The Tramp And The Mattress Makers
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The Tramp And The Mattress Makers
''The Tramp and the Mattress Makers'' (french: La Cardeuse de matelas) is a 1906 French short silent comedy film by Georges Méliès. It was sold by Méliès's Star Film Company and is numbered 818–820 in its catalogues. Plot In front of a shop, three mattress makers are busy sewing a mattress. When they go into a cheap wine bar for a break, a drunken tramp ambles onto the scene, and decides to take a nap inside the mattress. The workers come back and finish sewing up the mattress, not noticing the tramp sleeping inside it. Suddenly the tramp wakes up and tries to struggle out. Workers and passersby alike are startled to see what appears to be a living mattress tumbling and stumbling in the street. The tramp, still completely inside the mattress, makes his way into the nearby wine bar. In the ensuing confusion, all the customers and bar staff run out, and a policeman rushes in to arrest the living mattress. When he stumbles into the policeman, the tramp finally manages to tear ...
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Georges Méliès
Marie-Georges-Jean Méliès (; ; 8 December 1861 – 21 January 1938) was a French illusionist, actor, and film director. He led many technical and narrative developments in the earliest days of cinema. Méliès was well known for the use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, dissolves, and hand-painted colour. He was also one of the first filmmakers to use storyboards. His films include '' A Trip to the Moon'' (1902) and ''The Impossible Voyage'' (1904), both involving strange, surreal journeys somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy. The 2011 film ''Hugo'' was inspired by the life and work of Méliès. Early life and education Marie-Georges-Jean Méliès was born 8 December 1861 in Paris, son of Jean-Louis Méliès and his Dutch wife, Johannah-Catherine Schuering. His father h ...
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Title Card
In films, an intertitle, also known as a title card, is a piece of filmed, printed text edited into the midst of (i.e., ''inter-'') the photographed action at various points. Intertitles used to convey character dialogue are referred to as "dialogue intertitles", and those used to provide related descriptive/narrative material are referred to as "expository intertitles". In modern usage, the terms refer to similar text and logo material inserted at or near the start or end of films and television shows. Silent film era In this era intertitles were mostly called "subtitles" and often had Art Deco motifs. They were a mainstay of silent films once the films became of sufficient length and detail to necessitate dialogue or narration to make sense of the enacted or documented events. ''The British Film Catalogue'' credits the 1898 film ''Our New General Servant'' by Robert W. Paul as the first British film to use intertitles. Film scholar Kamilla Elliott identifies another early use of ...
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French Black-and-white Films
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ...
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How Bridget's Lover Escaped
''How Bridget's Lover Escaped'' (french: Le Mariage de Victorine), also known as ''Le Mariage de Victoire'', is a 1907 French short silent comedy film directed by Georges Méliès. Plot Production The cast includes Fernande Albany as the cook (Victorine in the French release of the film, Bridget in the American version), and the actor Manuel as her fiancé the fireman. The scene outside the house was filmed outdoors, using Méliès's own house in Montreuil, Seine-Saint-Denis. The film includes examples of substitution splicing, as well as two experimental techniques relatively rare in Méliès's films: a three-scene cross-cutting sequence, and a medium shot used to give the audience a final glimpse of the cook and her fiancé. Release The film was released by Méliès's Star Film Company and is numbered 929–935 in its catalogues. It was registered for American copyright at the Library of Congress on 26 April 1907. The film's release was first advertised in the press on 1 J ...
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Long Shot
In photography, filmmaking and video production, a wide shot (sometimes referred to as a full shot or long shot) is a shot that typically shows the entire object or human figure and is usually intended to place it in some relation to its surroundings. These are typically shot now using wide-angle lenses (an approximately 25 mm lens in 35 mm photography and 10 mm lens in 16 mm photography). However, due to sheer distance, establishing shots and extremely wide shots can use almost any camera type. History This type of filmmaking was a result of filmmakers trying to retain the sense of the viewer watching a play in front of them, as opposed to just a series of pictures. The wide shot has been used since films have been made as it is a very basic type of cinematography. In 1878, one of the first true motion pictures, ''Sallie Gardner at a Gallop'', was released. Even though this wouldn't be considered a film in the current motion picture industry, it was a hug ...
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French Cops Learning English
''French Cops Learning English'', originally copyrighted in the United States as ''French Interpreter Policeman'', is a 1908 French short silent comedy film directed by Georges Méliès. It was released by Méliès's Star Film Company and is numbered 1288–1293 in its catalogues. Plot In a room labelled "English School under the management of Miss Blackford," four French policemen and their chief are practicing English words. Miss Blackford, writing "What a fair fish" on her blackboard, tells one of the policemen to translate it into French; his attempt is " Va te faire fiche." The process repeats, with "Very well thank you" translated as " Manivelle St. Cloud." Miss Blackford, holding up a placard reading "Conversation," lets in four young English ladies; the policemen and ladies court each other fervently. The lesson is interrupted by the entrance of a higher-ranking officer, a Police Inspector, who is appalled at the sight of the police force in chaotic flirtation. However ...
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Soap Bubbles (film)
''Soap Bubbles'' (french: Les Bulles de savon animées) is a 1906 French silent trick film by Georges Méliès. Plot With smoke from a brazier, a magician makes a woman appear in midair and slowly float to the ground. Two assistants bring in an arrangement of pedestals, onto which they lead the woman. The magician blows soap bubbles through a straw, and they appear as women's faces, floating up to join the woman posing on the set of pedestals. Next they themselves change into real butterfly-winged women, before the whole tableau disappears. Having his assistants bring on a wide plinth, the magician summons up the three women again, joining them on the plinth before they fade away. Finally, the magician curls up into a ball, becomes a giant soap bubble, and floats slowly upward. The magician returns to join his surprised assistants in a curtain call. Production Méliès is the magician in the film, which combines stage machinery, pyrotechnics, substitution splices, multipl ...
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The Witch (1906 Film)
''The Witch'' (french: La Fée Carabosse ou le Poignard fatal, literally "The Fairy Carabosse or the Fatal Poignard") is a 1906 French short silent film by Georges Méliès. The film is named for a witch, Carabosse, who tells a poor troubadour that he is destined to rescue a damsel in distress, but demands a high price for a magic charm to help the troubadour in his quest. When the troubadour cheats the witch to obtain the magic charm, she sets out in pursuit of him, and puts various obstacles in his way before finally being vanquished by forces of good. The film, said to have been inspired by Breton folklore, combines the traditional figure of Carabosse—first created in a 17th-century literary fairy-tale by Madame d'Aulnoy—with a varied array of other magical and legendary elements, including ghosts, Druids, and monstrous beasts. It was commissioned by the Grands Magasins Dufayel department store, for children to watch while their parents shopped. Méliès made the fil ...
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Substitution Splice
The substitution splice or stop trick is a cinematic special effect in which filmmakers achieve an appearance, disappearance, or transformation by altering one or more selected aspects of the mise-en-scène between two shots while maintaining the same framing and other aspects of the scene in both shots. The effect is usually polished by careful editing to establish a seamless cut and optimal moment of change. It has also been referred to as stop motion substitution or stop-action. The pioneering French filmmaker Georges Méliès claimed to have accidentally developed the stop trick, as he wrote in ''Les Vues Cinématographiques'' in 1907 (translated from French): According to the film scholar Jacques Deslandes, it is more likely that Méliès discovered the trick by carefully examining a print of the Edison Manufacturing Company's 1895 film ''The Execution of Mary Stuart'', in which a primitive version of the trick appears. In any case, the substitution splice was both the fir ...
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Star Film Company
The Manufacture de films pour cinématographes, often known as Star Film, was a French film production company run by the illusionist and film director Georges Méliès. History On 28 December 1895, Méliès attended the celebrated first public demonstration of the Lumière Brothers' Kinetoscope. The event, held in a room at 14 Boulevard des Capucines in Paris with one hundred chairs and an entry price of 1, demonstrated the practicality of film cameras and projectors. According to later recollections by Méliès, he immediately approached Antoine Lumière and offered to buy a Lumière projector for his own experimentation; Lumière refused. Méliès went on to make repeated offers, all similarly turned down. Méliès next turned to the British film experimenter Robert W. Paul, and in February 1896, obtained an Animatographe projector for 1,000, along with a collection of short films, some by Paul and some by Edison Studios. Méliès projected these for the first time at his t ...
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Intertitle
In films, an intertitle, also known as a title card, is a piece of filmed, printed text edited into the midst of (i.e., ''inter-'') the photographed action at various points. Intertitles used to convey character dialogue are referred to as "dialogue intertitles", and those used to provide related descriptive/narrative material are referred to as "expository intertitles". In modern usage, the terms refer to similar text and logo material inserted at or near the start or end of films and television shows. Silent film era In this era intertitles were mostly called "subtitles" and often had Art Deco motifs. They were a mainstay of silent films once the films became of sufficient length and detail to necessitate dialogue or narration to make sense of the enacted or documented events. ''The British Film Catalogue'' credits the 1898 film ''Our New General Servant'' by Robert W. Paul as the first British film to use intertitles. Film scholar Kamilla Elliott identifies another early use of ...
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Medium Shot
In a movie a medium shot, mid shot (MS), or waist shot is a camera angle shot from a medium distance. Use Medium shots are favored in sequences where dialogues or a small group of people are acting, as they give the viewer a partial view of the background, such as when the shot is 'cutting the person in half' and also show the subjects' facial expressions in the context of their body language. Medium shots are also used when the subject in the shot is delivering information, such as news presenters. It is also used in interviews. It is the most common shot in movies, and it usually follows the first establishing shots of a new scene or location. A normal lens that sees what the human eye see, is usually used for medium shots. Definition The medium shot shows equality between subjects and background. The dividing line between what constitutes a long shot and medium shot is not definite, nor is the line between medium shot and close-up. In some standard texts and professiona ...
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