The Three Musketeers (1948 Film)
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The Three Musketeers (1948 Film)
''The Three Musketeers'' is a 1948 film directed by George Sidney, written by Robert Ardrey, and starring Gene Kelly and Lana Turner. It is a Technicolor adventure film adaptation of the classic 1844 novel ''The Three Musketeers'' by Alexandre Dumas. Plot D'Artagnan, an inexperienced Gascon youth, travels to Paris to join the elite King's Musketeers. On his way, he encounters a mysterious lady at a roadside inn. When he picks a fight with one of her escorts, she becomes suspicious and has him knocked unconscious. His letter of introduction from his father to de Treville, the commander of the Musketeers, is burned. When he awakens, he continues on to the city. In Paris, he nevertheless presents himself to de Treville, who recognizes d'Artagnan's description of one of his assailants and makes him a cadet. The young Gascon spots the very man and in his haste to confront him, annoys three of the most skillful Musketeers: Athos, Porthos and Aramis. Each challenges him to a duel. Upo ...
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George Sidney
George Sidney (October 4, 1916May 5, 2002) was an American film director and producer who worked primarily at Metro-Goldwyn-Mayer. His work includes cult classics ''Bye Bye Birdie'' (1963) and ''Viva Las Vegas'' (1964). With an extensive background in acting, stage direction, film editing, and music, Sidney created many of post-war Hollywood’s big budget musicals, such as '' Annie Get Your Gun'' (1950), ''Show Boat'' (1951), ''Kiss Me Kate'' (1953); ''Jupiter's Darling'' (1955), and '' Pal Joey'' (1957). He was also a president of the Screen Directors Guild for 16 years. A founding partner of Hanna-Barbera animation studio, Sidney introduced the integration of animation into live action, which is immortalized in the dance scene between actor Gene Kelly and Jerry Mouse in ''Anchors Aweigh'' (1945). An avid art collector, gardener, musician, painter, and photographer, George Sidney was known for his impeccable sense of style and generosity. His clothing, original scripts, not ...
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Adventure Film
An adventure film is a form of adventure fiction, and is a genre of film. Subgenres of adventure films include swashbuckler films, pirate films, and survival films. Adventure films may also be combined with other film genres such as action, animation, comedy, drama, fantasy, science fiction, family, horror, or war. Overview Setting plays an important role in an adventure film, sometimes itself acting as a character in the narrative. They are typically set in far away lands, such as lost continents or other exotic locations. They may also be set in a period background and may include adapted stories of historical or fictional adventure heroes within the historical context. Such struggles and situations that confront the main characters include things like battles, piracy, rebellion, and the creation of empires and kingdoms. A common theme of adventure films is of characters leaving their home or place of comfort and going to fulfill a goal, embarking on travels, quests, tre ...
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Louis XIII Of France
Louis XIII (; sometimes called the Just; 27 September 1601 – 14 May 1643) was King of France from 1610 until his death in 1643 and King of Navarre (as Louis II) from 1610 to 1620, when the crown of Navarre was merged with the French crown. Shortly before his ninth birthday, Louis became king of France and Navarre after his father Henry IV was assassinated. His mother, Marie de' Medici, acted as regent during his minority. Mismanagement of the kingdom and ceaseless political intrigues by Marie and her Italian favourites led the young king to take power in 1617 by exiling his mother and executing her followers, including Concino Concini, the most influential Italian at the French court. Louis XIII, taciturn and suspicious, relied heavily on his chief ministers, first Charles d'Albert, duc de Luynes and then Cardinal Richelieu, to govern the Kingdom of France. The King and the Cardinal are remembered for establishing the '' Académie française'', and ending the revolt o ...
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Frank Morgan
Francis Phillip Wuppermann (June 1, 1890 – September 18, 1949), known professionally as Frank Morgan, was an American character actor. He was best known for his appearances in films starting in the silent era in 1916, and then numerous sound films throughout the 1930s and 1940s, with a career spanning 35 yearsObituary ''Variety'', September 21, 1949, page 63. mostly as a contract player at Metro-Goldwyn-Mayer, with his most celebrated performance playing the title role in '' The Wizard of Oz'' (1939). He was also briefly billed early in his career as Frank Wupperman and Francis Morgan. Early life Morgan was born on June 1, 1890, in New York City, to Josephine Wright (née Hancox) and George Diogracia Wuppermann. He was the youngest of 11 children and had five brothers and five sisters. The elder Mr. Wuppermann was born in Venezuela but was brought up in Hamburg, Germany, and was of German and Spanish ancestry. His mother was born in the United States, of English ancestry. Hi ...
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Anne Of Austria
Anne of Austria (french: Anne d'Autriche, italic=no, es, Ana María Mauricia, italic=no; 22 September 1601 – 20 January 1666) was an infanta of Spain who became Queen of France as the wife of King Louis XIII from their marriage in 1615 until Louis XIII died in 1643. She was also Queen of Navarre until that kingdom was annexed into the French crown in 1620. After her husband's death, Anne was regent to her son Louis XIV, during his minority, until 1651. During her regency, Cardinal Mazarin served as France's chief minister. Accounts of French court life of Anne's era emphasize her difficult marital relations with her husband, her closeness to her son, and her disapproval of her son's marital infidelity to her niece and daughter-in-law Maria Theresa. Early life Born at the in Valladolid, Spain, and baptised Ana María Mauricia, she was the eldest daughter of King Philip III of Spain and his wife Margaret of Austria. She held the titles of Infanta of Spain and of Portugal ( ...
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Athos (fictional Character)
Athos, Count de la Fère, is a fictional character in the novels ''The Three Musketeers'' (1844), ''Twenty Years After'' (1845) and ''The Vicomte de Bragelonne'' (1847–1850) by Alexandre Dumas, père. He is a highly fictionalised version of the historical musketeer Armand d'Athos (1615–1644). In the novels In ''The Three Musketeers'', Athos and the other two musketeers, Porthos and Aramis, are friends of the novel's protagonist, d'Artagnan. Athos has a mysterious past connecting him with the villain of the novel, Milady de Winter. The oldest of the group by some years, Athos is described as noble and handsome but also taciturn and melancholy, drowning his secret sorrows in drink. He is very protective of d'Artagnan, the youngest, whom he eventually treats as his brother. By the end of the novel, it is revealed that he is the Count de la Fère. He was once married to Milady de Winter and attempted to kill her after discovering that she was a criminal on the run, an event which ...
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Full Powers
A ''plenipotentiary'' (from the Latin ''plenus'' "full" and ''potens'' "powerful") is a diplomat who has full powers—authorization to sign a treaty or convention on behalf of his or her sovereign. When used as a noun more generally, the word ''plenipotentiary'' can also refer to any person who has full powers. When used an adjective, ''plenipotentiary'' describes something which confers full powers, such as an edict or an assignment. Diplomats Before the era of rapid international transport or essentially instantaneous communication (such as telegraphy in the mid-19th century and then radio), diplomatic mission chiefs were granted full (''plenipotentiary'') powers to represent their government in negotiations with their host nation. Conventionally, any representations made or agreements reached with a plenipotentiary would be recognized and complied with by their government. Historically, the common generic term for high diplomats of the crown or state was ''minister''. It the ...
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Human Branding
Human branding or stigmatizing is the process by which a mark, usually a symbol or ornamental pattern, is burned into the skin of a living person, with the intention that the resulting scar makes it permanent. This is performed using a hot or very cold branding iron. It therefore uses the physical techniques of livestock branding on a human, either with consent as a form of body modification; or under coercion, as a punishment or to identify an enslaved, oppressed, or otherwise controlled person. It may also be practiced as a "rite of passage", e.g. within a tribe, or to signify membership of or acceptance into an organization. Etymology The English verb to ''burn'', attested since the 12th century, is a combination of Old Norse ''brenna'' "to burn, light", and two originally distinct Old English verbs: ''bærnan'' "to kindle" (transitive) and ''beornan'' "to be on fire" (intransitive), both from the Proto-Germanic root ''bren(wanan)'', perhaps from a Proto-Indo-European root ' ...
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Milady De Winter
Milady Laurence de Winter, often referred to as simply Milady, is a fictional character in the novel ''The Three Musketeers'' (1844) by Alexandre Dumas, père, set in 1625 France. She is a spy for Cardinal Richelieu and is one of the dominant antagonists of the story. Her role in the first part of the book is to seduce the English prime minister, the duke of Buckingham, who is also the secret lover of Queen Anne of France. Hoping to blackmail the queen, Richelieu orders Milady to steal two diamonds from a set of matched studs given to Buckingham by the queen, which were a gift to her from her husband, King Louis XIII. Thwarted by d'Artagnan and the other musketeers, Milady's conflict with d'Artagnan carries much of the second half of the novel. Character overview She is described as being 22 years old, tall, fair-haired and uncommonly beautiful, with brilliant blue eyes and black lashes and brows, Milady possesses a voice that can seduce and bewitch. A capable and intelligent ...
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Ball (dance)
A ball is a formal dance party often characterised by a banquet followed by a social dance that includes ballroom dancing. Ball dancing emerged from formal dances during the Middle Ages and carried on through different iterations throughout succeeding centuries, such as the 17th century Baroque dance and the 18th century cotillion. Several variations exists such as the masquerade and debutante ball as well as the more modern prom. Etymology The word ''ball'' derives from the Latin word , meaning 'to dance', and ''bal'' was used to describe a formal dancing party in French in the 12th century. The ''ballo'' was an Italian Renaissance word for a type of elaborate court dance, and developed into one for the event at which it was performed. The word also covered performed pieces like ''Il ballo delle ingrate'' by Claudio Monteverdi (1608). French developed the verb , and the noun ''bal'' for the event—from where it swapped into languages like English or German—and , the Span ...
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Cardinal Richelieu
Armand Jean du Plessis, Duke of Richelieu (; 9 September 1585 – 4 December 1642), known as Cardinal Richelieu, was a French clergyman and statesman. He was also known as ''l'Éminence rouge'', or "the Red Eminence", a term derived from the title "Eminence" applied to cardinals and the red robes that they customarily wear. Consecrated a bishop in 1607, Richelieu was appointed Foreign Secretary in 1616. He continued to rise through the hierarchy of both the Catholic Church and the French government by becoming a cardinal in 1622 and chief minister to King Louis XIII of France in 1624. He retained that office until his death in 1642, when he was succeeded by Cardinal Mazarin, whose career he had fostered. He also became engaged in a bitter dispute with the king's mother, Marie de Médicis, who had once been a close ally. Richelieu sought to consolidate royal power and restrained the power of the nobility in order to transform France into a strong centralized state. In foreig ...
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Duel
A duel is an arranged engagement in combat between two people, with matched weapons, in accordance with agreed-upon Code duello, rules. During the 17th and 18th centuries (and earlier), duels were mostly single combats fought with swords (the rapier and later the small sword), but beginning in the late 18th century in England, duels were more commonly fought using pistols. Fencing and shooting continued to co-exist throughout the 19th century. The duel was based on a Code of conduct, code of honor. Duels were fought not so much to kill the opponent as to gain "satisfaction", that is, to restore one's honor by demonstrating a willingness to risk one's life for it, and as such the tradition of dueling was originally reserved for the male members of nobility; however, in the modern era, it extended to those of the upper classes generally. On occasion, duels with swords or pistols were fought between women. Legislation against dueling goes back to the medieval period. The Fourth Co ...
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