The Stones In The Park
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The Stones In The Park
''The Stones in the Park'' was a free outdoor festival held in Hyde Park on 5 July 1969, headlined by the Rolling Stones and featuring Third Ear Band, King Crimson, Screw, Alexis Korner's New Church, Family and the Battered Ornaments, in front of an estimated audience between 250,000–500,000 spectators. It was the Stones' first public concert in over two years, and was planned as an introduction of their new guitarist, Mick Taylor, though circumstances inevitably changed following the death of former member Brian Jones two days earlier. The band rehearsed at the Beatles' studio in a basement on Savile Row, and Mick Jagger and Keith Richards came up with a 14-song set; the Hyde Park concert would be the first time many of the songs had been played before a public audience. The PA system was supplied by Watkins Electric Music, who had handled amplification at previous Hyde Park events. Fans started to arrive at the park with candles on 4 July in tribute to Jones, and by the ...
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The Rolling Stones
The Rolling Stones are an English rock band formed in London in 1962. Active for six decades, they are one of the most popular and enduring bands of the rock era. In the early 1960s, the Rolling Stones pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, multi-instrumentalist Brian Jones, guitarist Keith Richards, bassist Bill Wyman, and drummer Charlie Watts. During their formative years, Jones was the primary leader: he assembled the band, named it, and drove their sound and image. After Andrew Loog Oldham became the group's manager in 1963, he encouraged them to write their own songs. Jagger and Richards became the primary creative force behind the band, alienating Jones, who had developed a drug addiction that interfered with his ability to contribute meaningfully. Rooted in blues and early rock and roll, the Rolling Stones started out playing covers and were at the forefront ...
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Watkins Electric Music
Watkins Electric Music (WEM) is a British company known for manufacturing PA systems, the Copicat tape echo unit, guitar amplifiers, and electric guitars. History The company was co-founded by musician Charlie Watkins and his brother Reg Watkins in 1949, initially as a record shop in Tooting Market, London. Two years later the brothers moved to a small shop in Balham and began selling accordions and guitars. Watkins Electric Music was one of the first to manufacture and sell guitar amplifiers in England, introducing the Watkins Westminster in 1954, followed up by the V-fronted Dominator. In 1958, Watkins Electric Music introduced the Copicat, one of the first-ever portable tape echo units. The shop sold the entire first production run of 100 Copicats on the first day, including the very first Copicat sold to Johnny Kidd of Johnny Kidd & the Pirates, whose guitarist used it on the group's UK hit song "Shakin' All Over". The Copicat would become one of the company's most succe ...
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(I Can't Get No) Satisfaction
"(I Can't Get No) Satisfaction" is a song recorded by the English rock band the Rolling Stones. A product of Mick Jagger and Keith Richards' songwriting partnership, it features a guitar riff by Richards that opens and drives the song. The riff by Richards is widely considered one of the greatest hooks of all time. The song lyrics refer to sexual frustration and commercialism. The song was first released as a single in the United States in June 1965 and was also featured on the American version of the Rolling Stones' fourth studio album, ''Out of Our Heads'', released that July. "Satisfaction" was a hit, giving the Stones their first number one in the US. In the UK, the song initially was played only on pirate radio stations, because its lyrics were considered too sexually suggestive. It later became the Rolling Stones' fourth number one in the United Kingdom. It is one of the world's most popular songs, and was No. 31 on ''Rolling Stone'' magazine's 500 Greatest Songs of Al ...
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Love In Vain
"Love in Vain" (originally "Love in Vain Blues") is a blues song written by American musician Robert Johnson. Johnson's performancevocal accompanied by his finger-style acoustic guitar playinghas been described as "devastatingly bleak". He recorded the song in 1937 during his last recording session and in 1939 it was issued as the last of his original 78 rpm records. "Love in Vain" has elements of earlier Delta blues songs and for a while it was believed to be in the public domain. In 1969, the Rolling Stones recorded an updated rendition featuring an electric slide guitar solo. The popularity of their adaptation led to a lawsuit over the copyright, which was eventually resolved in favor of Johnson's estate. Various artists have recorded the song. Background In the late 1920s, Johnson began playing the guitar along with a rack-mounted harmonica. One of his influences was Leroy Carr, whose " How Long–How Long Blues" (1928) was an early favorite. Johnson later used th ...
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Loving Cup (song)
"Loving Cup" is a song by the Rolling Stones, which appears on their 1972 album ''Exile on Main St.'' An early version of "Loving Cup", with a completely different piano intro, was recorded between April and July 1969 at Olympic Sound Studios in London, during the ''Let It Bleed'' sessions. (This version of the song—or at least part of it, spliced with another outtake—was released in 2010 on the deluxe remastered release of ''Exile on Main St''.) Background Mick Jagger performs lead and backing vocals with Keith Richards. Richards and Mick Taylor perform the song's guitars. Bass and drums are provided by Bill Wyman and Charlie Watts, respectively. Piano is provided by Stones' recording veteran Nicky Hopkins. Saxophone is by Bobby Keys and both trumpet and trombone are by Jim Price. The album's producer, Jimmy Miller, provides the maracas. It is not known who plays the steel drum. Legal problems After the release of ''Exile on Main St.'', Allen Klein sued the Rolling Stone ...
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I'm Free (The Rolling Stones Song)
"I'm Free" is a song by the Rolling Stones written by Mick Jagger and Keith Richards, first released as the final track on the UK version of their album ''Out of Our Heads'' on 24 September 1965. It was also released at the same time as a single in the US and later included on the American ''December's Children (And Everybody's)'' album. Release The Rolling Stones recorded a re-worked acoustic version for their 1995 album ''Stripped'', and performed a live version in the 2008 film '' Shine a Light'', which was included on the accompanying live album. The song was also performed at the free concert in Hyde Park, London, on July 5, 1969, released on the DVD ''The Stones in the Park'' in 2006. In 2007 a remixed version of the original recording was used in a television commercial for the Chase Freedom credit card and in 2008 it was used in a UK commercial for a Renault SUV. The original vinyl bootleg ''Live'r Than You'll Ever Be'' included a live version recorded in Oakland ...
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No Expectations
"No Expectations" is a song by English rock band the Rolling Stones featured on their 1968 album ''Beggars Banquet''. It was first released as the B-side of the "Street Fighting Man" single in August 1968. The song was recorded in May 1968. Brian Jones' acoustic slide guitar on the recording represents one of his last major contributions before leaving the band. Inspiration and recording This slow ballad was written by Mick Jagger and Keith Richards. Bill Janovitz says, "The loneliness expressed in the song is palpable; all about being left behind, the song is certainly a tribute in musical and lyrical tone to such Robert Johnson blues songs as "Love in Vain" – a favourite cover of the Stones – referencing such images as a train leaving the station." Jagger said in a 1995 interview in ''Rolling Stone'', "That's Brian playing he slide guitar We were sitting around in a circle on the floor, singing and playing, recording with open mikes. That was the last time I remember Brian ...
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Stray Cat Blues
"Stray Cat Blues" is the eighth song on the Rolling Stones' album '' Beggars Banquet''. It was written by Mick Jagger and Keith Richards and produced by Jimmy Miller. Miller's production of the song is very representative of his style, featuring a very prominent hi hat beat, droning piano performed by Nicky Hopkins, a mellotron performed by Brian Jones, all electric guitars performed by Richards and vocals from Jagger kept even in the mix. According to Mick Jagger, the song was inspired by "Heroin" by the Velvet Underground, with the intros of both songs being particularly similar. Background The song is told from the perspective of a man lusting for illegal sex with a 15-year-old groupie, reasoning that "it's no hanging matter, it's no capital crime". During the performance of the song from the Get Yer Ya-Ya's Out! 1970 live album, he changed the lyric to "thirteen years old". However, Jagger generally changes the lyric "fifteen years old" to "sixteen years old". Jim Beviglia r ...
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Mercy, Mercy (Don Covay Song)
"Mercy, Mercy" (sometimes referred to as "Have Mercy") is a soul song first recorded by American singer/songwriter Don Covay in 1964. It established Covay's recording career and influenced later vocal and guitar styles. The songwriting is usually credited to Covay and Ron Alonzo Miller, although other co-writers' names have also appeared on various releases. In late 1964, the song became a hit, reaching number one on the '' Cash Box'' R&B chart and number 35 on the ''Billboard'' Hot 100. Several other artists have recorded "Mercy, Mercy", including a well-known version by the Rolling Stones for their 1965 album ''Out of Our Heads''. More recently, Covay's original version has received attention as one of Jimi Hendrix's first recordings as a sideman. Recording and composition In 1964, after years of writing and recording songs for several record labels, Don Covay was again in search of a record deal. A recording session was arranged for May 13, 1964, at the A1 Recording Stu ...
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Jumpin' Jack Flash
"Jumpin' Jack Flash" is a song by the English rock band the Rolling Stones, released as a non-album single in 1968. Called "supernatural Delta blues by way of Swinging London" by ''Rolling Stone'' magazine, the song was perceived by some as the band's return to their blues roots after the baroque pop and psychedelia heard on their preceding albums ''Aftermath'' (1966) (which did feature some blues songs), ''Between the Buttons'' (1967) and especially ''Their Satanic Majesties Request'' (1967). One of the group's most popular and recognisable songs, it has featured in films and been covered by numerous performers, notably Thelma Houston, Aretha Franklin, Tina Turner, Peter Frampton, Johnny Winter, Leon Russell and Alex Chilton. To date, it is the band's most-performed song: they have played it over 1,100 times in concert. It is one of their most popular songs, and it is on ''Rolling Stone''s 500 Greatest Songs of All Time list. It is also, according to Acclaimed Music, ...
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Johnny Winter (album)
''Johnny Winter'' is Johnny Winter's second studio album. Columbia Records released the album in 1969, after signing Winter to the label for a reported $600,000. As with his first album, ''The Progressive Blues Experiment'', Winter mixes some original compositions with songs originally recorded by blues artists. The album reached number 24 on the ''Billboard'' 200 albums chart. Track listing # "I'm Yours & I'm Hers" (Johnny Winter) – 4:27 # "Be Careful with a Fool" (Joe Josea, B. B. King) – 5:15 # "Dallas" (Johnny Winter) – 2:45 # "Mean Mistreater" (James Gordon) – 3:53 # "Leland Mississippi Blues" (Johnny Winter) – 3:19 # " Good Morning Little School Girl" – ( Sonny Boy Williamson) – 2:45 # "When You Got a Good Friend" (Robert Johnson) – 3:30 # " I'll Drown in My Tears" (Henry Glover) – 4:44 # "Back Door Friend" (Lightnin' Hopkins, Stan Lewis) – 2:57 ;2004 reissue bonus tracks # "Country Girl" (B.B. King) – 3:08 # "Dallas" (Johnny Winter) – ...
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Pieris (butterfly)
''Pieris'', the whites or garden whites, is a widespread now almost cosmopolitan genus of butterflies of the family Pieridae. The highest species diversity is in the Palearctic, with a higher diversity in Europe and eastern North America than the similar and closely related ''Pontia''. The females of many ''Pieris'' butterflies are UV reflecting, while the male wings are strongly UV absorbing due to pigments in the scales. Ecology Many species of this genus have caterpillars which feed on cabbage and other members of the Brassicaceae. The chemical basis of this association with a certain plant group has been studied for over 100 years, and is now known to occur via a number of biochemical adaptations to chemicals called glucosinolates in these plants. In contrast to most other insects, ''Pieris'' caterpillars are able to detoxify these chemicals, and have become so specialised that they will not eat any food without glucosinolates. The ''Pieris'' females, in turn, check for the p ...
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