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The Slave's Lament
"The Slave's Lament" is a song first published in 1792 in volume four of the Scots Musical Museum. It is often claimed that the lyrics were written by Robert Burns. The song is the subject of Graham Fagen’s installation originally created in 2015 with the help of the composer Sally Beamish, reggae artist Ghetto Priest and producer Adrian Sherwood, for that year's ''La Biennale di Venezia'', and in 2017 in the Scottish National Portrait Gallery, part of the 2017 Edinburgh Art Festival The Edinburgh Art Festival is an annual visual arts festival, held in Edinburgh, Scotland, during August and coincides with the Edinburgh International and Fringe festivals. The Art Festival was established in 2004, and receives public funding fr .... Notes {{DEFAULTSORT:Slave's Lament, The Poetry by Robert Burns ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scots Musical Museum
The ''Scots Musical Museum'' was an influential collection of traditional folk music of Scotland published from 1787 to 1803. While it was not the first collection of Scottish folk songs and music, the six volumes with 100 songs in each collected many pieces, introduced new songs, and brought many of them into the classical music repertoire. The project started with James Johnson, a struggling music engraver / music seller, with a love of old Scots songs and a determination to preserve them. In the winter of 1786 he met Robert Burns who was visiting Edinburgh for the first time, and found that Burns shared this interest and would become an enthusiastic contributor. The first volume was published in 1787 and included three songs by Burns. He contributed 40 songs to volume 2, and would end up responsible for about a third of the 600 songs in the whole collection as well as making a considerable editorial contribution. The final volume was published in 1803 and contained the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Johnson (musicologist)
James Johnson (1753? – 26 February 1811) was a Scottish engraver, publisher and music seller known for his connection with the songbook ''The Scots Musical Museum'' and the poet Robert Burns. Life Johnson was born in the Ettrick Valley, the third of four children to Bessie Bleck and James Johnstan, a herdsman. He may have been trained to become an engraver under James Reed of Edinburgh. He was a prolific engraver of music and made the plates for over half the music printed in Scotland from 1772 to 1790. His early engravings were done on copper and included ''Six Canzones for Two Voices'' (1772), ''A Collection of Favourite Scots Tunes … by the Late Mr Chs McLean and other Eminent Masters'' (c1772) and ''Twenty Minuets'' (1773) by Daniel Dow. In 1786 he became burgess of Edinburgh. On 2 July 1791 he married Charlotte Grant, daughter of the writer Lauchlan Grant. They had a son, James, baptised on 13 September 1792, who appears not to have survived to his majority. He opened ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Burns
Robert Burns (25 January 175921 July 1796), also known familiarly as Rabbie Burns, was a Scottish poet and lyricist. He is widely regarded as the national poet of Scotland and is celebrated worldwide. He is the best known of the poets who have written in the Scots language, although much of his writing is in a "light Scots dialect" of English, accessible to an audience beyond Scotland. He also wrote in standard English, and in these writings his political or civil commentary is often at its bluntest. He is regarded as a pioneer of the Romantic movement, and after his death he became a great source of inspiration to the founders of both liberalism and socialism, and a cultural icon in Scotland and among the Scottish diaspora around the world. Celebration of his life and work became almost a national charismatic cult during the 19th and 20th centuries, and his influence has long been strong on Scottish literature. In 2009 he was chosen as the greatest Scot by the Scottish pub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graham Fagen
Graham Fagen (born 1966) is a Scottish artist living and working in Glasgow, Scotland. He has exhibited internationally at thBusan Biennale South Korea (2004), the Art and Industry Biennial, New Zealand (2004), the Venice Biennale (2003) and represented Scotland at the 56th Venice Biennale in 2015 in a presentation curated and organised bHospitalfield In Britain he has exhibited at the Victoria & Albert Museum, Tate Britain and the Institute of Contemporary Arts, London. In 1999 he was invited by the Imperial War Museum, London to work as the Official War Artist for Kosovo. His art practice encompasses video, performance, sculpture, sound and text. His work reflects on how contemporary identity and its associated myths and fictions, can be expressed and understood. and his portraits of real, imagined, historical and contemporary characters explore the idea of identity and performance in portraiture. Plants and flowers are recurrent motifs in his art, as he explores their abi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sally Beamish
Sarah Frances Beamish (born 26 August 1956) is a British composer and violist. Her works include chamber, vocal, choral and orchestral music. She has also worked in the field of music, theatre, film and television, as well as composing for children and for her local community. Early life and education Sarah Frances Beamish was born on 26 August 1956 in London, to William Anthony Alten Beamish and Ursula Mary Beamish (''née'' Snow). She attended the Camden School for Girls and the National Youth Orchestra. She studied viola at the Royal Northern College of Music, where she received composition lessons from Anthony Gilbert and Lennox Berkeley. She later studied in Germany at the Hochschule für Musik Detmold, with the Italian violist Bruno Giuranna. Career As a violist in the Raphael Ensemble, she recorded four discs of string sextets. However, it was as a composer that she made her mark, particularly after moving from London to Scotland. She has written a large amount of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adrian Sherwood
Adrian Maxwell Sherwood (born 20 January 1958, London, England) is an English record producer specialising in the genre of dub music. He has created a distinctive production style based on the application of dub effects and dub mixing techniques to other forms of electronic dance music and popular music outside of the genre. He has worked extensively with a variety of reggae artists as well as the musicians Keith LeBlanc, Doug Wimbish and Skip McDonald. Sherwood has remixed tracks by Coldcut, Depeche Mode, The Woodentops, Primal Scream, Pop Will Eat Itself, Sinéad O'Connor, and Skinny Puppy. In his role as a record producer he has worked with a variety of record labels; however, his best-known label is On-U Sound Records which he founded in 1979. Sherwood has been a member of the band Tackhead. He considers himself tone deaf, and focuses on making sounds and noises rather than melody. Career Sherwood was co-founder of Carib Gems and Pressure Sounds, and founder of Hitrun R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venice Biennale
The Venice Biennale (; it, La Biennale di Venezia) is an international cultural exhibition hosted annually in Venice, Italy by the Biennale Foundation. The biennale has been organised every year since 1895, which makes it the oldest of its kind. The main exhibition held in Castello, in the halls of the Arsenale and Biennale Gardens, alternates between art and architecture (hence the name ''biennale''; ''biennial''). The other events hosted by the Foundationspanning theatre, music, and danceare held annually in various parts of Venice, whereas the Venice Film Festival takes place at the Lido. Organization Art Biennale The Art Biennale (La Biennale d'Arte di Venezia), is one of the largest and most important contemporary visual art exhibitions in the world. So-called because it is held biannually (in odd-numbered years), it is the original biennale on which others in the world have been modeled. The exhibition space spans over 7,000 square meters, and artists from ov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scottish National Portrait Gallery
The Scottish National Portrait Gallery is an art museum on Queen Street, Edinburgh. The gallery holds the national collections of portraits, all of which are of, but not necessarily by, Scots. It also holds the Scottish National Photography Collection. Since 1889 it has been housed in its red sandstone Gothic revival building, designed by Robert Rowand Anderson and built between 1885 and 1890 to accommodate the gallery and the museum collection of the Society of Antiquaries of Scotland. The building was donated by John Ritchie Findlay, owner of ''The Scotsman'' newspaper. In 1985 the National Museum of Antiquities of Scotland was amalgamated with the Royal Scottish Museum, and later moved to Chambers Street as part of the National Museum of Scotland. The Portrait Gallery expanded to take over the whole building, and reopened on 1 December 2011 after being closed since April 2009 for the first comprehensive refurbishment in its history, carried out by Page\Park Architects. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edinburgh Art Festival
The Edinburgh Art Festival is an annual visual arts festival, held in Edinburgh, Scotland, during August and coincides with the Edinburgh International and Fringe festivals. The Art Festival was established in 2004, and receives public funding from Creative Scotland. In 2022, Kim McAleese was appointed Festival Director, succeeding Sorcha Carey (2011 - 2021). Carey is now Director at Collective, Edinburgh. Historical background The Edinburgh International Festival began in 1947, and significant visual art exhibitions were included in the early years. Exhibitions included the French artists Pierre Bonnard and Édouard Vuillard in 1948; a retrospective of the three Scottish Colourists, Samuel Peploe, Francis Cadell and Leslie Hunter in 1949; and Rembrandt in 1950. Thereafter, there was acknowledgement from the Festival authorities that the visual arts needed to be more "emphatically represented" in the Festival itself, and a series of partnerships was forged between the Festival S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
