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The Thing!
''The Thing!'' is an American horror comic book published by Charlton Comics that ran 17 issues from 1952 to 1954. Its tagline was "Weird tales of suspense and horror!" After the 17th issue, it was cancelled and the series' numbering continued as ''Blue Beetle'' vol. 2. Artist Steve Ditko provided the covers for #12-15 and #17. He also illustrated stories in issues #12-15. Issue #12 features Ditko's first comic-book cover art. In 2006, Pure Imagination released the trade paperback ''Steve Ditko's The Thing!'' that reprinted all of Ditko's stories from this title, and used the cover of #15 for its cover. The back cover shows the covers from ''The Thing!'' #12, #13 and #14 and ''Strange Suspense Stories ''Strange Suspense Stories'' was a comic book published in two volumes by Fawcett Comics and Charlton Comics in the 1950s and 1960s. Starting out as a horror/suspense title, the first volume gradually moved toward eerie fantasy and weird science f ...'' #22. It also included Ditko ...
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Steve Ditko
Stephen John Ditko Page contains two reproductions from school yearbooks. A 1943 Garfield Junior High School yearbook excerpt lists "Stephen Ditko". A 1945 Johnstown High School yearbook excerpt lists "Stephen J. Ditko" under extracurricular activities: "Vocational Course. Ambition: Undecided". (; November 2, 1927 – June 29, 2018) was an American comics artist and writer best known for being co-creator of Marvel superhero Spider-Man and creator of Doctor Strange. He also made notable contributions to the character of Iron Man with the character's iconic red and yellow design being revolutionized by Ditko. Ditko studied under Batman artist Jerry Robinson at the Cartoonist and Illustrators School in New York City. He began his professional career in 1953, working in the studio of Joe Simon and Jack Kirby, beginning as an inker and coming under the influence of artist Mort Meskin. During this time, he then began his long association with Charlton Comics, where he did work in th ...
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Horror Comics
Horror comics are comic books, graphic novels, black-and-white comics magazines, and manga focusing on horror fiction. In the US market, horror comic books reached a peak in the late 1940s through the mid-1950s, when concern over content and the imposition of the self-censorship Comics Code Authority contributed to the demise of many titles and the toning down of others. Black-and-white horror-comics magazines, which did not fall under the Code, flourished from the mid-1960s through the early 1980s from a variety of publishers. Mainstream American color comic books experienced a horror resurgence in the 1970s, following a loosening of the Code. While the genre has had greater and lesser periods of popularity, it occupies a firm niche in comics as of the 2010s. Precursors to horror comics include detective and crime comics that incorporated horror motifs into their graphics, and early superhero stories that sometimes included the likes of ghouls and vampires. Individual horror stor ...
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Charlton Comics
Charlton Comics was an American comic book publishing company that existed from 1945 to 1986, having begun under a different name: T.W.O. Charles Company, in 1940. It was based in Derby, Connecticut. The comic-book line was a division of Charlton Publications, which published magazines (most notably song-lyric magazines), puzzle books and, briefly, books (under the Monarch and Gold Star imprints). It had its own distribution company (Capital Distribution). Charlton Comics published a wide variety of genres including; crime, science fiction, Western, horror, war and romance comics, as well as talking animal and superhero titles. The company was known for its low-budget practices, often using unpublished material acquired from defunct companies and paying comics creators among the lowest rates in the industry. Charlton was also the last of the American comics publishers still operating to raise its cover prices from ten cents to 12 cents in 1962. It was unique among comic book co ...
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Horror Comics
Horror comics are comic books, graphic novels, black-and-white comics magazines, and manga focusing on horror fiction. In the US market, horror comic books reached a peak in the late 1940s through the mid-1950s, when concern over content and the imposition of the self-censorship Comics Code Authority contributed to the demise of many titles and the toning down of others. Black-and-white horror-comics magazines, which did not fall under the Code, flourished from the mid-1960s through the early 1980s from a variety of publishers. Mainstream American color comic books experienced a horror resurgence in the 1970s, following a loosening of the Code. While the genre has had greater and lesser periods of popularity, it occupies a firm niche in comics as of the 2010s. Precursors to horror comics include detective and crime comics that incorporated horror motifs into their graphics, and early superhero stories that sometimes included the likes of ghouls and vampires. Individual horror stor ...
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Comic Book
A comic book, also called comicbook, comic magazine or (in the United Kingdom and Ireland) simply comic, is a publication that consists of comics art in the form of sequential juxtaposed panels that represent individual scenes. Panels are often accompanied by descriptive prose and written narrative, usually, dialogue contained in word balloons emblematic of the comics art form. "Comic Cuts" was a British comic published from 1890 to 1953. It was preceded by "Ally Sloper's Half Holiday" (1884) which is notable for its use of sequential cartoons to unfold narrative. These British comics existed alongside of the popular lurid "Penny dreadfuls" (such as "Spring-heeled Jack"), boys' " Story papers" and the humorous Punch (magazine) which was the first to use the term "cartoon" in its modern sense of a humorous drawing. The interweaving of drawings and the written word had been pioneered by, among others, William Blake (1757 - 1857) in works such as Blake's "The Descent Of Christ" ...
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Blue Beetle
Blue Beetle is the name of three fictional superheroes who appear in a number of American comic books published by a variety of companies since 1939. The most recent of the companies to own rights to Blue Beetle is DC Comics, which bought the rights to the character in 1983, using the name for three distinct characters over the years. The original Blue Beetle was created by Charles Nicholas Wojtkoski and Fox Comics and later owned by Charlton Comics. The first Beetle was Dan Garret (later spelled Dan Garrett), who initially gained superpowers from a special vitamin, which was later changed to gaining powers from a "sacred scarab". The original Blue Beetle was featured in not only his own comic but also a weekly radio serial. The second Blue Beetle, created by Charlton and later taken over by DC Comics, was the successor to Dan Garrett known as Ted Kord. Kord "jumped" to the DC Comics universe during the ''Crisis on Infinite Earths'' alongside a number of other Charlton Comics c ...
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Pure Imagination (comics)
Pure Imagination is a comic book, magazine, and comics-related book publisher run by Greg Theakston since 1975. While briefly doing some original comics in the 1990s, as well a publishing a few "girlie" magazines, Pure Imagination's main focus has been publishing books to preserve the great works of several comic artists. This includes the aborted ''Complete Jack Kirby'' series, and the several ''Reader'' volumes that continue to this day. Another series is ''Edge of Genius'', which focuses on the period in which artists "come into their own." Pure Imagination has also produced some CDs that reprint multiple editions of the ''Reader'' books. Titles Comics * ''Buried Treasure'', three issues * ''Doc Weird's Thrill Book'', three issues, 1987–88 * ''Intense!'', three issues, 1993 * ''Lone Ranger'', one issue * ''Pure Images'', five issues * ''Sky Masters'', one issue, 1991 * ''Torchy'', five issues and one Annual Magazines * '' Betty Pages'', nine issues and two Annuals (1987 ...
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Trade Paperback (comics)
In comics in the United States, a trade paperback (shortened: TPB or trade) is a collection of stories originally published in comic books, reprinted in book format, usually presenting either a complete miniseries, a story arc from a single title, or a series of stories with an arc or common theme. A trade paperback may reproduce the stories either at the same size in which they were originally presented (in comic book format), in a smaller "digest-sized" format, or a larger-than-original hardcover. This article applies to both paperback and hardcover collections. In the comics industry, the term "trade paperback market" may refer to the market for any collection, regardless of its actual cover. A trade paperback differs from a graphic novel in that a graphic novel is usually original material. It is also different from the publishing term '' trade paperback'', which is a book with a flexible cardstock cover that is larger than the standard mass market paperback format. Histor ...
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Strange Suspense Stories
''Strange Suspense Stories'' was a comic book published in two volumes by Fawcett Comics and Charlton Comics in the 1950s and 1960s. Starting out as a horror/suspense title, the first volume gradually moved toward eerie fantasy and weird science fiction, before ending as a vehicle for the superhero Captain Atom. The title's second volume was more in the horror/suspense vein. Altogether, 72 issues of ''Strange Suspense Stories'' were published. Notable contributors included Steve Ditko, Vince Alascia, Jim Aparo, Pat Boyette, George Evans, Joe Gill, Frank McLaughlin, Bill Molno, Rocke Mastroserio, Sheldon Moldoff, Charles Nicholas, Denny O'Neil, Joe Shuster, and Steve Skeates. Publication history Vol. 1 Fawcett Comics debuted ''Strange Suspense Stories'' in June 1952, featuring artwork by (among others) George Evans and Sheldon Moldoff. The title ran for five issues under Fawcett. In 1954–55, Charlton acquired a stable of comic book properties from Fawcett Publications, whi ...
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Charlton Comics Titles
Charlton may refer to: People * Charlton (surname) * Charlton (given name) Places Australia * Charlton, Queensland * Charlton, Victoria * Division of Charlton, an electoral district in the Australian House of Representatives, in New South Wales Canada * Charlton, Ontario * Charlton Island, Nunavut England * Hundred of Charlton, a hundred in the Wokingham area of Berkshire * Charlton, Bristol, a village in Gloucestershire near Bristol, demolished in 1949 * Charlton, Hampshire * Charlton, Hertfordshire * Charlton, London, formerly a village, now a district * Charlton, Northamptonshire * Charlton, Northumberland * Charlton, Oxfordshire, a location in Wantage * Charlton, Shropshire, a location * Charlton, Kilmersdon, Mendip district, Somerset * Charlton, Shepton Mallet, Mendip district, Somerset * Charlton, Taunton Deane, Somerset * Charlton, Surrey (formerly Middlesex) * Charlton, West Sussex * Charlton, Brinkworth, Wiltshire * Charlton, Pewsey Vale, Wiltshire * Charlton ...
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Fantasy Comics
Fantasy comics have been around as long as Comic book, comics. The classification "fantasy comics" broadly encompasses illustrated books set in an other-worldly universe or involving elements or actors outside our reality. Fantasy has been a mainstay of fiction for centuries, but burgeoned in the late 1930s and early 1940s, spurred by authors such as C.S. Lewis and J.R.R. Tolkien. They inspired comic book producers. Fantasy-themed books—driven by superhero comics gaining popularity through the 1960s—grew to dominate the field. In the 1990s, authors such as Neil Gaiman helped expand the genre with his critically acclaimed ''The Sandman (Vertigo), Sandman'' series. History In the American market, fantasy comics began in the Golden Age of Comic Books, which was populated with notable works such as All-American Publications (and later DC Comics). Greek myth inspired super heros including Wonder Woman and Dell's Tarzan (comics), Tarzan. Starting in the late 1940s, horror-themed fa ...
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Fictional Monsters
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context of ...
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