The Temptation Of St Anthony (Bosch Painting)
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The Temptation Of St Anthony (Bosch Painting)
''The Temptation of St. Anthony'' is a painting of disputed authorship, attributed to either Hieronymus Bosch or a follower. It is now in the Museo del Prado, in Madrid. History The work was in the Escorial monastery, although it was not mentioned in inventories; later it was moved to the Prado. It is likely that the work was one of the ''Temptations'' sent to the monastery by Philip II of Spain in 1574. This painting has a more serene atmosphere than the triptych with the same theme now in the Museu Nacional de Arte Antiga of Lisbon. Like all Bosch's works, it cannot be dated with precision, although it is likely from his late production (1500–1516). In 2016, the Bosch Research and Conservation project, after five years of researching all known Bosch paintings, announced that they had significant doubts about the attribution of the work to Bosch, instead attributing it to a follower. Description St. Anthony the Abbot is portrayed in meditation, in a sunny landscape near t ...
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Hieronymus Bosch
Hieronymus Bosch (, ; born Jheronimus van Aken ;  – 9 August 1516) was a Dutch/Netherlandish painter from Brabant. He is one of the most notable representatives of the Early Netherlandish painting school. His work, generally oil on oak wood, mainly contains fantastic illustrations of religious concepts and narratives. Within his lifetime his work was collected in the Netherlands, Austria, and Spain, and widely copied, especially his macabre and nightmarish depictions of hell. Little is known of Bosch's life, though there are some records. He spent most of it in the town of 's-Hertogenbosch, where he was born in his grandfather's house. The roots of his forefathers are in Nijmegen and Aachen (which is visible in his surname: Van Aken). His pessimistic fantastical style cast a wide influence on northern art of the 16th century, with Pieter Bruegel the Elder being his best-known follower. Today, Bosch is seen as a hugely individualistic painter with deep insight into ...
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Athanasius Of Alexandria
Athanasius I of Alexandria, ; cop, ⲡⲓⲁⲅⲓⲟⲥ ⲁⲑⲁⲛⲁⲥⲓⲟⲩ ⲡⲓⲁⲡⲟⲥⲧⲟⲗⲓⲕⲟⲥ or Ⲡⲁⲡⲁ ⲁⲑⲁⲛⲁⲥⲓⲟⲩ ⲁ̅; (c. 296–298 – 2 May 373), also called Athanasius the Great, Athanasius the Confessor, or, among Coptic Christians, Athanasius the Apostolic, was a Coptic church father and the 20th pope of Alexandria (as Athanasius I). His intermittent episcopacy spanned 45 years (c. 8 June 328 – 2 May 373), of which over 17 encompassed five exiles, when he was replaced on the order of four different Roman emperors. Athanasius was a Christian theologian, a Church Father, the chief defender of Trinitarianism against Arianism, and a noted Egyptian Christian leader of the fourth century. Conflict with Arius and Arianism, as well as with successive Roman emperors, shaped Athanasius' career. In 325, at age 27, Athanasius began his leading role against the Arians as a deacon and assistant to Bishop Alexander of Ale ...
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Animals In Art
Human uses of animals (non-human species) include both practical uses, such as the production of food and clothing, and symbolic uses, such as in art, literature, mythology, and religion. All of these are elements of culture, broadly understood. Animals used in these ways include fish, crustaceans, insects, molluscs, mammals and birds. Economically, animals provide meat, whether farmed or hunted, and until the arrival of mechanised transport, terrestrial mammals provided a large part of the power used for work and transport. Animals serve as models in biological research, such as in genetics, and in drug testing. Many species are kept as pets, the most popular being mammals, especially dogs and cats. These are often anthropomorphised. Animals such as horses and deer are among the earliest subjects of art, being found in the Upper Paleolithic cave paintings such as at Lascaux. Major artists such as Albrecht Dürer, George Stubbs and Edwin Landseer are known for their portrai ...
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Religious Paintings
Religion is usually defined as a social-cultural system of designated behaviors and practices, morals, beliefs, worldviews, texts, sanctified places, prophecies, ethics, or organizations, that generally relates humanity to supernatural, transcendental, and spiritual elements; however, there is no scholarly consensus over what precisely constitutes a religion. Different religions may or may not contain various elements ranging from the divine, sacred things, faith,Tillich, P. (1957) ''Dynamics of faith''. Harper Perennial; (p. 1). a supernatural being or supernatural beings or "some sort of ultimacy and transcendence that will provide norms and power for the rest of life". Religious practices may include rituals, sermons, commemoration or veneration (of deities or saints), sacrifices, festivals, feasts, trances, initiations, funerary services, matrimonial services, meditation, prayer, music, art, dance, public service, or other aspects of human culture. Religions ha ...
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16th-century Paintings
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ...
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Paintings By Hieronymus Bosch In The Museo Del Prado
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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List Of Paintings By Hieronymus Bosch
A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union club Other uses * Angle of list, the leaning to either port or starboard of a ship * List (information), an ordered collection of pieces of information ** List (abstract data type), a method to organize data in computer science * List on Sylt, previously called List, the northernmost village in Germany, on the island of Sylt * ''List'', an alternative term for ''roll'' in flight dynamics * To ''list'' a building, etc., in the UK it means to designate it a listed building that may not be altered without permission * Lists (jousting), the barriers used to designate the tournament area where medieval knights jousted * ''The Book of Lists'', an American series of books with unusual lists See also * The List (other) * Listing (di ...
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Triptych Of The Temptation Of St
A triptych ( ; from the Greek adjective ''τρίπτυχον'' "''triptukhon''" ("three-fold"), from ''tri'', i.e., "three" and ''ptysso'', i.e., "to fold" or ''ptyx'', i.e., "fold") is a work of art (usually a panel painting) that is divided into three sections, or three carved panels that are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the largest and it is flanked by two smaller related works, although there are triptychs of equal-sized panels. The form can also be used for pendant jewelry. Beyond its association with art, the term is sometimes used more generally to connote anything with three parts, particularly if integrated into a single unit. In art The triptych form appears in early Christian art, and was a popular standard format for altar paintings from the Middle Ages onwards. Its geographical range was from the eastern Byzantine churches to the Ce ...
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Royal Collection Of Spain
The Spanish royal collection of art was almost entirely built up by the monarchs of the Habsburg family who ruled Spain from 1516 to 1700, and then the Bourbons (1700–1868, with a brief interruption). They included a number of kings with a serious interest in the arts, who were patrons of a series of major artists: Charles V and Philip II were patrons of Titian, Philip IV appointed Velázquez as court painter, and Goya had a similar role at the court of Charles IV. The royal family were the most important patrons of Spanish art throughout this period, although some important artists including El Greco, Jusepe de Ribera, and Zurbaran were little patronised. Foreign artists were often imported, although even in the 16th century the most successful were often reluctant to go to Spain, partly because they feared they would never be allowed to leave. In addition, at various periods, especially in the 16th and 17th centuries, the monarchs bought paintings abroad on a signific ...
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Golden Legend
The ''Golden Legend'' (Latin: ''Legenda aurea'' or ''Legenda sanctorum'') is a collection of hagiographies by Jacobus de Voragine that was widely read in late medieval Europe. More than a thousand manuscripts of the text have survived.Hilary Maddocks, "Pictures for aristocrats: the manuscripts of the ''Légende dorée''", in Margaret M. Manion, Bernard James Muir, eds. ''Medieval texts and images: studies of manuscripts from the Middle Ages'' 1991:2; a study of the systemization of the Latin manuscripts of the ''Legenda aurea'' is B. Fleith, "Le classement des quelque 1000 manuscrits de la Legenda aurea latine en vue de l'éstablissement d'une histoire de la tradition" in Brenda Dunn-Lardeau, ed. ''Legenda Aurea: sept siècles de diffusion", 1986:19-24 It was likely compiled around the years 1259–1266, although the text was added to over the centuries. Initially entitled ''Legenda sanctorum'' (''Readings of the Saints''), it gained its popularity under the title by which ...
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Museo Del Prado
The Prado Museum ( ; ), officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It is widely considered to house one of the world's finest collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The Prado Museum is one of the most visited sites in the world, and is considered one of the greatest art museums in the world. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection. Velázquez and his keen eye and sensibility were also responsible for bringing much of the museum's fine collection of Italian masters to Spain, ...
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Anthony The Great
Anthony the Great ( grc-gre, Ἀντώνιος ''Antṓnios''; ar, القديس أنطونيوس الكبير; la, Antonius; ; c. 12 January 251 – 17 January 356), was a Christian monk from Egypt, revered since his death as a saint. He is distinguished from other saints named Anthony, such as , by various epithets: , , , , , and . For his importance among the Desert Fathers and to all later Christian monasticism, he is also known as the . His feast day is celebrated on 17 January among the Orthodox and Catholic churches and on Tobi 22 in the Coptic calendar. The biography of Anthony's life by Athanasius of Alexandria helped to spread the concept of Christian monasticism, particularly in Western Europe via its Latin translations. He is often erroneously considered the first Christian monk, but as his biography and other sources make clear, there were many ascetics before him. Anthony was, however, among the first known to go into the wilderness (about AD 270), whic ...
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