The Two Ring Circus
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The Two Ring Circus
''The Two Ring Circus'' is a remix album by English synth-pop duo Erasure that served as a companion piece to their second album '' The Circus''. It was released in 1987 on Mute Records in the UK and Sire Records in the US. Composition The vinyl version of ''The Two Ring Circus'' was released as a double 12" album playing at 45rpm, featuring six previously unreleased remixes and three re-recordings. The CD and cassette editions feature an additional seven live bonus tracks billed as "The Touring Circus". The first six tracks are all new remixes of songs that had already appeared on their second album '' The Circus''. The next three tracks are re-recordings of two songs from ''The Circus'' and one song from the band's debut album '' Wonderland'' featuring orchestral arrangements by Andrew Poppy. None of these nine tracks have appeared again on any subsequent Erasure releases or reissues. The seven "Touring Circus" bonus live tracks on the CD and cassette mainly feature songs fr ...
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Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may ...
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Abba-esque
''Abba-esque'' is an extended play (EP) by British synth-pop duo Erasure. Released on 1 June 1992, the EP was Erasure's first and only number one on the UK Singles Chart and also became a number-one hit in Austria, Denmark, Finland, Greece, Ireland, and Sweden. As big fans of the Swedish group ABBA, Erasure (Vince Clarke and Andy Bell) had often performed ABBA songs in concert over the years. They had originally planned to release an album of ABBA covers but instead opted to release an EP of four of ABBA's best known hits. Background Mute Records released ''Abba-esque'' in the UK, while Elektra Records released it in the US. Music videos were produced for all four tracks, and issued as a video EP on VHS. A remix EP was also released by Mute Records in the UK which featured the same four songs in heavily reworked form. Shortly after the release, ABBA's '' Gold: Greatest Hits'' album was released, sparking a revival of ABBA's music that has endured well into the 21st centu ...
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Daniel Miller (music Producer)
Daniel Otto Joachim Miller (born 14 February 1951) is an English music producer and founder of Mute Records. Biography Miller is the son of two Austrian-Jewish refugees from Nazism, Martin Miller and Hannah Norbert-Miller, born into a family of actors. Miller studied film and television at the Guildford School of Art (now University for the Creative Arts) from 1969-1972, where he became interested in synthesizer music. By the end of the 1960s, he became frustrated with rock music's lack of experimentation and became interested in the sound of German bands like Can, Faust, Neu! and Kraftwerk.Pages 14–16 Depeche Mode Biography by Steve Malins Miller worked as a DJ in Switzerland before returning to England at the height of punk, which he enjoyed due to the energy and do-it-yourself attitude of the music. He later became interested in the electronic music scene such as Throbbing Gristle and Cabaret Voltaire which inspired Miller to create his own music. Using money from film ...
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Eric Radcliffe
Eric Charles Radcliffe (often credited as E.C. Radcliffe - born 3 December 1950) is an English recording engineer and producer who worked with new wave and synthpop bands in the early 1980s in Basildon, England. He later became owner of Blackwing Studios. Background Eric Radcliffe is believed to have had a huge part in the success of Yazoo (Yaz in the USA). In March 1984 Radcliffe gave an interview to ''Electronics and Music Maker'' in which he mentioned how he got into the business: When I was about fifteen the group I was in was booked into a four-track studio to do some demos, and I got a taste for recording then. I got an Akai reel-to-reel at home and I built a studio in the front room, with multi-core cable running into my bedroom which acted as the control room... it snowballed... eventually I was able to afford an eight-track TEAC and it was with that machine that I came up to London and set-up the studio here, which I called Blackwing and it took off in earnest... An ...
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Little Louie Vega
Luis Ferdinand Vega Jr. (born June 12, 1965), as known as "Little Louie" Vega, is an American DJ, record producer and Grammy Award winner remixer of Puerto Ricans in the United States, Puerto Rican ancestry. He is one half of the Masters at Work musical production team. Biography He was born to a musician family, as his father, Luis F. Vega Sr., was a jazz saxophone, saxophonist, and his uncle was singer Héctor Lavoe of the Fania All-Stars. Vega embarked on his music career as a disc jockey, spinning records at the age of 13. By 1985, Louie began playing house and block parties in his local Bronx and his first nightclub residency was at the Devil's Nest, in the Bronx, and later he moved to heartthrob (the old Funhouse), Roseland, Studio 54 and the Palladium in Manhattan. During the 1990s, Vega was playing at one of the most influential nightclubs for house music, The Sound Factory Bar at the Underground Network Parties with promoters Don Welch and Barbara Tucker (also singer). ...
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Pascal Gabriel
Pascal Gabriel (born 15 December 1956) is a Belgian-born musician based in London, England and Paris, France. Background Pascal Gabriel's musical career began in 1977 in the punk rock band The Razors (bass guitar). He left Belgium for London in 1979. During the early 1980s, he had spells in various experimental groups, including art-school band Church of Friendly Valley with scratch video artist George Barber, and an electronic project whose only performance was in a supermarket. He formed a duo with guitarist Danny Kustow, as well as touring as a percussionist with the Tom Robinson Band, before starting to pick up work as a freelance sound engineer in various London studios, earning a reputation for innovative remixes for artists such as Marc Almond (Soft Cell) and Yello. In 1983 he had his first release, with two experimental tracks on the Touch cassette ''T2 Meridians One'', alongside future collaborator Simon Fisher Turner, before beginning to concentrate on studio work. ...
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It Doesn't Have To Be
"It Doesn't Have to Be" is a song by English synth-pop duo Erasure, released on 16 February 1987. It was issued as a single six weeks before the release of the duo's second studio album, '' The Circus'' (1987). Following the number-two UK placing of previous single " Sometimes", it became Erasure's second Top 20 hit in the UK (peaking at number twelve) and their third West German Top 20 hit (number sixteen). The lyric of the song deplores a lack of necessity for strife and may be understood to refer to apartheid in South Africa, but there is no particular reference. The middle eight is in Swahili, an eastern, not southern African language: ''Lala pamoja na mimi / Nyumbani yako, nyumbani yako / Sababu wewe hapana kaa na mimi / Nyumbani yako, nyumbani yako'', 'Sleep (together) with me / At your place ouse at your place / Why don't you stay with me / At your place, at your place.' So they deplore a lack of necessity for strife not only between two peoples, but also between two peopl ...
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Sometimes (Erasure Song)
"Sometimes" is a song by English synth-pop duo Erasure, released on 6 October 1986 as their fourth single overall. Written by band members Vince Clarke and Andy Bell (singer), Andy Bell, it typifies the Erasure sound—an uptempo, dance-oriented pop tune accentuated by Clarke's phase distortion and analogue synthesizers and Bell's lyrics about being in love. The trumpet solo is performed by Guy Barker. After three commercial flops from their debut studio album ''Wonderland (Erasure album), Wonderland'' (1986), the single became Erasure's first bona fide hit, peaking at number one in South Africa, number two in their native United Kingdom and in Germany, and becoming a huge international hit. In the US, it became Erasure's second top-five hit on the US ''Billboard (magazine), Billboard'' Hot Dance Music/Club Play chart, where it charted alongside "It Doesn't Have to Be" and peaked at number four. Peaking only at number 39 in the French Singles Chart, "Sometimes" still remains Erasu ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ...
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EBX (album)
''EBX'' is a series of box sets released by English synth-pop duo Erasure, collecting material originally released on 12″, cassette, CD, and DVD singles, released in the UK by Mute Records between 1999 and 2021. Seven volumes of ''EBX'' have been released. ''EBX1'' and ''EBX2'' were released in 1999, then ''EBX3'' and ''EBX4'' in 2001. EBX5 refers to the retrospective box set ''From Moscow to Mars'', released in 2016. The standard ''EBX'' series resumed in 2018 with the release of ''EBX6'', followed by ''EBX7'' in 2019 and ''EBX8'' in 2021. Each set presents, in chronological order, five of the band's singles. Although cover art was altered (specifically for the sets), the track listings represent all music originally found on the UK versions of their singles, including all remixes and B-sides. The first four box sets were originally released on CD, and subsequently fell out of print but were released digitally in 2017. Beginning with ''EBX6'', the sets were released only on ...
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CD Single
A CD single (sometimes abbreviated to CDS) is a music single in the form of a compact disc. The standard in the Red Book for the term ''CD single'' is an 8 cm (3-inch) CD (or Mini CD). It now refers to any single recorded onto a CD of any size, particularly the CD5, or 5-inch CD single. The format was introduced in the mid-1980s but did not gain its place in the market until the early 1990s. With the rise in digital downloads in the early 2010s, sales of CD singles have decreased. Commercially released CD singles can vary in length from two songs (an A side and B side, in the tradition of 7-inch 45-rpm records) up to six songs like an EP. Some contain multiple mixes of one or more songs (known as remixes), in the tradition of 12-inch vinyl singles, and in some cases, they may also contain a music video for the single itself (this is an enhanced CD) as well as occasionally a poster. Depending on the nation, there may be limits on the number of songs and total length for s ...
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Victim Of Love (Erasure Song)
"Victim of Love" is a song by English synth-pop duo Erasure, released on 18 May 1987 as their sixth single overall. It was the third single to be lifted from the duo's second studio album, '' The Circus'' (1987), released six weeks earlier, and was remixed for single release. Written by band members Vince Clarke and Andy Bell, it incorporates the signature Erasure sound of uptempo rhythm, analogue synthesizer and a prominent acoustic guitar. Bell's lyrics pertain to one's apprehension when entering into a new love relationship. The song's protagonist doesn't "want to look like some kind of fool" or become a "victim of love". Upon its release, it became the second UK Top 10 single for Erasure, peaking at number seven. It also hit number one on the US Hot Dance Music/Club Play chart (Clarke and Bell would have to wait eighteen years before their second US Dance chart-topper). The song remains one of Erasure's signature songs and is a concert favourite. Critical reception Chris G ...
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