The Society Of Arts And Crafts Of Boston
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The Society Of Arts And Crafts Of Boston
The Society of Arts and Crafts is one of America's oldest arts and craft nonprofit organization. The Society moved to Boston's Seaport District in 2016 after being located on Newbury Street for over 40 years. The Society was incorporated by twenty-one individuals on June 28, 1897, and was then known as the Society of Arts and Crafts in Boston. The small group was representational of Boston's elites in the fields of teaching, art-making, architecture, and craft. The original Society began with the agreement to "develop and encourage higher artistic standards in the handcrafts." Frederic Allen Whiting was the Director at the Society until 1912, when Humphery J. Emery took over. He would serve on the board of directors until the 1930s. Mission The Society's mission is to support and celebrate craft makers and their creativity. Through its various programs, the organization strives to inspire the creation, assemblage, and promotion of the work of contemporary craft makers. The adva ...
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Frederic Allen Whiting
Frederic Allen Whiting (1873–1959) was a philanthropist and museum director. Whiting acted as an advocate for education and pioneer for public outreach, and was known for his prolific career in the museum world, most notably as the founding director of the Cleveland Museum of Art (1913–30) and later the president of the American Federation of Arts (1930–36). Early life On January 26, 1873, Frederic Allen Whiting was born in Oakdale, Tennessee to Frederic and Catherine Allen Whiting. The Whiting family originally hailed from Massachusetts, but the patriarch's work as the president of an iron company led the Whitings first to Tennessee and, later, to New Jersey, throughout the young Whiting's childhood. Apart from a few years in grammar school, Whiting had no formal education; he received his schooling primarily through tutoring at home. When Whiting was seventeen, the Whiting family moved to Lowell, Massachusetts, a town primarily fueled by its industry in te ...
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Fine Art Society
The Fine Art Society is a gallery based in both London and in Edinburgh's New Town (originally Bourne Fine Art, established 1978). The New Bond Street, London gallery closed its doors in August 2018 after being occupied by The Fine Art Society since February 1876, the entrance façade of which was designed in 1881 by Edward William Godwin (1833–1886). History Founded in 1876 by a group of like-minded men led by William Longman of the publishing family, Marcus Bourne Huish (1843–1904), lawyer, editor, writer and collector, who became the first managing director while at the same time editing ''The Art Journal''; and Archibald Stuart-Wortley MP. The gallery, first managed by Ernest Brown (later founder of Leicester Galleries) has for many years largely concentrated on British art and design from 1600 to the present day; with the Edinburgh premises specialising in Scottish art of the same period. The Edinburgh branch of the company is directed by Emily Walsh. The chairmen were ...
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Contemporary Art
Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic combination of Medium (arts), materials, methods, concepts, and subjects that continue the challenging of boundaries that was already well underway in the 20th century. Diverse and eclectic, contemporary art as a whole is distinguished by the very lack of a uniform, organising principle, ideology, or "-ism". Contemporary art is part of a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity, family, community, and nationality. In vernacular English, ''modern'' and ''contemporary'' are synonyms, resulting in some conflation and confusion of the terms ''modern art'' and ''contemporary art'' by non-specialists. Scope Some define contemporary art as art produced within "our lifetime," recognising tha ...
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Folk Art
Folk art covers all forms of visual art made in the context of folk culture. Definitions vary, but generally the objects have practical utility of some kind, rather than being exclusively decorative art, decorative. The makers of folk art are typically trained within a popular tradition, rather than in the fine art tradition of the culture. There is often overlap, or contested ground with naive art, 'naive art'. "Folk art" is not used in regard to traditional societies where ethnographic art continue to be made. The types of objects covered by the term "folk art" vary. The art form is categorised as "divergent... of cultural production ... comprehended by its usage in Europe, where the term originated, and in the United States, where it developed for the most part along very different lines." For a European perspective, Edward Lucie-Smith described it as "Unsophisticated art, both fine and applied, which is supposedly rooted in the collective awareness of simple people. ...
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William Daley (ceramist)
William Patrick Daley (March 7, 1925 – January 16, 2022) was an American ceramist and professor, known for large scale, contemporary, unglazed stoneware. Biography Daley was born on March 7, 1925, in Hastings-on-Hudson, New York. He attended Massachusetts College of Art and Design and graduated with a bachelor's degree in 1950, and Teachers College, Columbia University and graduated with a degree in 1952. He initially taught at state schools in Iowa and New York. Daley taught ceramics from 1957 until 1990 at University of the Arts, Philadelphia. He received a gold medal in 2003 from the American Craft Council. Daley’s work is in various public collections including at the Metropolitan Museum of Art, Museum of Art and Design, Museum of Fine Arts, Houston, Philadelphia Museum of Art, among others. He died in Elkins Park, Pennsylvania, on January 16, 2022, at the age of 96. See also * Craft in America Craft in America, Inc. is a 501(c)(3) non-profit organization foun ...
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The Society Of Arts + Crafts
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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Contemporary Art
Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic combination of Medium (arts), materials, methods, concepts, and subjects that continue the challenging of boundaries that was already well underway in the 20th century. Diverse and eclectic, contemporary art as a whole is distinguished by the very lack of a uniform, organising principle, ideology, or "-ism". Contemporary art is part of a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity, family, community, and nationality. In vernacular English, ''modern'' and ''contemporary'' are synonyms, resulting in some conflation and confusion of the terms ''modern art'' and ''contemporary art'' by non-specialists. Scope Some define contemporary art as art produced within "our lifetime," recognising tha ...
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Artisan
An artisan (from french: artisan, it, artigiano) is a skilled craft worker who makes or creates material objects partly or entirely by hand. These objects may be functional or strictly decorative, for example furniture, decorative art, sculpture, clothing, food items, household items and tools and mechanisms such as the handmade clockwork movement of a watchmaker. Artisans practice a craft and may through experience and aptitude reach the expressive levels of an artist. History The adjective "artisanal" is often used in describing hand-processing in contrast to an industrial process, such as in the phrase ''artisanal mining''. Thus, "artisanal" is sometimes used in marketing and advertising as a buzz word to describe or imply some relation with the crafting of handmade food products, such as bread, beverages or cheese. Many of these have traditionally been handmade, rural or pastoral goods but are also now commonly made on a larger scale with automated mechani ...
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Organizations Based In Boston
An organization or organisation (Commonwealth English; see spelling differences), is an entity—such as a company, an institution, or an association—comprising one or more people and having a particular purpose. The word is derived from the Greek word ''organon'', which means tool or instrument, musical instrument, and organ. Types There are a variety of legal types of organizations, including corporations, governments, non-governmental organizations, political organizations, international organizations, armed forces, charities, not-for-profit corporations, partnerships, cooperatives, and educational institutions, etc. A hybrid organization is a body that operates in both the public sector and the private sector simultaneously, fulfilling public duties and developing commercial market activities. A voluntary association is an organization consisting of volunteers. Such organizations may be able to operate without legal formalities, depending on jurisdiction, includi ...
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