The Three Musketeers (1986 Film)
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The Three Musketeers (1986 Film)
''The Three Musketeers'' is a 1986 Australian made-for-television animated adventure film from Burbank Films Australia. It is based on Alexandre Dumas's classic 1844 French novel, ''The Three Musketeers'', and was adapted by Keith Dewhurst. It was produced by Tim Brooke-Hunt and featured original music by Sharon Calcraft. Although chronologically the story is followed in Burbank's '' The Man in the Iron Mask'', the latter film was released a year before ''The Three Musketeers''. The copyright for the film is now owned by Pulse Distribution and Entertainment and administered by digital rights management firm NuTech Digital.BTECH
article on NuTech and Pulse distribution agreement. This is the only time in any Burbank production that the characters

Geoff Collins (animation Director)
Geoff Collins may refer to: * Geoff Collins (American football), American college football coach * Geoff Collins (Australian rules footballer) Geoffrey Anthony Collins (10 August 1926 – 14 August 2005) was an Australian rules football player in the Victorian Football League (VFL). Geoff Collins played in the Melbourne premiership team of 1948, and again in the losing 1954 Grand F ...
, Australian rules football player {{Hndis, name=Collins, Geoff ...
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Adventure Film
An adventure film is a form of adventure fiction, and is a genre of film. Subgenres of adventure films include swashbuckler films, pirate films, and survival films. Adventure films may also be combined with other film genres such as action, animation, comedy, drama, fantasy, science fiction, family, horror, or war. Overview Setting plays an important role in an adventure film, sometimes itself acting as a character in the narrative. They are typically set in far away lands, such as lost continents or other exotic locations. They may also be set in a period background and may include adapted stories of historical or fictional adventure heroes within the historical context. Such struggles and situations that confront the main characters include things like battles, piracy, rebellion, and the creation of empires and kingdoms. A common theme of adventure films is of characters leaving their home or place of comfort and going to fulfill a goal, embarking on travels, quests, tre ...
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Porthos
Porthos, Baron du Vallon de Bracieux de Pierrefonds is a fictional character in the novels ''The Three Musketeers'' (1844), ''Twenty Years After'' (1845), and ''The Vicomte de Bragelonne'' (1847-1850) by Alexandre Dumas, père. He and the other two musketeers, Athos and Aramis, are friends of the novel's protagonist, d'Artagnan. Porthos is a highly fictionalized version of the historical musketeer Isaac de Porthau. Name In ''The Three Musketeers'', his family name is du Vallon. In ''Twenty Years After'', having made a financially advantageous marriage, his surname is du Vallon de Bracieux de Pierrefonds. He eventually earns the title of Baron. His real first name is never given; "Porthos" is a nom de guerre, assumed upon joining the Musketeers. Personality Porthos, honest and slightly gullible, is the extrovert of the group, enjoying wine, women and song. Though he is often seen as the comic relief, he is also extremely dedicated and loyal toward his friends and fellow Musketeer ...
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Athos (fictional Character)
Athos, Count de la Fère, is a fictional character in the novels ''The Three Musketeers'' (1844), ''Twenty Years After'' (1845) and ''The Vicomte de Bragelonne'' (1847–1850) by Alexandre Dumas, père. He is a highly fictionalised version of the historical musketeer Armand d'Athos (1615–1644). In the novels In ''The Three Musketeers'', Athos and the other two musketeers, Porthos and Aramis, are friends of the novel's protagonist, d'Artagnan. Athos has a mysterious past connecting him with the villain of the novel, Milady de Winter. The oldest of the group by some years, Athos is described as noble and handsome but also taciturn and melancholy, drowning his secret sorrows in drink. He is very protective of d'Artagnan, the youngest, whom he eventually treats as his brother. By the end of the novel, it is revealed that he is the Count de la Fère. He was once married to Milady de Winter and attempted to kill her after discovering that she was a criminal on the run, an event which ...
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D'Artagnan
Charles de Batz de Castelmore (), also known as d'Artagnan and later Count d'Artagnan ( 1611 – 25 June 1673), was a French Musketeer who served Louis XIV as captain of the Musketeers of the Guard. He died at the siege of Maastricht in the Franco-Dutch War. A fictionalised account of his life by Gatien de Courtilz de Sandras formed the basis for the d'Artagnan Romances of Alexandre Dumas, ''père'', most famously including ''The Three Musketeers'' (1844). The heavily fictionalised version of d'Artagnan featured in Dumas' works and their subsequent screen adaptations is now far more widely known than the real historical figure. Early life D'Artagnan was born at the Château de Castelmore near Lupiac in south-western France. His father, Bertrand de Batz lord of Castelmore, was the son of a newly ennobled merchant, Arnaud de Batz, who purchased the Château de Castelmore. Charles de Batz went to Paris in the 1630s, using the name of his mother Françoise de Montesquiou d'Ar ...
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Comte De Rochefort
The Comte de Rochefort is a secondary fictional character in Alexandre Dumas' ''d'Artagnan Romances''. He is described as approximately 40 to 45 years old in 1625 and "fair with a scar across his cheek". In ''The Three Musketeers'' Known throughout the novel as "The Man from Meung", his first appearance is in the opening chapter of ''The Three Musketeers'' (1844). He insults d'Artagnan and steals his letter of recommendation to Monsieur de Tréville, causing d'Artagnan to swear revenge. He reappears from time to time as the story progresses. D'Artagnan regularly sees Rochefort and tries to catch him, but each time Rochefort skilfully vanishes into the street crowds of Paris. D'Artagnan does not meet him again or learn his name until the end of the novel. It is Rochefort who kidnaps Constance Bonacieux, and we eventually learn that he is the other main agent (in addition to Milady de Winter) of Cardinal Richelieu. He is sent by Richelieu to escort Milady de Winter in some of her ...
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Sewing
Sewing is the craft of fastening or attaching objects using stitches made with a sewing needle and thread. Sewing is one of the oldest of the textile arts, arising in the Paleolithic era. Before the invention of spinning yarn or weaving fabric, archaeologists believe Stone Age people across Europe and Asia sewed fur and leather clothing using bone, antler or ivory sewing-needles and "thread" made of various animal body parts including sinew, catgut, and veins. For thousands of years, all sewing was done by hand. The invention of the sewing machine in the 19th century and the rise of computerization in the 20th century led to mass production and export of sewn objects, but hand sewing is still practiced around the world. Fine hand sewing is a characteristic of high-quality tailoring, haute couture fashion, and custom dressmaking, and is pursued by both textile artists and hobbyists as a means of creative expression. The first known use of the word "sewing" was in the 14th ...
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Duke Of Buckingham
Duke of Buckingham held with Duke of Chandos, referring to Buckingham, is a title that has been created several times in the peerages of England, Great Britain, and the United Kingdom. There have also been earls and marquesses of Buckingham. History Dukes of Buckingham, first creation (1444) The first creation of the dukedom was on 14 September 1444, when Humphrey Stafford, was made Duke of Buckingham. On his father's side, Stafford was descended from Edmund de Stafford, who had been summoned to Parliament as Lord Stafford in 1299. The second Baron had been created Earl of Stafford in 1351. On his mother's side, Stafford was the son of Anne of Gloucester, Countess of Buckingham, daughter of Thomas of Woodstock, Earl of Buckingham (later Duke of Gloucester), youngest son of King Edward III of England. Stafford was an important supporter of the House of Lancaster in the Wars of the Roses, and was killed at the Battle of Northampton in July 1460. The 1st Duke of Bucking ...
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Milady De Winter
Milady Laurence de Winter, often referred to as simply Milady, is a fictional character in the novel ''The Three Musketeers'' (1844) by Alexandre Dumas, père, set in 1625 France. She is a spy for Cardinal Richelieu and is one of the dominant antagonists of the story. Her role in the first part of the book is to seduce the English prime minister, the duke of Buckingham, who is also the secret lover of Queen Anne of France. Hoping to blackmail the queen, Richelieu orders Milady to steal two diamonds from a set of matched studs given to Buckingham by the queen, which were a gift to her from her husband, King Louis XIII. Thwarted by d'Artagnan and the other musketeers, Milady's conflict with d'Artagnan carries much of the second half of the novel. Character overview She is described as being 22 years old, tall, fair-haired and uncommonly beautiful, with brilliant blue eyes and black lashes and brows, Milady possesses a voice that can seduce and bewitch. A capable and intelligent ...
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Cardinal Richelieu
Armand Jean du Plessis, Duke of Richelieu (; 9 September 1585 – 4 December 1642), known as Cardinal Richelieu, was a French clergyman and statesman. He was also known as ''l'Éminence rouge'', or "the Red Eminence", a term derived from the title "Eminence" applied to cardinals and the red robes that they customarily wear. Consecrated a bishop in 1607, Richelieu was appointed Foreign Secretary in 1616. He continued to rise through the hierarchy of both the Catholic Church and the French government by becoming a cardinal in 1622 and chief minister to King Louis XIII of France in 1624. He retained that office until his death in 1642, when he was succeeded by Cardinal Mazarin, whose career he had fostered. He also became engaged in a bitter dispute with the king's mother, Marie de Médicis, who had once been a close ally. Richelieu sought to consolidate royal power and restrained the power of the nobility in order to transform France into a strong centralized state. In foreig ...
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France
France (), officially the French Republic ( ), is a country primarily located in Western Europe. It also comprises of Overseas France, overseas regions and territories in the Americas and the Atlantic Ocean, Atlantic, Pacific Ocean, Pacific and Indian Oceans. Its Metropolitan France, metropolitan area extends from the Rhine to the Atlantic Ocean and from the Mediterranean Sea to the English Channel and the North Sea; overseas territories include French Guiana in South America, Saint Pierre and Miquelon in the North Atlantic, the French West Indies, and many islands in Oceania and the Indian Ocean. Due to its several coastal territories, France has the largest exclusive economic zone in the world. France borders Belgium, Luxembourg, Germany, Switzerland, Monaco, Italy, Andorra, and Spain in continental Europe, as well as the Kingdom of the Netherlands, Netherlands, Suriname, and Brazil in the Americas via its overseas territories in French Guiana and Saint Martin (island), ...
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Break The Fourth Wall
The fourth wall is a performance convention in which an invisible, imaginary wall separates actors from the audience. While the audience can see through this ''wall'', the convention assumes the actors act as if they cannot. From the 16th century onward, the rise of illusionism in staging practices, which culminated in the realism and naturalism of the theatre of the 19th century, led to the development of the fourth wall concept. The metaphor suggests a relationship to the mise-en-scène behind a proscenium arch. When a scene is set indoors and three of the walls of its room are presented onstage, in what is known as a box set, the fourth of them would run along the line (technically called the proscenium) dividing the room from the auditorium. The ''fourth wall'', though, is a theatrical convention, rather than of set design. The actors ignore the audience, focus their attention exclusively on the dramatic world, and remain absorbed in its fiction, in a state that the thea ...
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