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The Teacher Who Was Not To Be
''The Teacher Who Was Not To Be'' ( no, Læreren som ikke ble) is an opera monologue by Marcus Paus and with a libretto by Olav Anton Thommessen from 2013. It premiered at the concert "Paus & Paus" with works by Marcus Paus and Ole Paus in the Atrium of the University of Oslo as part of the Oslo Opera Festival on 12 October 2013, with opera singer Knut Stiklestad in the role of the eponymous "Teacher." The work was included on the album ''Requiem/Trisyn/Læreren som ikke ble'' (2022) alongside the work ''Requiem'' by Marcus and Ole Paus. It was also featured in the first episode of the podcast series ''Paus og Castle blir kloke på musikklivet'' (Paus and Castle Figure Out Music Life) in 2021. Theme The monologue is based on a letter written by professor of composition Olav Anton Thommessen to his erstwhile student Marcus Paus in 2006, shortly after Paus had presented some of his own works to the Norwegian Society of Composers where he had recently been admitted as a member. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcus Paus
Marcus Nicolay Paus (; born 14 October 1979) is a Norwegian composer and one of the most performed contemporary Scandinavian composers. As a classical contemporary composer he is noted as a representative of a reorientation toward tradition, tonality and melody, and his works have been lauded by critics in Norway and abroad. His work includes chamber music, choral works, solo works, concerts, orchestral works, operas, symphonies and church music, as well as works for theatre, film and television. Paus is regarded as "one of the most celebrated classical composers of Norway" and "the leading Norwegian composer of his generation." Although often tonal and melodically driven, Paus's music employs a wide range of both traditional and modernist techniques, and several of Paus's works have been influenced by folk music and non-Western classical music. Paus has referred to himself as a " melodist," "anarcho-traditionalist" or a humanist composer, and is known for advocating musical plura ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norwegian Academy Of Music
The Norwegian Academy of Music (Norwegian: ''Norges musikkhøgskole'', NMH) is a university-level music conservatory located in Oslo, Norway, in the neighbourhood of Majorstuen, Frogner. It is the largest music academy in Norway and offers the country's highest level of music education. As a specialized university (''vitenskapelig høgskole''), it offers both undergraduate and postgraduate courses. Throughout the years the Academy has educated many of Norway's most renowned musicians. The Norwegian Academy of Music educates performers, composers and pedagogues, and attempts to lay the foundation for research within various fields of music. It educates musicians within folk music genres, church music, classical music and, quite notably in later years, a string of successful performers within the jazz realm. The Academy is also Oslo's biggest concert organizer, presenting approximately 300 concerts a year. As is the case with all schools in the Norwegian educational system, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas Set In Norway
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monologues
In theatre, a monologue (from el, μονόλογος, from μόνος ''mónos'', "alone, solitary" and λόγος ''lógos'', "speech") is a speech presented by a single character, most often to express their thoughts aloud, though sometimes also to directly address another character or the audience. Monologues are common across the range of dramatic media (plays, films, etc.), as well as in non-dramatic media such as poetry. Monologues share much in common with several other literary devices including soliloquies, apostrophes, and asides. There are, however, distinctions between each of these devices. Similar literary devices Monologues are similar to poems, epiphanies, and others, in that, they involve one 'voice' speaking but there are differences between them. For example, a soliloquy involves a character relating their thoughts and feelings to themself and to the audience without addressing any of the other characters. A monologue is the thoughts of a person spoken out lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2013 Operas
Thirteen or 13 may refer to: * 13 (number), the natural number following 12 and preceding 14 * One of the years 13 BC, AD 13, 1913, 2013 Music * 13AD (band), an Indian classic and hard rock band Albums * ''13'' (Black Sabbath album), 2013 * ''13'' (Blur album), 1999 * ''13'' (Borgeous album), 2016 * ''13'' (Brian Setzer album), 2006 * ''13'' (Die Ärzte album), 1998 * ''13'' (The Doors album), 1970 * ''13'' (Havoc album), 2013 * ''13'' (HLAH album), 1993 * ''13'' (Indochine album), 2017 * ''13'' (Marta Savić album), 2011 * ''13'' (Norman Westberg album), 2015 * ''13'' (Ozark Mountain Daredevils album), 1997 * ''13'' (Six Feet Under album), 2005 * ''13'' (Suicidal Tendencies album), 2013 * ''13'' (Solace album), 2003 * ''13'' (Second Coming album), 2003 * ''13'' (Ces Cru EP), 2012 * ''13'' (Denzel Curry EP), 2017 * ''Thirteen'' (CJ & The Satellites album), 2007 * ''Thirteen'' (Emmylou Harris album), 1986 * ''Thirteen'' (Harem Scarem album), 2014 * ''Thirtee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Marcus Paus
Composition or Compositions may refer to: Arts and literature *Composition (dance) Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which motion or form or both are specified. ''Choreography'' may also refer to the design itself. A choreographer is one who cr ..., practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work *Composition (Peeters), ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction *Compositions (album), ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Generation Gap
A generation gap or generational gap is a difference of opinions between one generation and another regarding beliefs, politics, or values. In today's usage, ''generation gap'' often refers to a perceived gap between younger people and their parents or grandparents. History Early sociologists such as Karl Mannheim noted differences across generations in how the youth transits into adulthood, and studied the ways in which generations separate themselves from one another, in the home and in social situations and areas (such as churches, clubs, senior centers, and youth centers). The sociological theory of a generation gap first came to light in the 1960s, when the younger generation (later known as baby boomers) seemed to go against everything their parents had previously believed in terms of music, values, governmental and political views as well as cultural tastes. Sociologists now refer to the "generation gap" as "institutional age segregation". Usually, when any of these age gro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minerva (Norwegian Periodical)
''Minerva'' is a Norwegian liberal conservative periodical that started publishing in 1924. It was started by members of the Conservative Students' association in Oslo. In , Nils August Andresen is executive editor, Torbjørn Røe Isaksen editor on society, Kristian Meisingset on culture and Fredrik Gierløff on politics. Magnus Thue is Chief executive officer. It receives financial support from Liberal Science Institute, Norwegian Agency for Development Cooperation and the Conservative Party of Norway The Conservative Party or The Right ( nb, Høyre, nn, Høgre, , H; se, Olgešbellodat) is a liberal-conservative political party in Norway. It is the major party of the Norwegian centre-right, and was the leading party in government as part o .... References Bibliography * * * * External links * 1924 establishments in Norway Conservatism in Norway Conservative magazines Magazines established in 1924 Norwegian-language magazines Literary magazines published ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody
A melody (from Greek language, Greek μελῳδία, ''melōidía'', "singing, chanting"), also tune, voice or line, is a Linearity#Music, linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch (music), pitch and rhythm, while more figuratively, the term can include other musical elements such as Timbre, tonal color. It is the foreground to the background accompaniment. A line or part (music), part need not be a foreground melody. Melodies often consist of one or more musical Phrase (music), phrases or Motif (music), motifs, and are usually repeated throughout a musical composition, composition in various forms. Melodies may also be described by their melodic motion or the pitches or the interval (music), intervals between pitches (predominantly steps and skips, conjunct or disjunct or with further restrictions), pitch range, tension (music), tension and release, continuity and coheren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonality
Tonality is the arrangement of pitches and/or chords of a musical work in a hierarchy of perceived relations, stabilities, attractions and directionality. In this hierarchy, the single pitch or triadic chord with the greatest stability is called the tonic. The root of the tonic chord forms the name given to the key, so in the key of C major, the note C is both the tonic of the scale and the root of the tonic chord (which is C–E–G). Simple folk music songs often start and end with the tonic note. The most common use of the term "is to designate the arrangement of musical phenomena around a referential tonic in European music from about 1600 to about 1910". Contemporary classical music from 1910 to the 2000s may practice or avoid any sort of tonality—but harmony in almost all Western popular music remains tonal. Harmony in jazz includes many but not all tonal characteristics of the European common practice period, usually known as "classical music". "All harmonic idioms in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atonal Music
Atonality in its broadest sense is music that lacks a tonal center, or key. ''Atonality'', in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. More narrowly, the term ''atonality'' describes music that does not conform to the system of tonal hierarchies that characterized European classical music between the seventeenth and nineteenth centuries. "The repertory of atonal music is characterized by the occurrence of pitches in novel combinations, as well as by the occurrence of familiar pitch combinations in unfamiliar environments". The term is also occasionally used to describe music that is neither tonal nor serial, especially the pre-twelve-tone music of the Second Viennese School, principally Alban Berg, Arnold Schoenberg, and Anton Webern. However, "as a categorica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olav Anton Thommessen
Olav Anton Thommessen (born 16 May 1946) is a Norwegian contemporary composer who has been one of the foremost modernist composers in Norway since the 1970s. His main compositions include ''Et glassperlespill'' and ''Gjennom Prisme''. He was a professor of composition at the Norwegian Academy of Music until retiring in 2014, and has also been an influential figure in music education and music organisations in Norway. Thommessen has played a significant role in aesthetic discourse in Norway and is known for his modernist and atonal stance. In later life he has become known for engaging in a critical public dialogue with his former student Marcus Paus about the future of art music, that has resulted in the opera monologue '' The Teacher Who Was Not To Be'' with a libretto by Thommessen; a 2015 debate between the two was described as "the biggest public debate about art music" in Norway since the 1970s. Background He is a son of the diplomat Knut Thommessen (né Knut Saenger), a gran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
