The Sugar Man
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The Sugar Man
''The Sugar Man'' is an album by Stanley Turrentine. The recording is a compilation of four separate dates, each with different conductors, arrangers and other personnel. The album was recorded in 1971 after his successful debut, ''Sugar'' for the CTI label, but not released until 1975 after Turrentine had left for Fantasy Records. Track listing # "Pieces of Dreams (song), Pieces of Dreams" (Michel Legrand) - 6:50 (rec. 6/73) # "The Stretch" (Stanley Turrentine) - 5:56 (rec. 3/71) # "Vera Cruz" (Milton Nascimento) - 5:04 (rec. 4/71) # "More (Theme from Mondo Cane)" (Riz Ortolani) - 6:11 (rec. 2/71) # "Make Me Rainbows (from Fitzwilly)" (John Williams) - 6:03 (rec. 3/71) # "Just As I Am" (Stanley Turrentine) - 5:25 (rec. 2/71) Personnel *Stanley Turrentine - tenor sax (all tracks) *Harold Mabern - piano (track 1) *Eumir Deodato - electric piano (track 3) *Butch Cornell - organ (tracks 2,4,5 & 6) *Ron Carter - bass (all tracks) *Russell George - additional bass (track 3) *Idris Muha ...
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Stanley Turrentine
Stanley William Turrentine (April 5, 1934 – September 12, 2000) was an American jazz tenor saxophonist. He began his career playing R&B for Earl Bostic and later soul jazz recording for the Blue Note label from 1960, touched on jazz fusion during a stint on CTI in the 1970s. He was described by critic Steve Huey as "renowned for his distinctively thick, rippling tone ndearthy grounding in the blues." In the 1960s Turrentine was married to organist Shirley Scott, with whom he frequently recorded, and he was the younger brother of trumpeter Tommy Turrentine, with whom he also recorded. Biography Turrentine was born in Pittsburgh's Hill District, United States, into a musical family. His father, Thomas Turrentine Sr., was a saxophonist with Al Cooper's Savoy Sultans, his mother played stride piano, and his older brother Tommy Turrentine was a trumpet player. He began his prolific career with blues and rhythm and blues bands, and was at first greatly influenced by Illinois Jacq ...
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Ron Carter
Ronald Levin Carter (born May 4, 1937) is an American jazz double bassist. His appearances on 2,221 recording sessions make him the most-recorded jazz bassist in history. He has won three Grammy awards, and is also a cellist who has recorded numerous times on that instrument. Some of his studio albums as a leader include: ''Blues Farm'' (1973), '' All Blues'' (1973), '' Spanish Blue'' (1974), ''Anything Goes'' (1975), '' Yellow & Green'' (1976), ''Pastels'' (1976), ''Piccolo'' (1977), '' Third Plane'' (1977), ''Peg Leg'' (1978), '' A Song for You'' (1978), ''Etudes'' (1982), ''The Golden Striker'' (2003), ''Dear Miles'' (2006), and ''Ron Carter's Great Big Band'' (2011). Early life Carter was born in Ferndale, Michigan. He started to play cello at the age of 10, and switched to bass while in high school. He earned a B.A. in music from the Eastman School of Music (1959) and a master's degree in music from the Manhattan School of Music (1961). Carter's first jobs as a jazz music ...
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Jerome Richardson
Jerome Richardson (November 15, 1920 – June 23, 2000) was an American jazz musician, tenor saxophonist, and flute player, who also played soprano sax, alto sax, baritone sax, clarinet, bass clarinet, alto flute and piccolo. He played with Charles Mingus, Lionel Hampton, Billy Eckstine, The Thad Jones/Mel Lewis Orchestra, Kenny Burrell, and later with Earl Hines' small band. Richardson was born in Oakland, California, and died in Englewood, New Jersey, of heart failure at the age of 79. Discography As leader * '' Midnight Oil'' (New Jazz, 1959) * '' Roamin' with Richardson'' (New Jazz, 1959) * ''Going to the Movies'' (United Artists, 1962) * '' Groove Merchant'' (Verve, 1967) * ''Jazz Station Runaway'' (TCB, 1997) As sideman * 1955: Oscar Pettiford: '' Another One'' (Bethlehem) * 1955: Kenny Clarke: ''Bohemia After Dark'' (Savoy) * 1955: Ernie Wilkins: '' Flutes & Reeds'' (Savoy) with Frank Wess * 1955: Nat Adderley: '' That's Nat'' (Savoy) * 1955: Sarah Vaughan: '' ...
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Curtis Fuller
Curtis DuBois Fuller (December 15, 1932May 8, 2021) was an American jazz trombonist. He was a member of Art Blakey's Jazz Messengers and contributed to many classic jazz recordings. Early life Fuller was born in Detroit on December 15, 1932. His father had emigrated from Jamaica and worked in a Ford automobile factory, but he died from tuberculosis before his son was born. His mother, who had moved north from Atlanta, died when he was 9. He spent several years in an orphanage run by Jesuits. He developed a passion for jazz after one of the nuns there brought him to see Illinois Jacquet and his band perform, with J. J. Johnson on trombone. Fuller attended a public school in his hometown, together with Paul Chambers, Donald Byrd, Tommy Flanagan, Thad Jones, and Milt Jackson. There, he took up the trombone when he was sixteen, after attempting the violin and with the saxophone (his next choice) being unavailable. He studied under Johnson and Elmer James. Career Fuller joined ...
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Blue Mitchell
Richard Allen "Blue" Mitchell (March 13, 1930 – May 21, 1979) was an American trumpeter and composer who worked in jazz, rhythm and blues, soul, rock and funk. He recorded albums as leader and sideman for Riverside, Mainstream Records, and Blue Note. Early life Mitchell was born and raised in Miami, Florida, United States. He began playing trumpet in high school, with the nickname "Blue". Career After high school, he played in the rhythm & blues ensembles of Paul Williams, Earl Bostic, and Chuck Willis. He returned to Miami and was heard by Cannonball Adderley, with whom he recorded for Riverside Records in New York in 1958. Mitchell then joined the Horace Silver Quintet, playing with tenor saxophonist Junior Cook, bassist Gene Taylor, and drummer Roy Brooks. Mitchell stayed with Silver's group until the band's break-up in 1964, after which Mitchell formed a group with members from the Silver quintet, substituting the young pianist Chick Corea for Silver and replacing B ...
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