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The Ultimate Collection (B. B. King Album)
''The Ultimate Collection'' is a compilation album by B.B. King, released in 2005. Track listing #" Three O'Clock Blues" – 3:01 #"Please Love Me" – 2:48 #"You Upset Me Baby" – 3:01 #"Sweet Sixteen" – 6:12 #" Rock Me Baby" – 2:58 #" How Blue Can You Get" – 2:41 #"Every Day I Have the Blues" – 2:41 #" Sweet Little Angel" – 3:46 #"Don't Answer the Door" – 5:10 #"Paying the Cost to Be the Boss" – 2:33 #"The Thrill is Gone" – 5:25 #"Nobody Loves Me But My Mother" – 1:26 #"Chains & Things" (w/ Carole King) – 4:53 #"Ain't Nobody Home" – 3:14 #"I Like to Live the Love" – 3:17 #"Never Make a Move Too Soon" – 5:30 #"Better Not Look Down" – 3:20 #"There Must Be a Better World Somewhere" – 3:46 #" When Love Comes to Town" (w/ U2) – 4:17 #"Ten Long Years" (w/ Eric Clapton Eric Patrick Clapton (born 1945) is an English rock and blues guitarist, singer, and songwriter. He is often regarded as one of the most successful and influential guitarists i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Blues
Electric blues refers to any type of blues music distinguished by the use of electric amplification for musical instruments. The guitar was the first instrument to be popularly amplified and used by early pioneers T-Bone Walker in the late 1930s and John Lee Hooker and Muddy Waters in the 1940s. Their styles developed into West Coast blues, Detroit blues, and post-World War II Chicago blues, which differed from earlier, predominantly acoustic-style blues. By the early 1950s, Little Walter was a featured soloist on blues harmonica using a small hand-held microphone fed into a guitar amplifier. Although it took a little longer, the electric bass guitar gradually replaced the stand-up bass by the early 1960s. Electric organs and especially keyboards later became widely used in electric blues. Early regional styles The blues, like jazz, probably began to be amplified in the late 1930s.V. Bogdanov, C. Woodstra, S. T. Erlewine, ''All music guide to rock: the definitive guide t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Blues
Soul blues is a style of blues music developed in the late 1960s and early 1970s that combines elements of soul music and urban contemporary music. Origin African American singers and musicians who grew up listening to the electric blues by artists such as Muddy Waters, Jimmy Reed, and Elmore James, and soul singers such as Sam Cooke, Ray Charles and Otis Redding fused blues and soul music. Bobby Bland was one of the pioneers of this style. See also * List of soul-blues musicians * Soul music * Blues * R&B * Gospel music * Doo wop * Funk Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mi ... References {{Soulmusic Soul music genres Blues music genres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music ... ith aheavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reflections (B
Reflections may refer to: Books and magazines * ''Reflections; or Sentences and Moral Maxims'', a series of books (1665–1678) by François de La Rochefoucauld * ''Reflections'' (Sufi literature), by Idries Shah * ''Reflections'', an alumni publication of Lubbock Christian University * ''Reflections'', a publication of Yale Divinity School * ''Reflections'', an academic journal on writing and public rhetoric published by New City Community Press Film and television Film * ''Reflections'' (1964 film) or ''Dry Summer'', a Turkish film directed by Metin Erksan * ''Reflections'' (1984 film), a British drama film directed by Kevin Billington * ''Reflections'' (1987 film), a Yugoslavian psychological horror film directed by Goran Marković * ''Reflections'' (1999 film), a British documentary film directed by Pogus Caesar * ''Reflections'' (2005 film), an Indian short silent film by Bejoy Nambiar Television * ''Reflections'' (TV series), a 1962 Canadian classical-music televisi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Musical ensemble, bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as Compact disc, CDs replaced LP record, LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Three O'Clock Blues
"3 O'Clock Blues" or "Three O'Clock Blues" is a slow twelve-bar blues recorded by Lowell Fulson in 1946. When it was released in 1948, it became Fulson's first hit. When B.B. King recorded the song in 1951, it became his first hit as well as one of the best-selling R&B singles in 1952. "3 O'Clock Blues" effectively launched King's career and remained a part of his concert repertoire throughout his life. The song was included on his first album, '' Singin' the Blues'' and since has appeared on several King albums, including a remake in 2000 with Eric Clapton for the ''Riding with the King'' album. Original song Lowell Fulson recorded "Three O'Clock Blues" during his first recording session for Oakland, California-based record producer Bob Geddins in 1946. Fulson, who sang and played guitar, was accompanied by his brother Martin on second guitar. The duo produced several country blues-style songs after World War II. According to music historian Ted Gioia, the song lyrics start ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Me Baby (song)
"Rock Me Baby" is a blues standard that has become one of the most recorded blues songs of all time. It originated as "Rockin' and Rollin'", a 1951 song by Lil' Son Jackson, itself inspired by earlier blues. Renditions by Muddy Waters and B.B. King made the song well-known. When B.B. King's recording of "Rock Me Baby" was released in 1964, it became his first single to reach the Top 40 in ''Billboard'' magazine's Hot 100 chart. In 2022, King's recording was inducted into the Blues Hall of Fame in the 'Classics of Blues Recording – Singles' category. Earlier songs B.B. King's "Rock Me Baby" is based on the 1951 song "Rockin' and Rollin'" by Lil' Son Jackson. King's lyrics are nearly identical to Jackson's, although instrumentally the songs are different: "Rockin' and Rollin'" is a solo piece, with Jackson's vocal and guitar accompaniment, whereas "Rock Me Baby" is an ensemble piece. Muddy Waters' song "Rock Me", recorded in 1956, is also based on Jackson's song. Some of Ja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
How Blue Can You Get
"How Blue Can You Get" (alternatively "Downhearted") is a blues song first recorded by Johnny Moore's Three Blazers in 1949. It is a slow 12-bar blues that jazz critic Leonard Feather and his wife, Jane Feather, are credited with writing. The song has been recorded by several blues and other artists. In 1964, it was a hit for B.B. King and became a staple of his live shows. Earlier songs In 1949, Johnny Moore with his brother, Oscar Moore, on guitars, Billy Valentine on piano and vocal, and Johnny Miller on bass recorded "How Blue Can You Get" in the West Coast blues-style. It was included on the jazz and blues compilation album ''Singin' the Blues'' (1960). Feather described the song as having "the type of intimate instrumental setting heard in so many best blues vocal performances of the 1940s". In 1951, Louis Jordan recorded the song using a big band arrangement. B.B. King versions B.B. King first recorded the song as "Downhearted", which was included on his 1963 ''Blues ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Every Day I Have The Blues
"Every Day I Have the Blues" is a blues song that has been performed in a variety of styles. An early version of the song is attributed to Pinetop Sparks and his brother Milton. It was first performed in the taverns of St. Louis by the Sparks brothers and was recorded July 28, 1935 by Pinetop with Henry Townsend on guitar. The song is a twelve-bar blues that features Pinetop's piano and falsetto vocal. The opening verse includes the line "Every day, every day I have the blues". After a reworking of the song by Memphis Slim in 1949, it became a blues standard with renditions recorded by numerous artists. Four different versions of "Every Day I Have the Blues" have reached the Top Ten of the Billboard R&B chart and two—one by the Count Basie Orchestra with Joe Williams and one by B.B. King—have received Grammy Hall of Fame Awards. In 2019, the latter version was inducted into the Blues Foundation Hall of Fame as a "Classic of Blues Recording". Post-war versions In 1949, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweet Little Angel
Sweetness is a basic taste most commonly perceived when eating foods rich in sugars. Sweet tastes are generally regarded as pleasurable. In addition to sugars like sucrose, many other chemical compounds are sweet, including aldehydes, ketones, and sugar alcohols. Some are sweet at very low concentrations, allowing their use as non-caloric sugar substitutes. Such non-sugar sweeteners include saccharin and aspartame. Other compounds, such as miraculin, may alter perception of sweetness itself. The perceived intensity of sugars and high-potency sweeteners, such as Aspartame and Neohesperidin Dihydrochalcone, are heritable, with gene effect accounting for approximately 30% of the variation. The chemosensory basis for detecting sweetness, which varies between both individuals and species, has only begun to be understood since the late 20th century. One theoretical model of sweetness is the multipoint attachment theory, which involves multiple binding sites between a sweetness r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Thrill Is Gone
"The Thrill Is Gone" is a slow minor-key blues song written by West Coast blues musician Roy Hawkins and Rick Darnell in 1951. Hawkins's recording of the song reached number six in the Billboard R&B chart in 1951. In 1970, "The Thrill Is Gone" became a major hit for B.B. King. His rendition helped make the song a blues standard. B.B. King rendition B.B. King recorded his version of "The Thrill Is Gone" in June 1969 for his album ''Completely Well'', released the same year. King's version is a slow 12-bar blues notated in the key of B minor in 4/4 time. The song's polished production and use of strings marked a departure from both the original song and King's previous material. When BluesWay Records released "The Thrill Is Gone" as a single in December 1969, it became one of the most successful of King's career and one of his signature songs. It reached number three in the ''Billboard'' Best Selling Soul Singles chart and number 15 in the broader ''Billboard'' Hot 100 cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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