The Swinging Buddy Rich
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The Swinging Buddy Rich
''The Swinging Buddy Rich'' is a jazz album of songs recorded in Los Angeles in 1953 and 1954 by Buddy Rich with Harry "Sweets" Edison and others. The first 6 tracks were released on a 10-inch Norgran Records LP in 1954. An expanded 12 inch Norgran LP version with 3 additional tracks from 1955 was later released. Track listing #"Let's Fall in Love" (Harold Arlen, Ted Koehler) – 2:50 #"Me and My Jaguar" (Rich) – 3:48 #"Just Blues" (Edison, Rich) – 6:27 #"Sweets' Opus No. 1" (Edison) – 2:37 #"Strike It Rich" (Johnny Mandel) – 6:32 #"Sportin' Life" ("Sweetie Pie") (Edison) – 2:36 #"Sonny and Sweets" (Rich, Edison) – 4:42 #"The Two Mothers" (Rich, Edison) – 6:01 #"Willow Weep for Me" (Ann Ronell) – 7:02 ''tracks 1-3 = side A of the original 10" LP release (Norgran MGN 26)'' ''tracks 4-6 = side B of the original release'' Personnel tracks 1-3 (recorded 1953):''The Swinging Buddy Rich'' ajazzdisco.org/ref> *Buddy Rich – drums *Harry "Sweets" Edison – trumpet * ...
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Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Willie Smith (alto Saxophonist)
William McLeish Smith (November 25, 1910 – March 7, 1967) was an American saxophonist and one of the major alto saxophone players of the swing era. He also played clarinet and sang. Early life Smith was born in Charleston, South Carolina, United States, and raised in Charleston and attended Avery Institute. His first instrument was clarinet, and his education was in chemistry. He received his chemistry degree from Fisk University, an HBCU. Career In 1929, Smith became an alto saxophonist for Jimmie Lunceford's band, becoming one of the main stars in the group. In 1940, he led his own quintet as a side project. His success with Lunceford had lost its charms by 1942, as he now wanted more pay and less travel. Smith moved to the Charlie Spivak orchestra for a year, and was in the United States Navy for another year. He then switched to Harry James's orchestra, where he made more money, and stayed with him for seven years. After that he worked with Duke Ellington and Billy May. He ...
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Gerald Wiggins
Gerald Foster Wiggins (May 12, 1922 – July 13, 2008) was an American jazz pianist and organist. Early life Wiggins was born in New York City on May 12, 1922.Vacher, Pete"Wiggins, Gerry" ''The New Grove Dictionary of Jazz'' (2nd edition). Grove Music Online. Oxford Music Online. Oxford University Press. Retrieved February 1, 2016. (Subscription required). He studied classical music, but switched to jazz in his teens. Later life and career Wiggins began as a professional career as a musician accompanying comedian Stepin Fetchit. Wiggins worked with Louis Armstrong and Benny Carter. He was in the military from 1944 to 1946. In the 1940s, he moved to Los Angeles, where he played music for television and film. He also worked with singers like Lena Horne (1950–51), Kay Starr, and Eartha Kitt. In 1960, his best recording as an organist appeared, ''Wiggin' Out'', known for the quality of its music and fresh, clear sound. He recorded another LP at the organ with saxophonist Teddy ...
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Joe Comfort
Joe Comfort (July 18, 1917 – October 29, 1988) was an American jazz double bassist. Biography His mother was born in Mississippi and played the organ during black and white silent movies. His father, George Comfort from Natchez Mississippi taught music at Alcorn State University and composed the school's theme played today and made sure all his children could read music. Joe's older brother George was a singer, a music teacher, and actor who performed with Dorothy Dandridge in ''Porgy and Bess''. A native of Los Angeles who was raised in Watts, Joe Comfort was taught trombone by his father and began his musical career with the Woodman Brother's who like Joe were also from Watts. Joe and the Woodman's used to toss their instruments in the air catching each other's woods and reeds performing extensively all over Los Angeles. In the 1940s Joe played bass in the Lionel Hampton band up until Joe was drafted for war, training at Fort Rucker, Alabama and then serving in the US Army ...
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Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ...
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Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Georgie Auld
Georgie Auld (May 19, 1919 – January 8, 1990) was a jazz tenor saxophonist, clarinetist, and bandleader. Early years Auld was born John Altwerger in Toronto, Canada, and moved to Brooklyn, New York, in 1929. Before the family left Canada, Auld's parents gave him a saxophone, which he taught himself to play. Career Auld worked with Bunny Berigan, Artie Shaw, Benny Goodman, Erroll Garner, Dizzy Gillespie, Al Porcino, Billy Eckstine, Tiny Kahn, and Frank Rosolino. Primarily a swing saxophonist, he was a member of big bands and led big bands, including Georgie Auld and His Orchestra and Georgie Auld and His Hollywood All Stars. He played rock and roll while working for Alan Freed in 1959. In 1949, Auld played Carl in ''The Rat Race'' in the Ethel Barrymore Theater on Broadway. In 1952, he had a small part in the film '' The Marrying Kind''. In 1977 he played a bandleader in the motion picture ''New York, New York'', starring Liza Minnelli and Robert De Niro and also acted as a ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ...
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Benny Carter
Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone. From the beginning of his career in the 1920s, he worked as an arranger including written charts for Fletcher Henderson's big band that shaped the swing style. He had an unusually long career that lasted into the 1990s. During the 1980s and 1990s, he was nominated for eight Grammy Awards, which included receiving a Lifetime Achievement Award. Career Carter was born in New York City in 1907. He was given piano lessons by his mother and others in the neighborhood. He played trumpet and experimented briefly with C-melody saxophone before settling on alto saxophone. In the 1920s, he performed with June Clark, Billy Paige, and Earl Hines, then toured as a member of the Wilberforce Collegians led by Horace Henderson. He appeared on record for the first time in 1927 as a membe ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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