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The Tables
The Tables was an underground/DIY pop group formed in Oslo, Norway, in 1987, by Bartleby (vocals, real name Tore Sørensen), Robert Birdeye (bass guitar and drums, real name Steinar Buholm), and Reg Trademark (guitar, real name Ståle Caspersen). The band was connected to an earlier group called The Bottle Collectors. The Tables' original trio recorded their first 7-inch, ''Diary EP'', which was released on the new-founded Voices of Wonder label in 1988. For their first vinyl album, ''Shady Whims & Obstacles'', released on their own Schtooopid Records in 1990, they recruited Sandy Shore (real name Kjersti Gravklev) on Farfisa organ, and Mono (real name Benedikte Sterner) on drums. The Tables broke up soon after the release, but the original trio reformed in 1996 or 1997 to record their second album, ''Holiday at Wobbledef Grunch'', released on Perfect Pop Records, a small label that was run by the group members and others from the indie-pop scene in Oslo. The band once again bro ...
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Underground Music
Underground music is music with practices perceived as outside, or somehow opposed to, mainstream popular music culture. Underground music is intimately tied to popular music culture as a whole, so there are important tensions within underground music because it appears to both assimilate and resist the forms and processes of popular music culture. Underground music may be perceived as expressing sincerity, intimacy, freedom of creative expression in opposition to those practices deemed formulaic or commercially driven. Notions of individuality non-conformity are also commonly deployed in extolling the virtue of underground music. There are examples of underground music that are particularly difficult to encounter, such as the underground rock scenes in the pre- Mikhail Gorbachev Soviet Union, in which has amassed a devoted following over the years (most notably for bands such as Kino). However, most underground music is readily accessible, although performances and recordings ma ...
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Split Album
A split album (or split) is a music album that includes tracks by two or more separate artists. There are also singles and EPs of the same variety, which are often called "split singles" and "split EPs" respectively. Split albums differ from "various artists" compilation albums in that they generally include several tracks of each artist, or few artists with one or two tracks each, instead of multiple artists with only one or two tracks each. History Split albums were initially done on vinyl records, with music from one artist on one side of the record and music from a second artist on the opposite side. As vinyl albums declined as a mass medium, CD issues have followed the practice. Although a CD is not turned over the same way as a vinyl, the term "sides" is still applied figuratively. Since the early 1980s, the format has been used widely by independent record labels, and artists in punk rock, hardcore, grindcore, black metal, noise and indie rock Indie rock is a Music sub ...
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See Emily Play
"See Emily Play" is a song by English rock band Pink Floyd, released as their second single in June 1967. Written by original frontman Syd Barrett, it was released as a non-album single, but appeared as the opening track of the U.S. edition of the band's debut album ''The Piper at the Gates of Dawn'' (1967). The song was written by Barrett following the Games for May concert, and became a top 10 hit when released in the UK the following month. The group appeared three times on ''Top of the Pops'', where Barrett started showing signs of erratic behaviour, which ultimately led to him leaving the group in early 1968. Though Pink Floyd seldom performed the song live, it has been covered by a number of diverse artists and regarded as a classic psychedelic pop single. Writing "See Emily Play" is also known as "Games for May", after a free concert on 12 May 1967 at the Queen Elizabeth Hall on London's South Bank, in which Pink Floyd performed. It was the first show where the group s ...
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Idle Race
Idle generally refers to idleness, a lack of motion or energy. Idle or ''idling'', may also refer to: Technology * Idle (engine), engine running without load ** Idle speed * Idle (CPU), CPU non-utilisation or low-priority mode ** Synchronous Idle (SYN), the idle command to synchronize terminals ** System Idle Process * Idle (programming language), a dialect of Lua * IDLE, an integrated development environment for the Python programming language * IMAP IDLE, an IMAP feature where an email server actively notifies a client application when new mail has arrived Places * Idle (GNR) railway station, in Idle, West Yorkshire * Idle (L&BR) railway station, in Idle, West Yorkshire * Idle, West Yorkshire, UK; a suburb of Bradford, England ** Idle railway station * Idle and Thackley, a ward in Bradford Metropolitan District in the county of West Yorkshire, England, UK ** Idle railway station (Leeds and Bradford Railway) * River Idle, a river flowing through Nottinghamshire, England Pe ...
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Television Personalities
The Television Personalities are an English post-punk band formed in 1977 by London singer-songwriter Dan Treacy.Earp, Joseph.The Missing Man Of Music: A Search For The Elusive Dan Treacy Of Television Personalities. ''The Brag'', 26 July 2016. Retrieved 12 May 2018 Their varied, volatile and long career encompasses post punk, neo-psychedelia and indie pop; the only constant being Treacy's songwriting. Present and former members include Chelsea childhood mates 'Slaughter Joe' Joe Foster, one time best friend Ed Ball (early line-up, later briefly) and Jowe Head (ex-Swell Maps), with Jeffrey Bloom from 1983-94. The threesome of Treacy, Head, and Bloom formed the longest unchanged line-up and as a result is considered by many to be the definitive line-up, performing hundreds of gigs around the world and recording many of the band's most popular songs like How I Learned to Love the Bomb, Salvador Dali's Garden Party and Strangely Beautiful. Despite this, the Television Personaliti ...
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Rubble Series
''Rubble'' is a 20-volume collection of compilation albums featuring mostly late-1960s British psychedelic rock compiled by Bam-Caruso Records, St Albans, Herts, England by Phil Lloyd-Smee. The first volume was created in 1984, and the series was completed in 2002 (and later, the ''New Rubble series'' has begun). ''Rubble'' is one of the first series of compilation albums of psychedelic rock, freakbeat, rhythm and blues, garage rock and beat music of the mid to late 1960s in the United Kingdom. It predated similar compilation series, such as the ''English Freakbeat'' series, which AIP Records started in 1988. The name "Rubble" is influenced by the title of the seminal ''Nuggets'' double LP, and resembles the titles of several similar compilation series, such as the ''Pebbles'' series, ''Boulders'' series and ''Rough Diamonds'' series. Most of the bands on these albums were not commercially successful, such as the Glass Menagerie, The Onyx, Wonderland and Wild Silk. However, ...
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Psychedelic Pop
Psychedelic pop (or acid pop) is pop music that contains musical characteristics associated with psychedelic music. Developing in the late 1960s, elements included " trippy" features such as fuzz guitars, tape manipulation, backwards recording, sitars, and Beach Boys-style harmonies, wedded to melodic songs with tight song structures. The style lasted into the early 1970s. It has seen revivals in subsequent decades by neo-psychedelic artists. Characteristics According to AllMusic, psychedelic pop was not too "freaky", but also not very "bubblegum" either. It appropriated the effects associated with straight psychedelic music, applying their innovations to concise pop songs. The music was occasionally confined to the studio, but there existed more organic exceptions whose psychedelia was bright and melodic. AllMusic adds: "What's trangeis that some psychedelic pop is more interesting than average psychedelia, since it had weird, occasionally awkward blends of psychedelia and po ...
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Astroburger
Astroburger is a Norwegian rock band founded by Geir Stadheim, Helge Waaler and R. C. Thrap-Meyer in 1987. Stadheim is the main force in the group and the sole remaining member of the original band. Personnel Current members *Geir Stadheim (1987 - present) - vocal, guitar *Per Øystein Lund (1997 - present) - bass, guitar *Andreas Mastrup (2005 - present) - bass *Jan Henning Sørensen (2008 - present) - drums *Mats Asvald Innstø (2013 - present) - organ, synth Past members *Pio Pethon (1995 - 2012) - drums *David Gurrik (1989 - 2002) - organ *Andreas Grøtterud (1990 - 2004) - guitar, bass *Vebjørn Lien (1987 - 1987) - bass *Tage Bjørklid (1987 - 1987) - drums *Kim Nordhuus (1988 - 1988) - keyboard *R.C. Thrap-Meyer (1987 - 1989) - bass *Vegard Arnesen (1989 - 1989) - bass *Elizabeth Lyseng (1989 - 1989) - guitar *Helge Waaler (1987 - 1992) - guitar, bass *Knut Grønseth (1988 - 1994) - drums, cake *Mikkel Bay Vold (1989 - 1995) - bass *Stein Friling (1994 - 1995) - drums * ...
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Indie Pop
Indie pop (also typeset as indie-pop or indiepop) is a music genre and subculture that combines guitar pop with DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine, Independent record label, label, and club and gig circuit. Compared to its counterpart, indie rock, the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of ''indie pop'' has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop. Development and characteristics Origins and etymology Both ''indie'' and ''indie pop'' had originally referred to the same thing during the late 1970s. Inspired more by punk rock's DIY ethos than its style, guitar bands were formed on the then-novel premise that one could record and release their own music instead of having to procure a record contra ...
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Lo-fi Music
Lo-fi (also typeset as lofi or low-fi; short for low fidelity) is a music or production quality in which elements usually regarded as imperfections in the context of a recording or performance are present, sometimes as a deliberate choice. The standards of sound quality (fidelity) and music production have evolved throughout the decades, meaning that some older examples of lo-fi may not have been originally recognized as such. Lo-fi began to be recognized as a style of popular music in the 1990s, when it became alternately referred to as DIY music (from "do it yourself"). Harmonic distortion and " analog warmth" are sometimes confused as core features of lo-fi music. Traditionally, lo-fi has been characterized by the inclusion of elements normally viewed as undesirable in professional contexts, such as misplayed notes, environmental interference, or phonographic imperfections (degraded audio signals, tape hiss, and so on). Pioneering, influential, or otherwise significant artist ...
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Farfisa
Farfisa (Fabbriche Riunite di Fisarmoniche) is a manufacturer of electronics based in Osimo, Italy, founded in 1946. The company manufactured a series of compact electronic organs in the 1960s and 1970s, including the Compact, FAST, Professional and VIP ranges, and later, a series of other keyboard instruments. They were used by a number of popular musicians including Sam the Sham, Pink Floyd, Sly Stone, Blondie, and the B-52s. The company was formed after three Italian accordion manufacturers combined to form a single company. They began to produce electronic instruments in the late 1950s, and combo organs were introduced in response to similar instruments such as the Vox Continental. The relatively inexpensive Italian labour allowed Farfisa to sell their products cheaper than the competition, which led to their commercial success. Popular models included the Compact series introduced in 1964, the Professional in 1967, the FAST in 1968 and the VIP in 1970. The success of Farfi ...
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Gramophone Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records con ...
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