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The Stonemason's Yard
''The Stonemason's Yard'' (formally known as ''Campo S. Vidal and Santa Maria della Carità'') is an early oil painting by Giovanni Antonio Canal, better known as Canaletto. It depicts an informal scene in Venice, looking over a temporary stonemason's yard in the Campo San Vidal set up for the construction of Andrea Tirali's facade of the church of San Vidal, and across the Grand Canal towards the church of Santa Maria della Carità. Painted in the mid to late 1720s, it is now in the collection of the National Gallery in London and is considered one of Canaletto's finest works.Canaletto, ''The Stonemason's Yard'' . < ...
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Canaletto
Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto (), was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school. Painter of city views or ''vedute'', of Venice, Rome, and London, he also painted imaginary views (referred to as capricci), although the demarcation in his works between the real and the imaginary is never quite clearcut.Alice Binion and Lin Barton. "Canaletto." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 6 Jan. 2017 He was further an important printmaker using the etching technique. In the period from 1746 to 1756 he worked in England where he painted many views of London and other sites including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762. Early career He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Trovaso
San Trovaso (dedicated to Saints Gervasius and Protasius) is a church in the sestiere or neighborhood of Dorsoduro in Venice, northern Italy. The church dates to at least the 1028. The present church was rebuilt by 1584. The architect was probably Francesco Smeraldi. The church was consecrated in 1637. In the chancel are two canvases, ''Adoration of the Magi'' and ''Expulsion of Joachim from the Temple'' (before 1587) by Domenico Tintoretto, brought here from the church of Santa Maria Maggiore. The left rear chapel, commissioned by Antonio Milledonne, has a ''Temptations of Saint Anthony Abbot'' by Jacopo Tintoretto. In addition the ''St. Chrysogonus on Horseback'' (c. 1444) was painted by Michele Giambono. The ''Cappella del Santissimo Sacramento'' has a ''Last Supper'' by the elder Tintoretto companied by a copy of ''Christ washing the feet of the disciples'' by the same painter. The original is now housed in the National Gallery in London. The Last Supper is shown on the Ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Bridge
The Ponte dell'Accademia is one of only four bridges to span the Grand Canal in Venice, Italy. It crosses near the southern end of the canal, and is named for the Accademia di Belle Arti di Venezia, which from 1807 to 2004 was housed in the Scuola della Carità together with the Gallerie dell'Accademia, which is still there. The bridge links the sestieri of Dorsoduro and San Marco. A bridge on the site was first suggested as early as 1488. The provveditore Luca Trum proposed in the council to build two bridges across the Grand Canal, one here and the other at Santa Sofia. The members of the council, however, laughed at him, and the motion was not even put to the vote. The original steel structure, designed by Alfred Neville, opened on 20 November 1854, but was demolished and replaced by a wooden bridge designed by Eugenio Miozzi and opened in 1933, despite widespread hopes for a stone bridge. Lovers have attempted to attach padlocks ("love locks") to the metal hand rails ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veduta
A ''veduta'' (Italian for "view"; plural ''vedute'') is a highly detailed, usually large-scale painting or, more often, print of a cityscape or some other vista. The painters of ''vedute'' are referred to as ''vedutisti''. Origins This genre of landscape originated in Flanders, where artists such as Paul Bril painted ''vedute'' as early as the 16th century. In the 17th century, Dutch painters made a specialty of detailed and accurate recognizable city and landscapes that appealed to the sense of local pride of the wealthy Dutch middle class. An archetypal example is Johannes Vermeer's ''View of Delft''. The Ghent architect, draughtsman and engraver Lieven Cruyl (1640–1720) contributed to the development of the ''vedute'' during his residence in Rome in the late 17th century. Cruyl’s drawings reproduce the topographical aspects of the urban landscape. 18th century As the itinerary of the Grand Tour became somewhat standardized, ''vedute'' of familiar scenes like the Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ochres
Ochre ( ; , ), or ocher in American English, is a natural clay earth pigment, a mixture of ferric oxide and varying amounts of clay and sand. It ranges in colour from yellow to deep orange or brown. It is also the name of the colours produced by this pigment, especially a light brownish-yellow. A variant of ochre containing a large amount of hematite, or dehydrated iron oxide, has a reddish tint known as "red ochre" (or, in some dialects, ruddle). The word ochre also describes clays coloured with iron oxide derived during the extraction of tin and copper. Earth pigments Ochre is a family of earth pigments, which includes yellow ochre, red ochre, purple ochre, sienna, and umber. The major ingredient of all the ochres is iron(III) oxide-hydroxide, known as limonite, which gives them a yellow colour. * Yellow ochre, , is a hydrated iron hydroxide (limonite) also called gold ochre. * Red ochre, , takes its reddish colour from the mineral hematite, which is an anhydrous iro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lead White
White lead is the basic lead carbonate 2PbCO3·Pb(OH)2. It is a complex salt, containing both carbonate and hydroxide ions. White lead occurs naturally as a mineral, in which context it is known as hydrocerussite, a hydrate of cerussite. It was formerly used as an ingredient for lead paint and a cosmetic called Venetian ceruse, because of its opacity and the satiny smooth mixture it made with dryable oils. However, it tended to cause lead poisoning, and its use has been banned in most countries. White lead compounds known as lead soap were also used as additive for lubricants for bearings and in machine shops. Lead soap was also used as an oil drying agent for paints made with drying oil or air drying paints made with alkyd resins. Lead is often used with cobalt driers. Lead free substitutes have been developed to replace this use of lead in paint. History What is commonly known today as the "Dutch method" for the preparation of white lead was described as early as Theoph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Jacob Diesbach
Johann Jacob Diesbach () (born around 1670 – died in 1748), also written as Johann Jacob von Diesbach, was a Swiss pigment and dye producer known for first synthesizing a blue pigment known as Prussian blue (i.e. iron blue or Berlin blue). Biography Diesbach was from a noble family in Bern, Switzerland, who arrived in Berlin, Germany around 1701. Between 1704 and 1706, Diesbach was working as a paint manufacturer in Berlin. He was using an extract of crushed cochineal insects, iron sulphate and potash to create cochineal red lake. One batch of the product unexpectedly turned pale pink. When he tried to concentrate the mixture, it turned purple, then deep blue. He sought out the seller of the potash, Johann Konrad Dippel, an alchemist. Together, they realized that the reaction had occurred because the potash had been contaminated with bone oil. Neither Diesbach nor Dippel knew what exactly happened chemically, they had inadvertently created the first modern synthetic pigment. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prussian Blue
Prussian blue (also known as Berlin blue, Brandenburg blue or, in painting, Parisian or Paris blue) is a dark blue pigment produced by oxidation of ferrous ferrocyanide salts. It has the chemical formula Fe CN)">Cyanide.html" ;"title="e(Cyanide">CN) Turnbull's blue is chemically identical, but is made from different reagents, and its slightly different color stems from different impurities and particle sizes. Prussian blue was the first modern synthetic pigment. It is prepared as a very fine colloidal dispersion, because the compound is not soluble in water. It contains variable amounts of other ions and its appearance depends sensitively on the size of the colloidal particles. The pigment is used in paints, and it is the traditional "blue" in blueprints, and became prominent in 19th-century () Japanese woodblock prints. In medicine, orally administered Prussian blue is used as an antidote for certain kinds of heavy metal poisoning, e.g., by thallium(I) and radioactive is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gondola
The gondola (, ; vec, góndoła ) is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian lagoon. It is typically propelled by a gondolier, who uses a rowing oar, which is not fastened to the hull, in a sculling manner and also acts as the rudder. The uniqueness of the gondola includes its being asymmetrical along the length making the single-oar propulsion more efficient. For centuries, the gondola was a major means of transportation and the most common watercraft within Venice. In modern times, the boats still do have a role in public transport in the city, serving as ''traghetti'' (small ferries) over the Grand Canal operated by two oarsmen. Various types of gondola boats are also used in special regattas (rowing races) held amongst gondoliers. Their primary role today, however, is to carry tourists on rides at fixed rates. There are approximately 400 licensed gondoliers in Venice and a similar number of boats, down from the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capital (architecture)
In architecture the capital (from the Latin ''caput'', or "head") or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order established in the 16th century on a hint from the Arch of Titus, adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architectural orde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puteal
A puteal (Latin: from ''puteus'' (well) — plural: ''putealia''Venetian Wellheads @ Venipedia Accessed May 25, 2012. ) is a classical built around a 's access opening. Description 
The enclosure keeps people from falling down a well otherwise open at grade level.John Weale, ''Rudimentary Dictionary of Terms Used in ...
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