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The Traitor (1718 Play)
''The Traitor'' (often spelt as ''The Traytor'') is a tragedy published anonymously in 1718 and commonly attributed to the British writer and actor Christopher Bullock. It is a revised version of the 1631 play of the same title by James Shirley. It was Bullock's only effort to write tragedy, as his other works were all farces. It was staged at the Lincoln's Inn Fields Theatre with a cast that included John Leigh as the Duke, Lacy Ryan as Sciarrah, James Quin as Lorenzo, Christopher Bullock as Cosmo, John Egleton as Florio, Thomas Smith as Pisano, William Bullock as Depazzi, Thomas Smith as Pisano, John Ogden as Petruchio, Jane Rogers as Amidea, Anna Maria Seymour as Oriana and Mary Kent Mary Kent (before 1692 – after 1718) was an English actress, whose career lasted from 1692 to 1718, and the wife of Drury Lane actor Thomas Kent. Her dates of birth and death are not known. Mary Kent appeared in many playbills from 1692 onwards ... as Orian's Mother. Lasting six perform ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Bullock (actor)
Christopher Bullock (1690–1722) was a British stage actor and dramatist. Bullock was the son of the actor William Bullock, and during his early years on the stage was often billed as Young Bullock to distinguish him from his father. He likely made his stage debut in a performance of ''The Recruiting Officer'' at the Queen's Theatre in Haymarket, London in 1707. Over the following decade and a half he also appeared frequently at Drury Lane and the Lincoln's Inn Fields Theatre, and was considered a potential natural successor to Colley Cibber in fop roles. In 1717 he and Theophilus Keene took over the management of Lincoln's Inn from John Rich for a period. Bullock married the actress Jane Rogers in 1717, with whom he had three children. Between 1715 and 1718 he also authored severals plays, mainly farces, beginning with an afterpiece '' The Slip''. His sole attempt at a tragedy was '' The Traitor''.Highfill, Burnim & Langhans p.400 In 1720 he relinquished his management role ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Bullock (actor)
William Bullock (''c.'' 1657 – ''c.'' 1740) was an English actor, "of great glee and much comic vivacity." He played at all the London theatres of his time, and in the summer at a booth at Bartholomew Fair. Life Bullock's name is mentioned in Downes's "Roscius Anglicanus." He first appears in the cast of Colley Cibber's "Love's Last Shift," produced by the associated companies of Drury Lane and Dorset Garden, 1696. In Cibber's piece he played Sly. He had joined the companies the previous year. Among his original characters were Sir Tunbelly Clumsy in the "Relapse," 1697, and Soto in ''She Would and She Would Not'' 1702. He also played with success many parts in the plays of John Dryden, William Wycherley, Thomas Shadwell. Until 1706, he was at Drury Lane. He then went to the Haymarket, returning to Drury Lane in 1708. After another brief migration to the Haymarket, followed by a new return to Drury Lane, he quitted definitely the latter theatre, 1715–16, for Lincoln's Inn Field ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy Plays
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fraction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plays By Christopher Bullock
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West End Plays
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sun sets on the Earth. Etymology The word "west" is a Germanic word passed into some Romance languages (''ouest'' in French, ''oest'' in Catalan, ''ovest'' in Italian, ''oeste'' in Spanish and Portuguese). As in other languages, the word formation stems from the fact that west is the direction of the setting sun in the evening: 'west' derives from the Indo-European root ''*wes'' reduced from ''*wes-pero'' 'evening, night', cognate with Ancient Greek ἕσπερος hesperos 'evening; evening star; western' and Latin vesper 'evening; west'. Examples of the same formation in other languages include Latin occidens 'west' from occidō 'to go down, to set' and Hebrew מַעֲרָב maarav 'west' from עֶרֶב erev 'evening'. Navigation To go west using a compass for navigation (in a place where magnetic north is the same dire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1718 Plays
Events January – March * January 7 – In India, Sufi rebel leader Shah Inayat Shaheed from Sindh who had led attacks against the Mughal Empire, is beheaded days after being tricked into meeting with the Mughals to discuss peace. * January 17 – Jeremias III reclaims his role as the Ecumenical Patriarch of Constantinople, chief leader within the Eastern Orthodox Church, 16 days after the Metropolitan Cyril IV of Pruoza had engineered an election to become the Patriarch. * February 14 – The reign of Victor Amadeus over the principality of Anhalt-Bernburg (now within the state of Saxony-Anhalt in northeastern Germany) ends after 61 years and 7 months. He had ascended the throne on September 22, 1656. He is succeeded by his son Karl Frederick. * February 21 – Manuel II (Mpanzu a Nimi) becomes the new monarch of the Kingdom of Kongo (located in western Africa at present day Angola) when King Pedro IV (Nusamu a Mvemba) dies after a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Kent
Mary Kent (before 1692 – after 1718) was an English actress, whose career lasted from 1692 to 1718, and the wife of Drury Lane actor Thomas Kent. Her dates of birth and death are not known. Mary Kent appeared in many playbills from 1692 onwards in London, playing minor parts in the United Company until the company's tumultuous breakup in 1695. She and her husband remained with the depleted parent troupe when the senior actors walked out to set up their own cooperative company, and during the consequent brief actor shortage at Drury Lane, she played more important parts, notably Flareit in Colley Cibber's ''Love's Last Shift'' and young Tom Fashion (as a breeches role) in John Vanbrugh's ''The Relapse'' in 1697. This role came at a time when it was common for boys to be portrayed by actresses and her casting was described as perhaps "an attempt to defuse the homosexual suggestions in his (Tom Fashion's) relationship with Coupler." She continued to appear in minor roles at Drury L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Maria Seymour
Anna Maria Seymour or Mrs Seymour (c. 1692 – 10 July 1723) was a British actress. Life Seymour is first heard of in 1717 when she appeared at Drury Lane in ''The Scowrers''. She took leading roles in Richard III and Hamlet with Lacy Ryan as well as appearing with James Quin in ''Othello'' and with him as Lady Macbeth. In 1718-19 she moved to John Rich's theatre at Lincoln's Inn Fields to take leading roles. Her most noted role was as ''Marianne'' in Elijah Fenton's play of the same name. Her final appearance was with her future husband on 7 June 1723. She married Anthony Boheme Anthony Boheme (died 1731) was a British stage actor of the eighteenth century. His year of birth is unknown. From 1720 he was a long-standing part of John Rich's company at the Lincoln's Inn Fields Theatre until his death. He was married to the ... who was also a leading actor in 1723 and she was said to have been lost to the profession. However the marriage did not last the year as she died in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jane Rogers (actress, Died 1739)
Jane Rogers (died 1739) was a British stage actress. She was the illegitimate daughter of the actor Robert Wilks and Jane Rogers an actress. To distinguish her from her mother she was sometimes known as Jane Rogers the Younger. In 1717 she married Christopher Bullock, an actor-manager at the Lincoln's Inn Fields Theatre. He died in 1722 from consumption, after they had three children together. She continued to be a popular actress at Lincoln's Inn, and in 1732 moved with the rest of the company to the new Covent Garden Theatre. In 1736 as her career drew to a close she received a benefit performance at Covent Garden, and the following year another benefit was held at the Smock Alley Theatre in Dublin. She died in Ireland two years later and was buried at Glasnevin.Highfill, Burnim & Langhans p.403 Selected roles * Louisa in '' The Northern Heiress'' (1716) * Selinda in ''The Perfidious Brother'' (1716) * Mrs Winwife in ''The Artful Husband'' (1717) * Amidea in '' The Traitor' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Ogden (actor)
John Ogden (died 1732) was a British stage actor of the eighteenth century. He spent his entire stage career with John Rich's company at the Lincoln's Inn Fields Theatre which he joined in 1715. He was adept at playing both comedy and tragedy. During his time on the stage he had several runs in with the law and was arrested and sent to Newgate Prison for speaking "treasonable words". Presumably an opponent of the Hanoverian Succession, he was charged in January 1723 with resisting arrest, drawing his sword and threatening anybody who didn't support the Jacobite pretender James III. After serving three months he was released and returned to the theatre.Johanson p.410 Selected roles * Sir Jasper Manly in ''The Cobbler of Preston'' (1716) * Butler in '' Woman Is a Riddle'' (1716) * Lucilius in ''Scipio Africanus'' (1718) * Freeman in ''A Bold Stroke for a Wife'' (1718) * Petruchio in '' The Traitor'' (1718) * Wade in ''Sir Walter Raleigh'' (1719) * Duke of Bouillon in ''Henry IV of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Smith (actor)
Thomas Smith (died 1766) was a British stage actor of the eighteenth century. He first joined the Drury Lane company in the late seventeenth century. He spent time at the Queen's Theatre in Haymarket and in 1715 joined John Rich's company at Lincoln's Inn Fields. He remained with the company, although acting elsewhere such as Dublin's Smock Alley Theatre, until 1728. There another Smith, named Charles, at the company in his latter years and their roles are sometimes confused. After leaving Lincoln's Inn, Thomas Smith moved to the Haymarket Theatre and then to Goodman's Fields where he acted in Henry Giffard's company until 1733. His daughter, was also an actress, making her debut at Lincoln's Inn Fields in 1716.Highfill, Burnim & Langhans p.162 Selected roles * Cyaxeres in '' Cyrus the Great'' by John Banks (1695) * Peter in '' Imposture Defeated'' by George Powell (1697) * Brisson in ''The Unhappy Penitent'' by Catherine Trotter (1701) * Phorbas in ''The Virgin Prophetess' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lincoln's Inn Fields Theatre
Lisle's Tennis Court was a building off Portugal Street in Lincoln's Inn Fields in London. Originally built as a real tennis court, it was used as a playhouse during two periods, 1661–1674 and 1695–1705. During the early period, the theatre was called Lincoln's Inn Fields Playhouse, also known as The Duke's Playhouse, The New Theatre or The Opera. The building was demolished and replaced by a purpose-built theatre for a third period, 1714–1728. The tennis court theatre was the first public playhouse in London to feature the moveable scenery that would become a standard feature of Restoration theatres. Historical background The period beginning in England in 1642 and lasting until 1660 is known as the Interregnum, meaning "between kings." At this time, there was no monarch on the throne, and theatre was against the law. Spanning from 1642 to 1649, the English Civil War occurred. This war was an uprising against the current King of England, King Charles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
