recht'' (1920) - Minister * '' Satanas'' (1920) - Prince Alfonso d'Este * ''Die Welt ohne Hunger'' (1920) - Fred Bell * ''Narrentanz der Liebe'' (1920) - Student Alfred Freese * ...
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Olga Engl
Olga Engl (30 May 1871 – 21 September 1946) was an Austrian-German stage and motion picture actress who appeared in nearly 200 films. Biography Engl was privately educated in an Ursuline monastery and began her acting career at the Prague Conservatory. In August 1887 she made her stage début as Bertha in the play ''Die Verschwörung des Fiesco zu Genua'' in her home town. In 1888, she moved to the city of Danzig and performed in the theatre from 1889 to 1892 then briefly moved to Berlin. From 1892 to 1895 she performed with the court theatre in Munich and from 1895 to 1897 in Hamburg at the Thalia Theater, and from 1897 in Hanover. Engl made her film debut in the 1911 British silent film ''The Adoptive Child'' then returned to Germany and began appearing in German film productions. Her first major role was in the 1913 Carl Froelich-directed biopic ''Richard Wagner''. She would work continually throughout the 1910s and appear in a variety of roles for such directors as Ur ...
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Art Direction
Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style(s) to use, and when to use motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the collective imagination while resolving conflicting agendas and inconsistencies bet ...
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