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The Stolen Heiress
''The Stolen Heiress or, The Salamanca Doctor Outplotted'' is a 1702 comedy play by the English writer Susanna Centlivre. The original Lincoln's Inn cast included John Bowman as Governour, Thomas Griffith as Count Pirro, John Freeman as Gravello, William Fieldhouse as Larich, George Powell as Palante, Barton Booth as Eugenio, George Pack as Francisco, Thomas Dogget as Sancho, George Bright as Rosco and Elizabeth Barry Elizabeth Barry (1658 – 7 November 1713) was an English actress of the Restoration period. Elizabeth Barry's biggest influence on Restoration drama was her presentation of performing as the tragic actress. She worked in large, prestigious ... as Lucasia. References Bibliography * Burling, William J. ''A Checklist of New Plays and Entertainments on the London Stage, 1700-1737''. Fairleigh Dickinson Univ Press, 1992. 1702 plays Comedy plays West End plays Plays by Susanna Centlivre {{play-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susanna Centlivre
Susanna Centlivre (c. 1669 (baptised) – 1 December 1723), born Susanna Freeman and also known professionally as Susanna Carroll, was an English poet, actress, and "the most successful female playwright of the eighteenth century". Centlivre's "pieces continued to be acted after the theatre managers had forgotten most of her contemporaries." During a long career at the Theatre Royal, Drury Lane, she became known as the second woman of the English stage, after Aphra Behn. Life The main source of information on Centlivre's early life is Giles Jacob, who claimed he had received an account of it directly from her. This was published in ''The Poetical Register'' of 1719, yet it includes little information about her early life. Centlivre was probably baptised Susanna Freeman at Whaplode, Lincolnshire on 20 November 1669, as the daughter of William Freeman of Holbeach and his wife, Anne, the daughter of Mr Marham, a gentleman of Lynn Regis, Norfolk.J. Milling, "Centlivre , Susanna (b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barton Booth
Barton Booth (168210 May 1733) was one of the most famous dramatic actors of the first part of the 18th century. Early life Booth was the son of The Hon and Very Revd Dr Robert Booth (priest), Robert Booth, Dean of Bristol, by his first wife and distant cousin Ann Booth, daughter of Sir Robert Booth (judge), Robert Booth, Lord Chief Justice of Ireland, and was educated at Westminster School, where his success in the Roman comedy ''Andria (comedy), Andria'' gave him a gave him an inclination for the stage. He was intended for the church, and to attend Trinity College, Cambridge; but in 1698 he ran away and obtained employment in a theatrical company in Dublin, where he made his first appearance as the title character in Aphra Behn's ''Oroonoko''. London success After two seasons in Ireland he returned to London, where Thomas Betterton, who had previously failed to help him, probably out of regard for Booth's family, now gave him all the assistance in his power. At the Lincoln's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comedy Plays
Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: in Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing '' agon'' or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1702 Plays
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth Barry
Elizabeth Barry (1658 – 7 November 1713) was an English actress of the Restoration period. Elizabeth Barry's biggest influence on Restoration drama was her presentation of performing as the tragic actress. She worked in large, prestigious London theatre companies throughout her successful career: from 1675 in the Duke's Company, 1682 – 1695 in the monopoly United Company, and from 1695 onwards as a member of the actors' cooperative usually known as Betterton's Company, of which she was one of the original shareholders. Her stage career began 15 years after the first-ever professional actresses had replaced Shakespeare's boy heroines on the London stage. The actor Thomas Betterton said that her acting gave "success to plays that would disgust the most patient reader", and the critic and playwright John Dennis described her as "that incomparable Actress changing like Nature which she represents, from Passion to Passion, from Extream to Extream, with piercing Force and w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Bright (actor)
George Bright was an English stage actor of the seventeenth and early eighteenth century. He specialised in playing "comic dullards, fops and bouncy servants".Hughes p.197 After beginning his career in Dublin he joined the Duke's Company at the Dorset Garden Theatre in 1679 and then became part of the merged United Company in 1682. Selected roles * Ajax in ''Troilus and Cressida'' by John Dryden (1679) * Glisten in '' The Revenge'' by Aphra Behn (1680) * Baltazer in ''The False Count'' by Aphra Behn (1681) * Slouch in ''The Royalist'' by Thomas D'Urfey (1682) * Sheriff in '' The Duke of Guise'' by John Dryden (1682) * Farmer in ''Dame Dobson'' by Edward Ravenscroft (1683) * Martin in ''A Jovial Crew'' by Richard Brome (1683) * Howdee in ''The Northern Lass'' by Richard Brome (1684) * Captain Hackum in ''The Squire of Alsatia'' by Thomas Shadwell (1688) * Dullman in ''The Widow Ranter'' by Aphra Behn (1689) * Don Pedro in ''The Successful Strangers'' by William Mountfort (1690) * D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Dogget
Thomas Doggett (or Dogget) (20 September 1721) was an Irish actor. The birth date of 1640 seems unlikely. A more probable date of 1670 is given in the Encyclopædia Britannica. Biography Doggett was born in Dublin, and made his first stage appearance in London in 1691 as Nincompoop in Thomas D'Urfey's ''Love for Money''. In this part, and as Solon in the same author's ''The Marriage-Hater Matched'', he became popular. He followed Betterton to Lincoln's Inn Fields, creating the part of Ben, specially written for him, in William Congreve's ''Love for Love'', with which the theatre opened (1695); and the following year played Young Hobb in his own play, ''The Country Wake''. He was associated with Colley Cibber and others in the management of the Theatre Royal, Haymarket, and Drury Lane, and he continued to play comedy parts at the former until his retirement in 1713. Doggett is highly spoken of by his contemporaries, both as an actor and as a man, and is frequently referred to in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Pack (actor)
George Pack ( fl. 1700 – 1724) was a British stage actor, singer and theatre manager of the eighteenth century.Heard p.48 His first known performance on the London stage was as Westmoreland in Shakespeare's '' Henry IV'' at the Lincoln's Inn Fields Theatre and he remained with the company until it transferred to the Queens's Theatre in the Haymarket in 1705. He played in a mixture of comedies and tragedies, originating roles in plays by many of the leading dramatists of the era including Nicholas Rowe, Mary Pix, John Vanbrugh and Susanna Centlivre. In 1708 Pack joined the Drury Lane company and remained with it until he left to join John Rich's new company at the revived Lincoln's Inn Fields Theare in 1715. His final original role was in '' The Chimera'' in 1721. The following year he announced his retirement but came back briefly to appear in a benefit performance for Frances Maria Knight in 1724 and also received his own benefit shortly afterwards. After leaving the st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Powell (playwright)
George Powell (1668? – 1714) was a 17th-century London actor and playwright who was a member of the United Company. He was the son of the actor Martin Powell, a long-standing member of the King's Company. Plays In his playwrighting Powell has been called 'an unscrupulous and opportunistic appropriator, gleaning materials from a variety of sources'. He was embroiled in a plagiarism scandal after writing a misogynistic play called ''The Imposture Defeated; or, A Trick to Cheat the Devil'', first performed in September 1697. This play portrayed the proper treatment of an adulteress as brutal confinement and isolation from others to punish her and prevent the spread of her attitude. It is widely accepted that Powell had plagiarised from the then unpublished manuscript of Mary Pix's ''The Deceiver Deceived''. Theatre critic Charles Gildon called Powell's version the inferior of the two. Powell also wrote the plays '' Alphonso, King of Naples'' (first performed in December 1690 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lincoln's Inn Fields Theatre
Lisle's Tennis Court was a building off Portugal Street in Lincoln's Inn Fields in London. Originally built as a real tennis court, it was used as a playhouse during two periods, 1661–1674 and 1695–1705. During the early period, the theatre was called Lincoln's Inn Fields Playhouse, also known as The Duke's Playhouse, The New Theatre or The Opera. The building was demolished and replaced by a purpose-built theatre for a third period, 1714–1728. The tennis court theatre was the first public playhouse in London to feature the moveable scenery that would become a standard feature of Restoration theatres. Historical background The period beginning in England in 1642 and lasting until 1660 is known as the Interregnum, meaning "between kings." At this time, there was no monarch on the throne, and theatre was against the law. Spanning from 1642 to 1649, the English Civil War occurred. This war was an uprising against the current King of England, King Charles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Fieldhouse
William is a male given name of Germanic origin.Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford University Press, 2nd edition, , p. 276. It became very popular in the English language after the Norman conquest of England in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will, Wills, Willy, Willie, Bill, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie or the play ''Douglas''). Female forms are Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the given name ''Wilhelm'' (cf. Proto-Germanic ᚹᛁᛚᛃᚨᚺᛖᛚᛗᚨᛉ, ''*Wiljahelmaz'' > German ''Wilhelm'' and Old Norse ᚢᛁᛚᛋᛅᚼᛅᛚᛘᛅᛋ, ''Vilhjálmr''). By regular sound changes, the native, inherited English form of the name shoul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Freeman (actor)
John Freeman may refer to: Politicians *John Freeman (Australian politician) (1894–1970), Australian politician *John Freeman (British politician) (1915–2014), British politician, broadcaster and television presenter *John Freeman (Wyoming politician) (born 1954), member of the Wyoming House of Representatives * John Bailey Freeman (1835–1890), Canadian politician * John D. Freeman (1817–1886), U.S. Representative from Mississippi Sportspeople * John Freeman (cricketer) (1883–1958), English cricketer * John Freeman (baseball) (1901–1958), American baseball player * John Freeman (footballer) (born 2001), English footballer *John Freeman (rugby) (1934–2017), Welsh rugby union and professional rugby league footballer * John Childe-Freeman (born 1935), known as John Freeman, cricketer for Queensland *John Ripley Freeman (1855–1932), American civil engineer *Buck Freeman (John Frank Freeman, 1871–1949), American baseball player Writers and editors * John Freeman (poet) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
