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The Time To Live And The Time To Die
''The Time to Live and the Time to Die'', also known as ''A Time to Live, A Time to Die'' is a 1985 Taiwanese film directed by Hou Hsiao-hsien. This film is inspired by screenwriter-turned-director Hou's own coming-of-age story. This film is the second part of Hou's coming-of-age trilogy, preceded by ''A Summer at Grandpa's'' (1984) and followed by ''Dust in the Wind'' (1986). Plot Spanning the years 1947–65, the film follows the maturation of Ah-ha (Ah-hsiao) as he and his family (parents, grandmother, older sister, three brothers) cope with the shock of leaving their homeland (the grandmother keeps talking about returning to the mainland to visit the ancestors). Having been only a child during the move, Ah-ha quickly acclimatizes himself to the new country, often putting him at odds with his more traditional family; he joins a street gang and has to choose between that life and taking the college entrance exam. Cast * Chang Chia-bao * Chang Neng * Chen Chih-chen * Chen Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hou Hsiao-hsien
Hou Hsiao-hsien (; born 8 April 1947) is a Mainland Chinese-born Taiwanese film director, screenwriter, producer and actor. He is a leading figure in world cinema and in Taiwan's New Wave cinema movement. He won the Golden Lion at the Venice Film Festival in 1989 for his film ''A City of Sadness'' (1989), and the Best Director award at the Cannes Film Festival in 2015 for '' The Assassin'' (2015). Other highly regarded works of his include '' The Puppetmaster'' (1993) and ''Flowers of Shanghai'' (1998). Hou was voted "Director of the Decade" for the 1990s in a poll of American and international critics by ''The Village Voice'' and ''Film Comment''. In a 1998 New York Film Festival worldwide critics' poll, Hou was named "one of the three directors most crucial to the future of cinema." ''A City of Sadness'' ranked 117th in the British Film Institute's 2012 ''Sight & Sound'' critics' poll of the greatest films ever made. In 2017, Metacritic ranked Hsiao-hsien 16th on its list of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janet Maslin
Janet R. Maslin (born August 12, 1949) is an American journalist, best known as a film and literary critic for ''The New York Times''. She served as a ''Times'' film critic from 1977 to 1999 and as a book critic from 2000 to 2015. In 2000 Maslin helped found the Jacob Burns Film Center in Pleasantville, New York. She is president of its board of directors. Education Maslin graduated from the University of Rochester in 1970 with a bachelor's degree in mathematics. She began her career as a rock music critic for ''The Boston Phoenix'' and became a film editor and critic for them. She also worked as a freelancer for ''Rolling Stone'' and worked at ''Newsweek''. Career Maslin became a film critic for ''The New York Times'' in 1977. From December 1, 1994, she replaced Vincent Canby as the chief film critic. She continued to review films for ''The Times'' until 1999. Her film-criticism career, including her embrace of American independent cinema, is discussed in the documentary ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Directed By Hou Hsiao-hsien
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hakka Chinese-language Films
The Hakka (), sometimes also referred to as Hakka Han, or Hakka Chinese, or Hakkas are a Han Chinese subgroup whose ancestral homes are chiefly in the Hakka-speaking provincial areas of Guangdong, Fujian, Jiangxi, Guangxi, Sichuan, Hunan, Zhejiang, Hainan, Guizhou in China, as well as in Taoyuan City, Hsinchu County, Miaoli County, Pingtung County, and Kaohsiung City in Taiwan. The Chinese characters for ''Hakka'' () literally mean "guest families". Unlike other Han Chinese subgroups, the Hakkas are not named after a geographical region, e.g. a province, county or city, in China. The word ''Hakka'' or "guest families" is Cantonese in origin and originally refers to the Northern Chinese refugees fleeing social unrest, upheaval and invasions in northern parts of China (such as Gansu and Henan) during the Qin dynasty who then seek refuge in the Cantonese provinces such as Guangdong and Guangxi, thus the original meaning of the word implies that they are guests living in the Canton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taiwanese-language Films
Taiwanese Hokkien () (; Tâi-lô: ''Tâi-uân-uē''), also known as Taigi/Taigu (; Pe̍h-ōe-jī/ Tâi-lô: ''Tâi-gí / Tâi-gú''), Taiwanese, Taiwanese Minnan, Hoklo and Holo, is a variety of the Hokkien language spoken natively by about 70%+ of the population of Taiwan. It is spoken by a significant portion of Taiwanese people descended from immigrants of southern Fujian during the Qing dynasty. It is one of the national languages of Taiwan. Taiwanese is generally similar to spoken Amoy Hokkien, Quanzhou Hokkien, and Zhangzhou Hokkien, as well as their dialectal forms used in Southeast Asia, such as Singaporean Hokkien, Penang Hokkien, Philippine Hokkien, Medan Hokkien, & Southern Peninsular Malaysian Hokkien. It is mutually intelligible with Amoy Hokkien and Zhangzhou Hokkien at the mouth of the Jiulong River (九龍) immediately to the west in mainland China and with Philippine Hokkien to the south, spoken altogether by about 3 million people. The mass popularity of H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1980s Mandarin-language Films
__NOTOC__ Year 198 (CXCVIII) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Sergius and Gallus (or, less frequently, year 951 '' Ab urbe condita''). The denomination 198 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire *January 28 **Publius Septimius Geta, son of Septimius Severus, receives the title of Caesar. **Caracalla, son of Septimius Severus, is given the title of Augustus. China *Winter – Battle of Xiapi: The allied armies led by Cao Cao and Liu Bei defeat Lü Bu; afterward Cao Cao has him executed. By topic Religion * Marcus I succeeds Olympianus as Patriarch of Constantinople (until 211). Births * Lu Kai (or Jingfeng), Chinese official and general (d. 269) * Quan Cong, Chinese general and advisor (d. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1985 Films
The following is an overview of events in 1985 in film, including the highest-grossing films, award ceremonies and festivals, a list of films released and notable births and deaths. Highest-grossing films (U.S.) The top ten 1985 released films by box office gross in North America are as follows: Context The year was considered an unsuccessful one for film. Despite a record number of film releases, many films failed at the box office, and ticket sales were down 17% compared with 1984. Industry executives believed the problem, in part, was a lack of original concepts. Films about fantasy and magic failed, as audiences leaned towards science-fiction. Janet Maslin said the fault for this lay partly with Steven Spielberg, who had created such a successful template with films like '' E.T. the Extra-Terrestrial'' and ''Close Encounters of the Third Kind'' that many fantasy films had imitated them. There was also a saturation of youth-oriented films targeted at those under 18. Executi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time Out (magazine)
''Time Out'' is a global magazine published by Time Out Group. ''Time Out'' started as a London-only publication in 1968 and has expanded its editorial recommendations to 328 cities in 58 countries worldwide. In 2012, the London edition became a free publication, with a weekly readership of over 307,000. ''Time Out''s global market presence includes partnerships with Nokia and mobile apps for iOS and Android (operating system), Android operating systems. It was the recipient of the International Consumer Magazine of the Year award in both 2010 and 2011 and the renamed International Consumer Media Brand of the Year in 2013 and 2014. History ''Time Out'' was first published in 1968 as a London listings magazine by Tony Elliott (publisher), Tony Elliott, who used his birthday money to produce a one-sheet pamphlet, with Bob Harris (radio presenter), Bob Harris as co-editor. The first product was titled ''Where It's At'', before being inspired by Dave Brubeck's album ''Time Out ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geoff Andrew
Geoff Andrew (born 1954) is a British writer and lecturer on film, and Programmer-at-large at BFI South Bank. After gaining a First in Classics at King's College, Cambridge, he was for some years programmer at London's Electric Cinema in Notting Hill, and later became the editor and chief critic of the film section of '' Time Out'' magazine. Andrew is a regular contributor to ''Sight & Sound'' and has contributed essays and articles to many books and journals. He is the author of a number of books on the cinema, including BFI Modern Classics books on Abbas Kiarostami (''10'') and Krzysztof Kieślowski’s Three Colours Trilogy; ''The Films of Nicholas Ray'', ''Stranger Than Paradise: Maverick Film-makers in Recent American Cinema'', ''The Film Handbook'' and ''Film Directors A-Z – The Art of the World’s Greatest Film-makers''. He also edited ''Film: The Critics' Choice''. In 2003, he served on the Un Certain Regard jury at the Cannes Film Festival; he has also served on juri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deep Focus
Deep focus is a photographic and cinematographic technique using a large depth of field. Depth of field is the front-to-back range of focus in an image, or how much of it appears sharp and clear. In deep focus, the foreground, middle ground, and background are all in focus. Deep focus is normally achieved by choosing a small aperture. Since the aperture of a camera determines how much light enters through the lens, achieving deep focus requires a bright scene or long exposure. A wide-angle lens also makes a larger portion of the image appear sharp. It is also possible to achieve the illusion of deep focus with optical tricks (split-focus diopter) or by compositing two or more images together. The opposite of deep focus is shallow focus, in which the plane of the image that is in focus is very shallow. For example, the foreground might be in focus while the middle-ground and background are out-of-focus. When avoiding deep focus is used specifically for aesthetic effect—especiall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Long Take
In filmmaking, a long take (also called a continuous take or continuous shot) is a shot with a duration much longer than the conventional editing pace either of the film itself or of films in general. Significant camera movement and elaborate blocking are often elements in long takes, but not necessarily so. The term "long take" should not be confused with the term "long shot", which refers to the distance between the camera and its subject and not to the temporal length of the shot itself. The length of a long take was originally limited to how much film the magazine of a motion picture camera could hold, but the advent of digital video has considerably lengthened the maximum potential length of a take. Early examples When filming ''Rope'' (1948), Alfred Hitchcock intended for the film to have the effect of one long continuous take, but the camera magazines available could hold not more than 1000 feet of 35 mm film. As a result, each take used up to a whole roll of film and lasts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jonathan Rosenbaum
Jonathan Rosenbaum (born February 27, 1943) is an American film critic and author. Rosenbaum was the head film critic for ''The Chicago Reader'' from 1987 to 2008, when he retired. He has published and edited numerous books about cinema and has contributed to such notable film publications as ''Cahiers du cinéma'' and ''Film Comment''. Regarding Rosenbaum, French New Wave director Jean-Luc Godard said, "I think there is a very good film critic in the United States today, a successor of James Agee, and that is Jonathan Rosenbaum. He's one of the best; we don't have writers like him in France today. He's like André Bazin." Early life Rosenbaum grew up in Florence, Alabama, where his grandfather had owned a small chain of movie theaters. He grew up with his father Stanley and mother Mildred in the Rosenbaum House, designed by notable architect Frank Lloyd Wright, the only building by Wright in Alabama. As a teenager, he attended The Putney School in Putney, Vermont, where his cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
