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The Spanish Viceroy
''The Spanish Viceroy'' is a problem play of English Renaissance drama. Originally a work by Philip Massinger dating from 1624, it was controversial in its own era, and may or may not exist today in altered form. History 1624 In December 1624, the King's Men got into trouble with Sir Henry Herbert, the Master of the Revels, because they performed a play, ''The Spanish Viceroy'', without first obtaining Herbert's license. This step was bound to get them into trouble: Herbert's job was to oversee and censor every play acted in the London theatres, and he was zealous in doing his job, maintaining his authority, and collecting his fees. The outcome was unsurprising, given the way the system of control worked. On 20 December 1624, the King's Men provided Herbert with a "submission", a written apology, signed by each actor who had taken part in the offending performance. The cast included Robert Benfield, George Birch, John Lowin, Thomas Pollard, John Rice, Richard Robinson, Wil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Renaissance Theatre
English Renaissance theatre, also known as Renaissance English theatre and Elizabethan theatre, refers to the theatre of England between 1558 and 1642. This is the style of the plays of William Shakespeare, Christopher Marlowe and Ben Jonson. Background The term ''English Renaissance theatre'' encompasses the period between 1562—following a performance of ''Gorboduc'', the first English play using blank verse, at the Inner Temple during the Christmas season of 1561—and the ban on theatrical plays enacted by the English Parliament in 1642. In a strict sense "Elizabethan" only refers to the period of Queen Elizabeth's reign (1558–1603). ''English Renaissance theatre'' may be said to encompass ''Elizabethan theatre'' from 1562 to 1603, '' Jacobean theatre'' from 1603 to 1625, and '' Caroline theatre'' from 1625 to 1642. Along with the economics of the profession, the character of the drama changed towards the end of the period. Under Elizabeth, the drama was a unified ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Warburton (officer Of Arms)
John Warburton (1682–1759) was an antiquarian, cartographer, and Somerset Herald of Arms in Ordinary at the College of Arms in the early 18th century. Life He was the son of Benjamin and Mary Warburton. In early life John was an exciseman and then a supervisor, being stationed in 1718–19 at Bedale in Yorkshire. He was admitted F.R.S. in March 1719, but was ejected on 9 June 1757 for nonpayment of his subscription. His election as F.S.A. took place on 13 January 1720, but he ceased to be a member before January 1754. On 18 June 1720 he was appointed to the office of Somerset Herald in the College of Arms. "Warburton, John" entry in ''Dictionary of National Biography, 1885-1900, Volume 59'' Warburton's first wife was Dorothy, but they separated in 1716. He later married a widow with children, and is said to have married her son, when a minor, to one of his daughters. By his second wife he had a son called John. Warburton died at his apartments in the College of Arms, London ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedro Téllez-Girón, 3rd Duke Of Osuna
Pedro Téllez-Girón, 3rd Duke of Osuna (17 February 1574 – 20 September 1624) was a Spanish nobleman and politician. He was the 2nd Marquis of Peñafiel, 7th Count of Ureña, Spanish Viceroy of Sicily (1611–1616), Viceroy of Naples (1616–1620), a Knight of the Order of the Golden Fleece since 1608, Grandee of Spain, member of the Spanish Supreme Council of War, and the subject of several poems by his friend, counselor and assistant, Francisco de Quevedo. Early life He was born in Osuna, province of Sevilla, and baptized on 18 January 1575, the son of Juan Téllez-Girón, 2nd Duke of Osuna, and of his wife Ana María de Velasco, daughter of Íñigo Fernández de Velasco, 4th Duke of Frías and Constable of Castile. According to the first biography published in 1699 by the Protestant Milanese Gregorio Leti, which has been until the 20th century the main and most exploited source of information on the third Duke of Osuna, when a boy he accompanied his grandfather, the 1st duke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Late Lancashire Witches
''The Late Lancashire Witches'' is a Caroline-era stage play and written by Thomas Heywood and Richard Brome, published in 1634. The play is a topical melodrama on the subject of the witchcraft controversy that arose in Lancashire in 1633. Performance The play was performed by the King's Men at the Globe Theatre. It was a popular success; it ran for three consecutive days in August 1634, at a time when plays were normally changed daily in a repertory system. Date and collaboration It was once thought that Brome revised an old play by Heywood to make it pertinent to the situation in the early 1630s, generating a work that is roughly 90 per cent Heywood and 10 per cent Brome. Modern scholarship argues that the dramatists' extensive use of court documents shows that Heywood and Brome wrote a new play in 1633–34 to capitalise on a current public affair, producing a work that is much closer to an equal collaboration. The 1634 quarto was printed by Thomas Harper for the bookseller B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sir John Van Olden Barnavelt
''The Tragedy of Sir John van Olden Barnavelt'' is a Jacobean play written by John Fletcher and Philip Massinger in 1619, and produced in the same year by the King's Men at the Globe Theatre. Based on controversial contemporaneous political events, the play was itself controversial and had to survive an attempt at suppression by religious authorities. Historical facts The historical Johan van Oldenbarnevelt (spellings vary), "Lord of Berkel, Rodenrys, etc.," was a prominent Dutch politician and statesman who was executed in The Hague on 13 May 1619. He was beheaded at the age of 71, after a conviction on a charge of high treason for allegedly conspiring with the Spanish enemies of the Netherlands – though he maintained his innocence to the end of his life. Since Holland was an English ally and English troops had long been involved in their conflict with Spain, the case of Oldenbarnevelt was of immense interest in England. Ideology Fletcher and Massinger composed a drama on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Game At Chess
''A Game at Chess'' is a comic satirical play by Thomas Middleton, first staged in August 1624 by the King's Men at the Globe Theatre. The play is notable for its political content, dramatizing a conflict between Spain and England. The plot takes the form of a chess match, and the play includes some genuine chess moves. Instead of personal names, the characters are known as the White Knight, the Black King, and so forth. Yet the play unmistakably alludes to Anglo-Spanish diplomacy under King James, especially the failed marriage negotiation between Prince Charles and the Spanish Infanta Maria Anna of Spain. The play is satirical of King James I of England, and it was shut down after only nine days. Historical context ''A Game at Chess'' satirises historical events and figures of the early seventeenth century.Heinemann 1975, pp. 232–250 Those depicted include members of the English court, the Spanish court, and prominent religious figures. James I, who reigned as King of En ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Middleton
Thomas Middleton (baptised 18 April 1580 – July 1627; also spelt ''Midleton'') was an English Jacobean playwright and poet. He, with John Fletcher and Ben Jonson, was among the most successful and prolific of playwrights at work in the Jacobean period, and among the few to gain equal success in comedy and tragedy. He was also a prolific writer of masques and pageants. Life Middleton was born in London and baptised on 18 April 1580. He was the son of a bricklayer, who had raised himself to the status of a gentleman and owned property adjoining the Curtain Theatre in Shoreditch. Middleton was five when his father died and his mother's subsequent remarriage dissolved into a 15-year battle over the inheritance of Thomas and his younger sister – an experience that informed him about the legal system and may have incited his repeated satire against the legal profession. Middleton attended The Queen's College, Oxford, matriculating in 1598, but he did not graduate. Before he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diego Sarmiento De Acuña, Conde De Gondomar
Diego is a Spanish masculine given name. The Portuguese equivalent is Diogo. The name also has several patronymic derivations, listed below. The etymology of Diego is disputed, with two major origin hypotheses: ''Tiago'' and ''Didacus''. Etymology ''Tiago'' hypothesis Diego has long been interpreted as variant of ''Tiago'' (Brazilian Portuguese: ''Thiago''), an abbreviation of ''Santiago'', from the older ''Sant Yago'' "Saint Jacob", in English known as Saint James or as ''San-Tiago''. This has been the standard interpretation of the name since at least the 19th century, as it was reported by Robert Southey in 1808 and by Apolinar Rato y Hevia (1891). The suggestion that this identification may be a folk etymology, i.e. that ''Diego'' (and ''Didacus''; see below) may be of another origin and only later identified with ''Jacobo'', is made by Buchholtz (1894), though this possibility is judged as improbable by the author himself. ''Didacus'' hypothesis In the later 20th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Very Woman
''A Very Woman, or The Prince of Tarent'' is an early seventeenth-century stage play, a tragicomedy written by Philip Massinger and John Fletcher. It was first published in 1655, fifteen and thirty years after the deaths of its authors. Date Scholars generally agree that the existing text of the play is a Massinger revision of an earlier work, though they disagree as to whether that earlier version was a Fletcher/Massinger collaboration or a work by Fletcher alone. (Cyrus Hoy favoured the latter view.) So the original must have predated Fletcher's death in 1625; lacking hard data on this point, scholars have estimated a date of authorship in the 1619–22 period. The play entered the historical record when it was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 6 June 1634; it is not improbable that Massinger's revision of the text shortly preceded that licensing. No firm information on the play's early stage history has survived; it is more likely th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Guardian (play)
''The Guardian'' is a Caroline era stage play, a comedy written by Philip Massinger, dating from 1633. "The play in which Massinger comes nearest to urbanity and suavity is ''The Guardian''...." Performance The play was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 31 October 1633. It was performed by the King's Men at the Blackfriars Theatre, and was acted at Court before King Charles I on Sunday 12 January 1634. Publication ''The Guardian'' was not published until 1655, when it was included in an octavo volume issued by Humphrey Moseley that also contained Massinger's '' The Bashful Lover'' and the Fletcher/Massinger collaboration ''A Very Woman.'' (When Moseley entered the play into the Stationers' Register in 1653, it was under the title ''The City Honest Man or The Guardian,'' a form that appears nowhere else.) Sources For the plot of his play, Massinger drew upon traditional story and folktale materials that are expressed in various forms t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Bashful Lover
''The Bashful Lover'' is a Caroline era stage play, a tragicomedy written by Philip Massinger. Dating from 1636, it is the playwright's last known extant work; it appeared four years before his death in 1640. The play was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 9 May 1636; it was acted by the King's Men at the Blackfriars Theatre. It was first published in 1655, in the octavo volume titled ''Three New Plays'' issued by Humphrey Moseley, a volume that also contained Massinger's ''The Guardian'' and the Massinger/Fletcher play ''A Very Woman.'' When Moseley entered the play into the Stationers' Register on 9 September 1653, he listed it as ''Alexius, the Chaste Gallant or The Bashful Lover.'' There is no character named "Alexius" is Massinger's play – but a play titled ''Alexius, the Chaste Gallant'' had been acted in 1639. This appears to have been an instance of Moseley's habit of taking advantage of the inherent confusion of titles and sub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lovers' Progress
''The Lovers' Progress,'' also known as ''The Wandering Lovers,'' or ''Cleander,'' or ''Lisander and Calista,'' is an early seventeenth-century stage play, a tragicomedy written by John Fletcher and Philip Massinger. As its multiple titles indicate, the play has a complex history and has been a focus of controversy among scholars and critics. Facts and conclusions The historical facts pertinent to the play, in chronological order, are these: * A play titled ''The Wandering Lovers'' was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 6 December 1623, as a work by John Fletcher. It was acted at Court on 1 January 1634. No play with that title has survived. * A play by Massinger titled ''The Tragedy of Cleander'' was similarly licensed on 7 May 1634, and performed soon after by the King's Men at the Blackfriars Theatre. Queen Henrietta Maria saw it there on 13 May that year. (''The Lovers' Progress'' could be called a tragedy from the point of view of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
