The Telephone, Or L'Amour à Trois
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The Telephone, Or L'Amour à Trois
''The Telephone, or L'Amour à trois'' is an English-language comic opera in one act by Gian Carlo Menotti, both words and music. It was written for production by the Ballet Society and was first presented on a double bill with Menotti's ''The Medium'' at the Heckscher Theater, New York City, February 18–20, 1947. The Broadway production took place on May 1, 1947, at the Ethel Barrymore Theatre. The Metropolitan Opera Company presented it once, at the Lewisohn Stadium, on July 31, 1965. Roles Synopsis Ben, bearing a gift, comes to visit Lucy at her apartment; he wants to propose to her before he leaves on a trip. Despite his attempts to get her attention for sufficient time to ask his question, Lucy is occupied with interminable conversations on the telephone. Between her calls, when Lucy leaves the room, Ben even takes the risk of trying to cut the telephone cord, though his attempt is unsuccessful. Not wanting to miss his train, Ben leaves without asking Lucy for her hand ...
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Comic Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, ''opera buffa'', emerged as an alternative to '' opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Viennese operetta, Spanish '' zarzuela'', Russian comic opera, English ballad and Savoy opera, North American operetta and musical comedy. Italian ''opera buffa'' In late 17th-century Italy, light-hearted m ...
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Eberhard Waechter (baritone)
Eberhard Freiherr von Waechter (9 July 1929 – 29 March 1992) was an Austrian baritone celebrated for his performances in the operas of Mozart, Richard Wagner and Richard Strauss. After retiring from singing, he became intendant of the Vienna Volksoper and the Vienna State Opera. Career Born in Vienna, Waechter studied at the University of Vienna and the Vienna Academy of Music. In 1953, he began voice lessons with Elisabeth Radó. That same year he made his operatic debut, as Silvio in Leoncavallo's '' Pagliacci'', at the Vienna Volksoper. In 1954, he debuted at the Vienna State Opera. In 1956, he debuted at Covent Garden, as Count Almaviva in Mozart's '' The Marriage of Figaro'', and at the Salzburg Festival, as Arbace in Mozart's ''Idomeneo''; in 1958, at Bayreuth, as Amfortas in Wagner's ''Parsifal''; in 1959, at the Paris Opera, as Wolfram in Wagner's ''Tannhäuser''; in 1960, at both La Scala and the Lyric Opera of Chicago, as Count Almaviva; and, in January 1961 ...
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Operas By Gian Carlo Menotti
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western culture#Music, Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ...
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Flavio Emilio Scogna
Flavio Emilio Scogna (born 16 August 1956 in Savona, Liguria) is an Italian composer and conductor. Biography After studying at the Conservatory of Genoa, Scogna subsequently went on to further his studies in composition and conducting, amongst others, with Franco Ferrara in Rome (1982/1983), with Franco Donatoni and Aldo Clementi at the University of Bologna. In 1984 he went on to specialize with Luciano Berio with whom he was to strike up a strong relationship based on friendship and professional respect. This was to have a decisive effect on his development as a conductor. In 1988, along with Berio, he carried out the transcription and elaboration of ''Wir bauen eine Stadt'' by Paul Hindemith, which was performed in the same year in the Konzerthaus in Wien. Scogna's works are performed in the most prestigious places (Accademia Nazionale di S.Cecilia, Teatro Comunale di Firenze, Centre Pompidou in Paris, Konzerthaus in Vienna, Auditorium Nacional in Madrid, Teatro dell’O ...
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COVID-19 Pandemic
The COVID-19 pandemic, also known as the coronavirus pandemic, is an ongoing global pandemic of coronavirus disease 2019 (COVID-19) caused by severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2). The novel virus was first identified in an outbreak in the Chinese city of Wuhan in December 2019. Attempts to contain it there failed, allowing the virus to spread to other areas of Asia and later worldwide. The World Health Organization (WHO) declared the outbreak a public health emergency of international concern on 30 January 2020, and a pandemic on 11 March 2020. As of , the pandemic had caused more than cases and confirmed deaths, making it one of the deadliest in history. COVID-19 symptoms range from undetectable to deadly, but most commonly include fever, dry cough, and fatigue. Severe illness is more likely in elderly patients and those with certain underlying medical conditions. COVID-19 transmits when people breathe in air contaminated by droplets and ...
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Smartphone
A smartphone is a portable computer device that combines mobile telephone and computing functions into one unit. They are distinguished from feature phones by their stronger hardware capabilities and extensive mobile operating systems, which facilitate wider software, internet (including web browsing over mobile broadband), and multimedia functionality (including music, video, cameras, and gaming), alongside core phone functions such as voice calls and text messaging. Smartphones typically contain a number of metal–oxide–semiconductor (MOS) integrated circuit (IC) chips, include various sensors that can be leveraged by pre-included and third-party software (such as a magnetometer, proximity sensors, barometer, gyroscope, accelerometer and more), and support wireless communications protocols (such as Bluetooth, Wi-Fi, or satellite navigation). Early smartphones were marketed primarily towards the enterprise market, attempting to bridge the functionality of ...
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Parea Series
The Chatham pigeon (''Hemiphaga chathamensis''), also called the Chatham Island pigeon or parea, is a bird endemic to the Chatham Islands in New Zealand. Growing to 800g in weight and 55 cm in length, the Chatham Island pigeon is closely related to the kererū or New Zealand pigeon (''Hemiphaga novaeseelandiae''), the only other species in the genus ''Hemiphaga''. While rated vulnerable by IUCN, it is considered critically threatened in New Zealand. Recovering from a low of 40 birds in the 1980s, the Chatham Island pigeon population is now over 600, and the species is ranked by the IUCN as "Vulnerable", and by the New Zealand Department of Conservation as at 2017 as "Threatened – Nationally Vulnerable". The species is largely restricted to the southern forests of Chatham Island (particularly those around the Tuku River). A few have been seen elsewhere on Chatham Island and also further afield on Pitt and South East Islands.Barrie Heather and Hugh Robertson, ''"The Fiel ...
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Scottish Opera
Scottish Opera is the national opera company of Scotland, and one of the five national performing arts companies of Scotland. Founded in 1962 and based in Glasgow, it is the largest performing arts organisation in Scotland. History Scottish Opera was founded by conductor Alexander Gibson in 1962. In 1975 it purchased the Theatre Royal in Glasgow from Scottish Television re-opening it as the first national opera house for Scotland in October 1975 with ''Die Fledermaus''. In March 2005, the management of the Theatre Royal was transferred to the Ambassador Theatre Group, but remains the home of Scottish Opera and of Scottish Ballet. Scottish Opera dealt with various financial troubles, related to lack of funding and accusations of fiscal profligacy, during the first part of the 2000s. Its cycle of Richard Wagner's ''Ring'' was critically acclaimed, but also was highly draining of the company's financial resources. In 2004, a financial restructuring plan had called for the elimin ...
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La Voix Humaine
' (English: ''The Human Voice'') is a forty-minute, one-act opera for soprano and orchestra composed by Francis Poulenc in 1958. The work is based on the play The Human Voice, of the same name by Jean Cocteau, who, along with French soprano Denise Duval, worked closely with Poulenc in preparation for the opera's premiere. Poulenc's ' was first performed at the Opéra-Comique, Théâtre National de l'Opéra-Comique in Paris on 6 February 1959, with Duval as the solo singer and Georges Prêtre conducting; the scenery, costumes and direction were by Cocteau. The libretto consists of a woman's last phone conversation with her lover, who now loves someone else. During the call, the woman reveals that she has attempted suicide because her lover has abandoned her. History Cocteau's play Cocteau finished writing ''The Human Voice, La voix humaine'' in 1928, and the monodrama was premiered two years later. Having been previously criticized for using mechanical effects in his plays, Cocte ...
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Francis Poulenc
Francis Jean Marcel Poulenc (; 7 January 189930 January 1963) was a French composer and pianist. His compositions include songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite '' Trois mouvements perpétuels'' (1919), the ballet ''Les biches'' (1923), the ''Concert champêtre'' (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera ''Dialogues des Carmélites'' (1957), and the '' Gloria'' (1959) for soprano, choir, and orchestra. As the only son of a prosperous manufacturer, Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a music college. Largely self-educated musically, he studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc also made the acquaintance of Erik Satie, under whose tutelage he became one of a group of young composers known collectively as ''Les Six''. ...
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Scottish Chamber Orchestra
The Scottish Chamber Orchestra (SCO) is an Edinburgh-based UK chamber orchestra. One of Scotland's five National Performing Arts Companies, the SCO performs throughout Scotland, including annual tours of the Scottish Highlands and Islands and South of Scotland. The SCO appears regularly at the Edinburgh, East Neuk, St Magnus and Aldeburgh Festivals and The Proms. The SCO's international touring receives support from the Scottish Government. The SCO rehearses mainly at Edinburgh's Queen's Hall. History The SCO was formed in 1974, with Roderick Brydon as its first Principal Conductor, from 1974 to 1983. The founding leader of the SCO was John Tunnell, and by 1977 he had been joined by Carolyn Sparey as principal viola, and Haflidi Halgrimsson as principal cello. With Michael Storrs managing the orchestra for much of  its first decade, the schedule, which for a while included work as the orchestra for Scottish Opera, offered a full diary of concert performances, recordings a ...
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José Serebrier
José Serebrier (born 3 December 1938) is a Uruguayan conductor and composer. He is one of the most recorded conductors of his generation. Early life Serebrier was born in Montevideo to Russian and Polish parents of Jewish extraction. He first conducted an orchestra at the age of eleven, while at school. The school orchestra toured the country, which meant he was able to notch up over one hundred performances within four years. He graduated from the Municipal School of Music in Montevideo at fifteen, having studied violin, solfege, and Latin American folklore. Subsequently, he studied counterpoint, fugue, composition and conducting with Guido Santórsola, and piano with his wife, Sarah Bourdillon Santórsola. The National Orchestra, known as SODRE, announced a composition contest. Within two weeks, Serebrier had composed his "Legend of Faust" overture. It won. To his huge disappointment he was not allowed to conduct it, because he was only fifteen. The premiere was given ...
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