The Tuscan Treaty
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The Tuscan Treaty
''The Tuscan Treaty'' is a 1733 tragedy by the British writer William Bond also known by the longer title ''The Tuscan Treaty: or, Tarquin's overthrow''. It is set during the time of the Overthrow of the Roman monarchy. The original Covent Garden cast included Thomas Walker as Porsenna and Jane Rogers as Valeria. The prologue A prologue or prolog (from Greek πρόλογος ''prólogos'', from πρό ''pró'', "before" and λόγος ''lógos'', "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ... was written by Aaron Hill. It was not considered successful on its debut, and was never revived. Kozar & Burling p.82 References Bibliography * Burling, William J. ''A Checklist of New Plays and Entertainments on the London Stage, 1700-1737''. Fairleigh Dickinson Univ Press, 1992. * Goring, Paul. ''The Rhetoric of Sensibility in Eighteenth-Century Culture''. Cambridge University Press, 2004. * Kozar, Rich ...
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Covent Garden Theatre
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, maki ...
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Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ...
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Overthrow Of The Roman Monarchy
The overthrow of the Roman monarchy was an event in ancient Rome that took place between the 6th and 5th centuries BC where a political revolution replaced the then-existing Roman monarchy under Lucius Tarquinius Superbus with a republic. The details of the event were largely forgotten by the Romans a few centuries later; later Roman historians invented a narrative of the events, traditionally dated to , but this narrative is largely believed to be fictitious by modern scholars. The traditional narrative involves a dynastic struggle in which the king's second son, Sextus Tarquinius, rapes a noblewoman, Lucretia. Upon revealing the assault to some Roman noblemen, she kills herself. The Roman noblemen, led by Lucius Junius Brutus, obtain the support of the Roman aristocracy and the people to expel the king and his family and create a republic. The Roman army, supporting Brutus, forces the king into exile. Despite a number of attempts by Lucius Tarquinius Superbus to reinstate ...
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Thomas Walker (actor)
Thomas Walker (1698–1744) was an English actor and dramatist. Early life He was the son of Francis Walker of Soho, London. At around the year 1714, he joined the Shepherd's company (perhaps the Shepherd who was at William Pinkethman's theatre in Greenwich in 1710). Barton Booth saw Walker in a droll, ''The Siege of Troy'', and recommended him to the management of the Drury Lane Theatre. Actor In November 1715 Walker seems to have played Tyrrel in Colley Cibber's ''Richard III''; on 12 December 1715 he was Young Fashion in a revival of ''The Relapse'' (John Vanburgh). On 23 September 1721 he appeared at Lincoln's Inn Fields as Edmund in ''King Lear'', and he remained there until 1733. On 29 January 1728 Walker took on his major original part, Captain Macheath in the ''Beggar's Opera'', and his reputation was established. On 10 February 1733, at the new Covent Garden Theatre, Walker was the first Periphas in John Gay's ''Achilles''.At this house he played Lothario, Banquo, Hec ...
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Jane Rogers (actress, Died 1739)
Jane Rogers (died 1739) was a British stage actress. She was the illegitimate daughter of the actor Robert Wilks and Jane Rogers an actress. To distinguish her from her mother she was sometimes known as Jane Rogers the Younger. In 1717 she married Christopher Bullock, an actor-manager at the Lincoln's Inn Fields Theatre. He died in 1722 from consumption, after they had three children together. She continued to be a popular actress at Lincoln's Inn, and in 1732 moved with the rest of the company to the new Covent Garden Theatre. In 1736 as her career drew to a close she received a benefit performance at Covent Garden, and the following year another benefit was held at the Smock Alley Theatre in Dublin. She died in Ireland two years later and was buried at Glasnevin.Highfill, Burnim & Langhans p.403 Selected roles * Louisa in '' The Northern Heiress'' (1716) * Selinda in ''The Perfidious Brother'' (1716) * Mrs Winwife in ''The Artful Husband'' (1717) * Amidea in '' The Traitor' ...
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Prologue
A prologue or prolog (from Greek πρόλογος ''prólogos'', from πρό ''pró'', "before" and λόγος ''lógos'', "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information. The Ancient Greek ''prólogos'' included the modern meaning of ''prologue'', but was of wider significance, more like the meaning of preface. The importance, therefore, of the prologue in Greek drama was very great; it sometimes almost took the place of a romance, to which, or to an episode in which, the play itself succeeded. Latin On the Latin stage the prologue was often more elaborate than it was in Athens, and in the careful composition of the poems which Plautus prefixes to his plays we see what importance he gave to this portion of the entertainment; sometimes, as in the preface to the ''Rudens'', Plautus rises to the height of his genius in his adroit and romantic prolo ...
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Aaron Hill (writer)
Aaron Hill (10 February 1685 – 8 February 1750) was an English dramatist and miscellany writer. Biography The son of a country gentleman of Wiltshire, Hill was educated at Westminster School, and afterwards travelled in the East. He was the author of 17 plays, some of them, such as his versions of Voltaire's ''Zaire'' and ''Mérope'', being adaptations. He also wrote poetry, which is of variable quality. Having written some satiric lines on Alexander Pope, he received in return a mention in ''The Dunciad'', which led to a controversy between the two writers. Afterwards a reconciliation took place. He was a friend and correspondent of Samuel Richardson, whose ''Pamela'' he highly praised. In addition to his literary pursuits Hill was involved in many commercial schemes, usually unsuccessful. Hill was the manager of the Theatre Royal, Drury Lane when he was 24 years old, and before being summarily fired for reasons unknown, he staged the premier of George Frideric Handel's ''Ri ...
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1733 Plays
Events January–March * January 13 – Borommarachathirat V becomes King of Siam (now Thailand) upon the death of King Sanphet IX. * January 27 – George Frideric Handel's classic opera, ''Orlando'' is performed for the first time, making its debut at the King's Theatre in London. * February 12 – British colonist James Oglethorpe founds Savannah, Georgia. * March 21 – The Molasses Act is passed by British House of Commons, which reinforces the negative opinions of the British by American colonists. The Act then goes to the House of Lords, which consents to it on May 4 and it receives royal assent on May 17. * March 25 – English replaces Latin and Law French as the official language of English and Scottish courts following the enforcement of the Proceedings in Courts of Justice Act 1730. April–June * April 6 – **After British Prime Minister Robert Walpole's proposed excise tax bill results in rioting over the imposition ...
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British Plays
British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, the English language as spoken and written in the United Kingdom or, more broadly, throughout the British Isles * Celtic Britons, an ancient ethno-linguistic group * Brittonic languages, a branch of the Insular Celtic language family (formerly called British) ** Common Brittonic, an ancient language Other uses *''Brit(ish)'', a 2018 memoir by Afua Hirsch *People or things associated with: ** Great Britain, an island ** United Kingdom, a sovereign state ** Kingdom of Great Britain (1707–1800) ** United Kingdom of Great Britain and Ireland (1801–1922) See also * Terminology of the British Isles * Alternative names for the British * English (other) * Britannic (other) * British Isles * Brit (other) * Briton (d ...
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West End Plays
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sun sets on the Earth. Etymology The word "west" is a Germanic word passed into some Romance languages (''ouest'' in French, ''oest'' in Catalan, ''ovest'' in Italian, ''oeste'' in Spanish and Portuguese). As in other languages, the word formation stems from the fact that west is the direction of the setting sun in the evening: 'west' derives from the Indo-European root ''*wes'' reduced from ''*wes-pero'' 'evening, night', cognate with Ancient Greek ἕσπερος hesperos 'evening; evening star; western' and Latin vesper 'evening; west'. Examples of the same formation in other languages include Latin occidens 'west' from occidō 'to go down, to set' and Hebrew מַעֲרָב maarav 'west' from עֶרֶב erev 'evening'. Navigation To go west using a compass for navigation (in a place where magnetic north is the same dire ...
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