The Stoning Of Stephen (Skoufos)
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The Stoning Of Stephen (Skoufos)
''The Stoning of Stephen'' is a tempera and gold leaf painting by Philotheos Skoufos. Skoufos was active on the island of Crete. He traveled to Venice and eventually settled on the island Zakynthos. He was briefly a priest at the famous Greek church in Venice San Giorgio dei Greci. Nineteen of his works have survived. Skoufos created notable copies of Damaskinos's paintings namely The '' Stoning of Stephen '' and The ''Beheading of John the Baptist (Damaskinos), Beheading of John the Baptist''. Saint Stephen was the first martyr of Christianity and is considered a protomartyr. The protomartyr was stoned to death for following the Christian faith. The painting is a depiction of that scene. ''The Stoning of Stephen'' is a nearly identical copy of Damaskinos's work. The tempera painting is 1/3 smaller than the original masterpiece. There are four paintings that identically resemble his work created between 1640-1707 signed by master painters. Skoufos A (also , or ...
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Philotheos Skoufos
Philotheos Skoufos el, Φιλόθεος Σκούφος also known as Filotheos Skoufos. Philotheos was a Greek painter, educator and clergyman during the 17th century. He collaborated with Emmanuel Tzanes on several pieces while he was in Corfu. Philotheos was a member of the Cretan School and Heptanese School. His work was influenced by the Venetian school. He was briefly affiliated with the famous Greek church in Venice San Giorgio dei Greci. Emmanuel Tzanes and Konstantinos Tzanes were also in Venice around the same period and affiliated with San Giorgio dei Greci. He was the priest who presided over famous painter Ioannis Moskos's wedding. Philotheos was active on the Ionian Island while Theodore Poulakis and Elias Moskos also had active workshops. Skoufos most popular works were the ''Stoning of St Stephen'' and the ''Virgin in the Temple''. History Skoufos was born on the island of Crete. He was a monk at the Chryssopigi Monastery Crete. While he was in Crete he l ...
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Cretan School
Cretan School describes an important school of icon painting, under the umbrella of post-Byzantine art, which flourished while Crete was under Venetian rule during the late Middle Ages, reaching its climax after the Fall of Constantinople, becoming the central force in Greek painting during the 15th, 16th and 17th centuries. The Cretan artists developed a particular style of painting under the influence of both Eastern and Western artistic traditions and movements; the most famous product of the school, El Greco, was the most successful of the many artists who tried to build a career in Western Europe, and also the one who left the Byzantine style farthest behind him in his later career. 15th century There was a substantial demand for Byzantine icons in Europe throughout the Middle Ages and, as a Venetian possession since 1204, Crete had a natural advantage and soon came to dominate the supply. A probable early example is the famous icon of the Virgin in Rome known as Our M ...
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Tempera
Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done in this medium. Tempera paintings are very long-lasting, and examples from the first century AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by oil painting. A paint consisting of pigment and binder commonly used in the United States as poster paint is also often referred to as "tempera paint", although the binders in this paint are different from traditional tempera paint. Etymology The term ''tempera'' is derived from the Italian ''dipingere a tempera'' ("paint in distemper"), from the Late Latin ''distemperare'' ("mix thoroughly"). History Tempera painting has been found on early Egyptian sarcophagus decorations. Many of the Fayum mummy portraits use tempera, sometimes in combina ...
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San Giorgio Dei Greci
San Giorgio dei Greci ( el, Ἅγιος Γεώργιος τῶν Ἑλλήνων, ´Agios Geórgios ton Ellínon, Saint George of the Greeks) is a church in the ''sestiere'' (neighborhood) of Castello, Venice, northern Italy. It was the center of the Scuola dei Greci, the Confraternity of the Greeks in Venice. Around this period there was a similar church in Naples called Santi Pietro e Paolo dei Greci. There was also a Greek Brotherhood of Naples. For centuries, despite the close ties of Venice to the Byzantine world (Venice has been part of the Byzantine Empire), the Greek Orthodox rite was not permitted in Venice. In 1498, the Greek community in Venice gained the right to found the ''Scuola de San Nicolò dei Greci'', a confraternity which aided members of that community. In 1539, after protracted negotiations, the papacy allowed the construction of the church of San Giorgio, financed by a tax on all ships from the Orthodox world. Construction was started by Sante Lombardo, ...
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Michael Damaskinos
Michael Damaskenos or Michail Damaskenos ( el, Μιχαήλ Δαμασκηνός, 1530/35–1592/93) was a leading post-Byzantine Cretan painter. He is a major representative of the Cretan School of painting that flourished in the 16th and 17th centuries. Painters Georgios Klontzas and Damaskenos were major contributors to the Cretan School during the same period. Damaskinos traveled all over the Venetian Empire painting. He remained loyal to his Greek roots stylistically but incorporated some Italian elements in his work. He was strongly influenced by the Venetian school. He painted parts of the Cathedral of San Giorgio dei Greci. Damaskenos has 100 known works. He influenced the works of Theodore Poulakis. Life and work Damaskinos was born in Candia (Herakleion), his father was George Damaskinos. According to legend, Damaskinos spent some time living and working in Vrontisi Monastery, where six of his icons were kept until 1800. Damaskinos moved to Venice in ...
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Stoning Of Stephen (Damaskinos)
The ''Stoning of Saint Stephen'' is an egg tempera and gold leaf painting created by Greek master Michael Damaskinos. He was a member of the Cretan school. He integrated Venetian painting with the Greek mannerisms prevalent at the time. Damaskinos was active in Heraklion, Sicily, Venice, and other parts of Italy. The Stoning of Stephen has been depicted by countless Greek and Italian painters. Saint Stephen was a protomartyr. He was the first martyr of Christianity. He was stoned to death for following the new faith. The painting is a depiction of that event. The most notable version was completed by Raphael's student Giulio Romano. The painting is a massive depiction of the . Tintoretto also painted a similar version. There is a strong possibility Damaskinos was exposed to the paintings while in Italy. His version of the painting shared common characteristics. Damaskinos's rendition of the ''Stoning of Saint Stephen'' was copied by countless artists namely ...
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Beheading Of John The Baptist (Damaskinos)
The Beheading of John the Baptist was a painting made of egg tempera and gold leaf. It was similar in length to Damaschino's '' Stoning of Stephen''. Michele Damaschino was a famous member of the Cretan school of painting. His contemporaries were El Greco and Georgios Klontzas. Damaschino was from Crete, he spent a large amount of time in Venice. While in Venice, and other parts of Italy, he adopted Italian mannerisms which he applied to his painting technique. The Beheading of John the Baptist was a popular theme among Greek and Italian painters. The ''Beheading of John the Baptist'', painted by Michael Damaskinos, was copied by countless Greek and Italian painters. The theme and painting style became a common prototype of the late Cretan school. Georgios Kastrofylakas and Philotheos Skoufos each painted their own version of the masterpiece. Damaschino's icon is very large, it is housed at the Municipal Gallery of Corfu in Corfu, Greece. The artwork is inside section ...
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Saint Stephen
Stephen ( grc-gre, Στέφανος ''Stéphanos'', meaning "wreath, crown" and by extension "reward, honor, renown, fame", often given as a title rather than as a name; c. 5 – c. 34 AD) is traditionally venerated as the protomartyr or first martyr of Christianity."St. Stephen the Deacon"
, St. Stephen Diaconal Community Association, Roman Catholic Diocese of Rochester.
According to the Acts of the Apostles, he was a in the early Church at who angered members of various
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Mona Lisa
The ''Mona Lisa'' ( ; it, Gioconda or ; french: Joconde ) is a half-length portrait painting by Italian artist Leonardo da Vinci. Considered an archetypal masterpiece of the Italian Renaissance, it has been described as "the best known, the most visited, the most written about, the most sung about, the most parodied work of art in the world". The painting's novel qualities include the subject's enigmatic expression, the monumentality of the composition, the subtle modelling of forms, and the atmospheric illusionism. The painting has been definitively identified to depict Italian noblewoman Lisa Gherardini, the wife of Francesco del Giocondo. It is painted in oil on a white Lombardy poplar panel. Leonardo never gave the painting to the Giocondo family, and later it is believed he left it in his will to his favored apprentice Salaì. It had been believed to have been painted between 1503 and 1506; however, Leonardo may have continued working on it as late as 1517. It was ...
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Mona Lisa (Prado)
The Prado ''Mona Lisa'' is a painting by the workshop of Leonardo da Vinci and depicts the same subject and composition as Leonardo's better known ''Mona Lisa'' at the Louvre, Paris. The Prado ''Mona Lisa'' has been in the collection of the Museo del Prado in Madrid, Spain since 1819, but was considered for decades a relatively unimportant copy. Following its restoration in 2012, however, the Prado's ''Mona Lisa'' has come to be understood as the earliest known studio copy of Leonardo's masterpiece. Although there are dozens of surviving copies of the ''Mona Lisa'' from the 16th and 17th centuries, the Prado's ''Mona Lisa'' may have been painted simultaneously by a student of Leonardo in the same studio where he painted his own ''Mona Lisa'', so it is said to be the copy with the most historical value. Among the pupils of Leonardo, Salaì or Francesco Melzi are the most plausible authors of the Prado's version, though other experts argue that the painting could have been exe ...
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Victor (iconographer)
Victor ( el, Βίκτωρ, 1630/1635–1697) was a painter active during the 17th century. He represented the late Cretan school. He was influenced by Michael Damaskinos. He kept his style simple and followed the lines of the improved maniera greca which was heavily influenced by the Venetian school. One of his main influences was Michael Damaskinos. He was active when four different artists used the name Victor. He has a huge catalog of work attributed to him. According to the Neo-Hellenic Institute, ninety-five of his paintings and one fresco survived. He was an extremely popular Greek icon painter. History Victor was born in Heraklion. He was a monk. He worked and lived in Chandaka. He was a priest at the Church of Agios Ioannis church of Mertzeroi Fraternity in Candia. He was active from 1651 to 1697. Not much is known about the artist aside from records and historical research dealing primarily with his signature. He signed his artwork in different ways eit ...
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